Li Wei:
I created the feeling of polly’s debut, made a shape with high shoulder pads and a sleeveless jacket, which showed her overall temperament. Inside is a jumpsuit. Only girls who are confident and in great shape may dare to dress like this. I chose a black high-heeled shoe, and the other one made an asymmetrical shape, just to have fun.
Wang Hao:
My theme is elevation, because all angles are viewed from the elevation. These lines on my body represent polly’s passion in her work, and there is a period of ups and downs. Their work has a high period and a low period, so my inspiration comes from ECG of the heart, high peaks in physics, and low valleys. In addition, a fashion editor should have a long black dress and a handbag for dinner.
Ren Xi:
One scene in the script is that polly hides in the closet and cries after being criticized. Although she has a very capable appearance, she is very weak at heart, so I choose silk fabric as my skirt, and use a lot of interlacing and layering to show the ups and downs of her mood and the versatility of her personality.
Han Lipeng:
I think polly’s appearance is mature, but actually she is a little girl at heart, such as this necklace, which is very flamboyant. The little girl may like this bright and shiny, reflecting that she pretends to be tough or atmospheric on the outside, but what she likes inside is still the little girl’s things. In general, she is fashionable, atmospheric and simple, which will make people feel that this girl is very interesting.
Qiu Qiyang:
I don’t think a serious person will wear a skirt, because she has to work, so I choose pants. I choose flesh color because people who are confident dare to wear flesh color, and they can express the fashionable side. The collocation of colors is green and pink, and I don’t want to steal the color of the protagonist, but also have a sense of fashion. Then I choose some special fabrics, such as PVC, as the finishing touch.
Chen Zhigang:
Polly, as a fashion person who works in an office, must have a professional spirit. I chose the combination of three clothes and the usual colors in the fashion industry to make a set of such designs.
Meng Xiangqian:
I think Polly is a person who can say different things on different occasions. I use black and white to express in different scenes, and what she said is two completely different feelings.
Zhao Haixin:
This dress I made was worn by Polly at the dinner party. I think Hermes’ dinner party should be more fashionable. Personally, I think Polly is a confident person, who may occasionally wear something wrong or overdo it, so I made her a short dress.
Guan Qiqi:
I chose a scene of Polly and Phillips in the fitting room. After reading the whole script, I think Polly is a person who can see through, but can’t say it through. She is a contradiction. I use this texture and flat suit fabric to express her feeling of being separate but integrated.
NeIson Lo:
I chose the scene where Polly just appeared. The script mentioned her taste and her weight. Because she is an editor of a magazine after all, I think the clothes should have an international sense.
Wang mingrui
I chose this scene of Hermes dinner to create a dress for Polly. The biggest highlight of this dress is the version of the upper body. Without cutting this version, two belts extend directly from the dress. They are not only decorative, but also important for the upper body. My whole dress was cut diagonally, so it fits me better.
Cui Miao:
I chose a scene where Polly was in the studio, shooting a big movie for the hero. I made a suit with tough lines. Because Polly is a enterprising girl, I made an asymmetric design of this suit to show her character, flexibility and competence.
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