月度归档 2024年9月10日

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Many theaters use laser pointers to stop audiences from taking photos, causing heated debate about whether the reminder method is civilized

  Deng Chao’s "Super Theater" will be unveiled on June 26. On the 23rd, Deng Chao wrote a long article detailing his fate with drama, and sighed: "A dream for more than ten years is finally coming true."

The Super Theater will open

  The "Super Theater" created by Deng Chao [Weibo] will be unveiled on June 26. On the evening of the 23rd, Deng Chao wrote a long article detailing his fate with drama, and sighed: "A dream for more than ten years is finally coming true."

  Deng Chao said that the first performance opportunity he got in his life was the play "Che, Guevara." Before he started Chinese opera, he had no particular love for drama, and the motivation for learning to act was just to cope with the pressure at home. His love for acting began in the second semester of his freshman year, when the World Theatre Art Festival was held in Beijing, and he was truly infected, moved, and even wept.

  Deng Chao said that after years of planning and promotion, there was finally a Super Theater. On the day the theater was renovated, he stood on the stage, facing more than 500 empty seats, and his heart was full. Deng Chao said: "Our Super Theater should also gather more young artists to pursue dreams, realize dreams, shine and shine." (He Shi)

  "Hey, let me be a captain" in its entirety:

  My first chance to perform was in the play "Che, Guevara." I was given the role – no role, just the voice of Guevara, a voiceover of less than ten sentences. But I was so excited, I gave it my all, and I felt like a proud captain as I recited my words. More than a decade later, I still remember the line: Warriors, our ship is now set sail.

  How incredible is fate? Who knew that I didn’t have any particular love for drama before I went to Chinese drama.

  In my school days, the most important thing was actually the diploma, and my motivation for studying acting was just to cope with the pressure at home. To this day, I don’t know what the professional teacher liked during the interview. After singing a few songs indiscriminately, I was admitted. But even though I went to Chinese opera, I still had low self-esteem in my bones and felt that I was not the material. Falling in love with acting, falling in love with drama, or even making it a lifelong career? That has nothing to do with me.

  The transition took place during the next semester of freshman year.

  That year, the World Theatre Festival was held in Beijing. The British Shakespeare Company, the German Physical Theatre Company, the Japanese Shinjuku Liangshanbo Company, the best performing teams from all over the world came together in Beijing, and suddenly, any theater in Beijing, at any time, will have the best theater performance on the planet. Even the playground of the Chinese opera has set up Japanese theater tents. I was like an amateur painter who broke into the Louvre Museum, excited, excited, dazzled. I watched a lot of plays non-stop, some were moving, interesting, fascinating, and sometimes I didn’t understand what they were talking about, but I was really infected by them, moved by them, and even cried. At that time, I seemed to have entered a whole new world of art: unlike the theatre I had been exposed to before, it turned out that theatre could be so charming and moving.

  In the beginning of my sophomore year, I couldn’t resist the urge to do a one-act play by myself, called "Farewell My Concubine", which is an adaptation of the movie of the same name. The length is very short and there are many shortcomings. I lacked confidence in this work, and only regarded it as my own study and attempt. But I didn’t expect that because of this work, I got my first praise in drama – Teacher Gao Jingwen said to me after reading it, super, good.

  From that day on, I realized that praise is the best teacher. Like a door opened, the love of the theater space began. I began to play important and unimportant roles in various repertoires, and I deeply felt the pleasure of drama and performance.

  In the second semester of my sophomore year, the school held a ceremony at the Shaw Theater. After the show, the crowd dispersed. Facing the bustling stage, I suddenly felt an irresistible urge: I couldn’t help it, crouched down, and then, half-kneeling, kissed the stage.

  Tears welled up.

  Like a magic box, the stage can condense and show the joys and sorrows of life. At that moment, a huge thought flew through my mind: I will never leave the stage in my lifetime, I want to have my own stage.

  Later, I acted in TV series, movies, stage plays, and did a lot of things. Like a sailor, I set off from the dock of the Drama Academy and took a boat to the ocean, riding the wind and waves.

  Sometimes, I also look back.

  I have shared my graduation story on many occasions. That year, I was full of confidence and felt that I could go to a good theater career, but how frustrated I was after being rejected by a well-known theater company. There is too little space in the country to accommodate the development of theater, and I almost missed the theater as a graduate student. How many talented young people, dreamers with theatrical dreams, where can they go to pursue their dreams?

  I always think of the creeper in the dappled tree shadows on the walls of the Chinese Theater. We crouched outside the theater on rainy afternoons eating pastoral burgers, and pushed open the windows after all-night rehearsals, and the white snow outside. If the memory of theater is so beautiful, why can’t I give more young people who love acting and the stage as much as I did?

  The thought came uninvited: Can I have my own stage?

  This dream, which doesn’t seem to be commensurate with the status of an actor, will be very laborious and may not make money. Fortunately, I have my friends Yu Baimei [Weibo], Qian Rui and Wang Qi who also love drama by my side. They say, do what you want! I ask, don’t you think I’m crazy? Bai Mei said, make life your stage.

  With our joint efforts, after years of planning and promotion, we finally had this super theater. On the day the theater was renovated, I stood on the stage, facing more than 500 empty seats, and my heart was full. I remembered the Shaw theater I had kissed, the lines I had read, and the scenes I had performed wildly. Suddenly, I was a little timid. At this moment, I wish Mr. Gao Jingwen was still by my side and said to me, Super, good.

  But I couldn’t hear it again. The year before last, he passed away.

  Therefore, I am well aware of the great significance of supporting and encouraging future generations. Our Super Theater should also gather more young artists to pursue dreams, realize dreams, and shine brightly. I hope that one day, we old guys are really old and can come to the Super Theater like captains, happily drinking rum, sitting alone on the deck in the warm sunshine, quietly watching the young sailors wash their hair, climb the mast, untie the cable, and hold up their own sails.

  Hey, let me be a captain and announce that our ship is about to set sail now!

  (Editor in charge: shining)

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Li Zonghan’s "Jianyu Jianghu" shape was exposed, and he cut his hair to play with iron chopsticks for a monk


Li Zonghan monk style


Unique weapon Iron chopsticks


Li Zonghan’s eyes are determined

   The $12 million film "Sword Rain" was recently filmed in Hengdian, and the first stills were released on the spot. Director Yu Woo said lightly: "This is only half of the card, and then there will be some big-name actors joining, and there will be more unexpected surprises." It is quite the style of a feather fan and a towel. It is reported that Li Zonghan, an important role player in the play, has recently joined the film. In the play, he cut his hair as a monk and played "Lu Zhu". In order to create a new image, he changed his makeup several times to break through the image of the previous elegant and elegant students. Costume designer Wada Emi praised the feeling of a young version of Takakura Ken, which is quite eye-catching.

  The film "Jianyu Jianghu" has invested over 100 million yuan. It not only invested heavily in production but also has a super-luxurious cast. It gathers Chinese and Korean stars such as Yeoh Michelle Yeoh, Zheng Yusheng, Big S, Yu Wenle, Li Zonghan, Wang Xueqi, Lin Xilei, Guo Xiaodong and so on. The film’s executive producer and general director John Woo believes that "Jianyu Jianghu" is positioned as a very emotional martial arts film. The costume designer of the film is made by the Oscar-winning Wada Emi. In the film, Li Zonghan plays the monk "Lu Zhu" with hair cultivation. He breaks through the previous mild-mannered and personable image of a small student. The rare short hairstyle took an afternoon. Li Zonghan told reporters: "This style has been changed twice. The previous one was not cut as short, but the director hoped to be shorter after seeing it. After cutting it, he looked at the mirror and felt quite" shocked ". The first time it was so short, it was quite fresh…" Although Li Zonghan’s monk robe seemed simple, in order to reflect the traces of time, the clothier used chemical effects to soak him in potassium permanganate and then took it out to finish grinding. This process alone took a day. Wada Emi was quite satisfied with the final shape and praised Li Zonghan for having the feeling of Takakura Ken back then.

  Everyone has a "rivers and lakes" in their hearts. For the word "rivers and lakes", Li Zonghan explained: "A sword. A kind of love. A woman and a man. A confusing past of rivers and lakes. In fact, where there are people, it is rivers and lakes." Life and death asked what love is in the world, and Li Zonghan once again deduced that the world cannot love in this life, but emptiness is color and color is emptiness, and life is too short.

Movie Network Viewpoint:The fantasy world of the movie is becoming more and more imaginative. The iron fan played by Dawn in "October Siege" is surprising, and now there are iron chopsticks. Will iron spoons, shovels and other deadly weapons continue to emerge?
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Jietu is no longer low-key, born for youth

What I brought today is. Let’s take you to appreciate its style.

Take a look at the appearance of Jietu Shanhai L9 first. The overall front of Jietu Shanhai L9 is relatively streamlined and looks very clean. With the fashionable and atmospheric headlights, it looks very simple. The car is equipped with LED daytime running lights, automatic opening and closing, adaptive far and near light, delayed closing, etc. Come to the side of the car, the body size of the car is 4862MM*1925MM*1784MM, the car adopts clean and refreshing lines, the side circumference presents a capable design style, with large-sized thick-walled tires, leaving a feeling of avant-garde personality. At the rear of the car, the overall shape of Jietu Shanhai L9 echoes the front face, and the taillights show a simple and elegant design style. Overall, it is still relatively cool.

Sitting in the car, the interior design is relatively young and looks very avant-garde. The steering wheel shape of the car is eye-catching. It is made of leather material, and the shape is angular. From the central control point of view, with a 15.6-inch central control screen, the interior design is quite layered and looks very sturdy. Let me introduce the dashboard and seats. The dashboard design is noticeable and the display effect is excellent. The car adopts leather seats, equipped with electric adjustment of the auxiliary seat, electric adjustment of the seat with memory, and seat ratio reclining. The overall comfort and wrapping are not bad.

The rear compartment space of Jietu Shanhai L9 is not bad. After reclining the rear seats, it can further expand the space, and the load capacity is great, which is enough for daily household use. At the same time, the car is equipped with fatigue reminder, anti-lock braking (ABS), LED daytime running lights, brake assistance (EBA/BAS, etc.), braking force distribution (EBD) main driver airbag, passenger seat airbag, side aircurtain, front side airbag and other safety configurations.

Such a well-priced car is enough to meet daily practical needs, and it doesn’t take too much effort to maintain it at ordinary times. The cost performance is good. If you like it, you might as well learn more about it.

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Jiang Yiyan challenges the costume drama "Jianyu Jianghu" to stage "virgin fight"


Jiang Yiyan and Su Zhaobin


John Woo and Jiang Yiyan

   The ancient costume martial arts blockbuster "Jianyu Jianghu", directed by Hong Kong famous director John Woo and screenwriter Su Zhaobin, is being filmed at Hengdian Film and Television Base. Mainland talented woman Jiang Yiyan, with her excellent performances in the films "Nanjing! Nanjing!" and "Autumn Joy", was invited by directors Woo and Su Zhaobin to challenge the ancient costume to perform a "virgin" fight for the first time. In an interview with the visiting media, Jiang Yiyan talked about the interesting things of filming, praised Woo’s fatherly feelings, and jokingly called director Su Zhaobin a "saint".

  As the annual ancient suspense martial arts masterpiece, "Sword Rain Jianghu" gathers many stars such as Michelle Yeoh, Zheng Yusheng, Big S, Wang Xueqi, Jiang Yiyan, Yu Wenle, Guo Xiaodong, Lin Xilei, etc., telling a story involving two generations of Jianghu love and hatred. Since the film started, it has been filming nervously and quietly, and the shooting that lasted more than two months is coming to an end. In order to play the first "virgin" fight, the talented female Jiang Yiyan started fitness training early before entering the group, and privately learned secret techniques from the martial arts teacher. From the initial ignorance of sword tricks and "no way to start", to the free-spirited transformation into a generation of female heroes, a lot of effort has been made. The director also praised Jiang Yiyan’s first martial arts performance. Talking about the two directors of the crew, John Woo and Su Zhaobin, Jiang Yiyan said: "Director Woo is very meticulous and always pays attention to every detail of the set. He is like a father, making people feel the brilliance of fatherly love." When talking about Su Zhaobin, who is known as a screenwriter wizard, Jiang Yiyan said with a smile: "He can shoot for days and nights, like a’saint ‘!"

  It is reported that Jiang Yiyan became addicted to "playing" because of the filming of "Jianyu Jianghu". He said that in 2010, he will try more fighting scenes and more different styles of fighting scenes, such as bare-handed combat or action movies with guns, to challenge himself and let the audience see different Jiang Yiyan.

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IGN China’s exclusive interview with the creator of "Black Myth: Wukong", entering game science

Zhao Wenyong, Tech Director

On the day of the interview with Wen Yong, he had just returned from a technology sharing class in Shanghai. As a well-known tech expert in the circle, such technology sharing is common among peers, but this time the sharing is a little different from the previous one.

In the past, when he introduced himself at the beginning of the technology sharing class, he could only say that he was the technical director of "Hundred Generals" and "Art of War: Red Tide", and there were few people in the audience. But this time when he introduced himself on stage as the technical director of "Black Myth: Wukong", the audience was full of exclamations. After all, no one expected that just after watching a game trailer known as "the light of domestic 3A", its technical director actually appeared in front of him.

Wen Yong, surnamed Zhao, graduated from the Department of Software Engineering at Sun Yat-sen University. He is not shy about saying that since he came into contact with "Red Alert" at the age of eight, he has been bound to the game in his life so far, and he believes that he has some talent for programming. He got this major because he likes playing games.

In college, he participated in Microsoft’s Imagine Cup (Microsoft’s technology competition for global students) and entered the semi-finals. At that time, he led a small team of five students and completed a shooting game project that he thought was pretty good. In 2009, he entered Tencent as an intern. After graduating in 2010, he became a regular and joined Feng Ji’s project team.

Feng Ji introduced Wen Yong to me, saying that he is a rare all-round player in the company. Although he is the technical director and is responsible for the main program of multiple projects, he will also make cameo appearances in game design from time to time. He often talks to the village chief and Yang Qi about the design of levels and gameplay, and often comes up with some good ideas.

Wen Yong smiled and said, in fact, he is a "handyman". It is not a talent that has developed this ability, but when he first entered the project team, as a newcomer, no one helped him realize some ideas. He can only rely on himself to complete it.

In Tencent’s project, Wen Yong has done user interface interaction, programming, and planning. He even once transferred to the WeChat department to do background message architecture. However, he did not feel very happy in the two months of WeChat, on the one hand, because this position requires 24 hours on standby, ready to deal with emergencies in the background at any time, and he was once criticized by the leader for missing an emergency call because he slept too much late at night; on the other hand, it is mainly because he is far away from the game, and he feels that it is not interesting to be a pure code farmer.

So when Feng Ji extended an olive branch to him in Game Science, he agreed without much hesitation. He said that many companies had come to poach him at that time, but he felt that these people were not very reliable. But Feng ****** a deep impression of him.

The first project of game science was "Baijiang Xing", which was a mobile game similar to "Dota Legend" gameplay. Wen Yong said that when mobile games first took off, they were very disapproving, because the mobile games at that time were very average in performance due to technical and hardware limitations, and they were completely different from the console games he had played. But later it was found that with the continuous improvement of mobile phone performance, mobile games can also make pictures similar to the quality of console games, so mobile games have improved.

As the technical director, Wen Yong doesn’t just complete the main program work. He also often "challenges" Feng Ji in the system and gameplay planning of the game. For example, when making "Art of War: Red Tide", Wen Yong questioned the core gameplay at that time, the process from the player making a decision to seeing the effect was too long, and finally persuaded Feng Ji to make adjustments. "But I don’t always intervene in everything, and I will only mention it to him when I see something I can’t bear."

The project of "Black Myth: Wukong" was actually first proposed by Yang Qi in 2016. At that time, the project of "Baijiang Xing" was nearing the end, and everyone was discussing what to do next. Yang Qi’s idea was actually not opposed, but the biggest problem was that as a stand-alone game project, the commercial input-output ratio at that time was too low. "In addition, we may still lack some accumulation or running-in in technology. There are many technical things I can know how to achieve, but we don’t have enough people or experienced teams to do this."

Wen Yong even said that from the perspective of pure programming technology, the development difficulty of "Black Myth: Wukong" is even lower than that of "Art of War: Red Tide" in some dimensions, because the latter wanted to achieve 100-to-100 large-scale war scenes on mobile phones at that time, and it was necessary to calculate and advance in real time. The picture is also realistic. This challenge has many obstacles, but "Wukong", an action game, has not exceeded the technical limit I have mastered. Of course, this is also because after two mobile game projects, the team has expanded, and the development experience and mutual cooperation have also run well. "

But this doesn’t mean that "Black Myth: Wukong" is a very simple project. From the depth and breadth of this project alone, Wen Yong can explore a lot of directions in this project. In his words, "Wukong" is a more attractive project, and doing such a project will make him enjoy it more. Unlike when he was doing "Red Tide", his mentality was almost always on the verge of collapse, forcing him to complete various impossible challenges in two years. "My hair fell the most on this mobile game project."

Wen Yong was also a "cloud player" when he was a student, because he couldn’t afford a console, and many games were made up after taking a job and buying a console. Wen Yong’s taste in playing games is also very mixed, but he is more reluctant to the bloody and violent part of the game, including the QTE of Kui Ye’s large number of violent actions in "God of War 3". In addition, he doesn’t like zombie and zombie-themed games, so the "Resident Evil" series and the "Last Survivor" series are also "cloud clearance".

The only exception may be "Dark Souls 3". In Wen Yong’s words, this game is just on the edge of the horror and violence he can accept. At first, he heard that it was difficult, but after he started playing it, he found that he could accept it.

After playing enough action games, Wen Yong’s understanding of this category becomes deeper. He believes that although the IP itself is their moat, the most important difference between these different action games is the core experience. Everyone is an action game, but they play it completely differently. Under this premise, it seems that various sub-categories of action games have been done by others, and simply imitating a certain category may be a dead end, and it is easy for players to think that they are copying.

In the initial stage of developing "Black Myth: Wukong", the biggest problem for Wen Yong was the manpower problem. As the technical director of the company, he was responsible for multiple projects at the same time, so once he encountered any problems in the project and had to solve them himself, he had to often go back and forth between the Shenzhen and Hangzhou studios of Game Science. This time, the project used UE4, a new engine they had not used before, and they encountered more problems at the beginning. Wen Yong was a little tired.

Wen Yong’s role in the team seems to be to solve problems at any time, because as the main program of the project, any planning requirements or art features in the game will eventually be implemented by him in code. He still remembers that when he decided to show the clips from the Black Wind Mountain level, after the first version came out, he was a little flustered, because the effect was so far from what he expected, it was almost impossible to see.

With the continuous evolution and adjustment of the version, the effect of the demonstration is more and more reassuring, but from Wen Yong’s point of view, there is still a lot of room for optimization. For example, the hair effect of Ling Xuzi, at first everyone had no experience, so they could only explore the plan to achieve it by themselves. Until the end, Wen Yong still felt a little worried that the effect was not very good. However, after the trailer was released, he was relieved to see that even David Jaffe, the producer of the original "God of War", praised the hair effect, but still felt that he could do better.

This 13-minute demo took about four or five months, and until the final version was finalized, Wen Yong still felt that it would be "a little unsafe" to release it like this. But Wen Yong had no idea of the effect of the trailer after it was released. He thought it would be good to have one or two million views of this trailer, but he did not expect that after the trailer was released at 10 am on Thursday, the popularity of this trailer was obviously "a little out of control."

Wen Yong felt a little flattered, and of course he was very happy, because he didn’t expect to be so popular, but what followed was an invisible pressure. Before this, the team didn’t have a particularly clear goal on how much time it would take to complete the project, but now there must be a clearer plan for the time to complete the project. And before, he felt that if the first generation didn’t do well, he could continue to be the second generation and the third generation, but now it seems to have become a state of "success or benevolence". If it doesn’t work well, it will be doomed. "This is actually not the result we expected."

The first problem for Wen Yong now is to quickly build the program and technical team to be more complete. The project still lacks a lot of talents in many specific types of work. He feels that three years is the minimum time for this project to achieve a satisfactory result. "But for me, at least if this is a work without regrets, I certainly hope that the game will eventually sell well, but for me, this is not a matter of sales, but for myself, I want to like playing this game, and this game needs to satisfy myself. This is the state I pursue." 

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Full screen of pink bubbles! Nicholas Tse smiled sweetly when he talked about Faye Wong

Sohu entertainment news on November 22, according to media reports, Nicholas Tse attended the event to talk about Christmas, he pointed out that because the film will be extended to the middle of January next year, but there may be a week in the middle of the gap, was asked whether the work gap can take the opportunity to return to visit Wang Fei, Nicholas Tse did not answer, but smiled quite sweet.

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Fan Bingbing 16-year-old film and television tycoon 4 million foster, fan mother know (picture)

  China News Service, June 4, recently, a forum netizens broke the news, alleging that actress Fan Bingbing had been picked up by the chairman of the Pickup King Group and film and television tycoon Jia Yun, the price is 4 million yuan.

  The whistleblower identified himself as Jia Yun’s hometown, Taiwan’s Today News reported, citing the mainland media outlet Southern Metropolis Daily. "When I went to my aunt’s house, she chatted with me a bit. She said that Jia Yun was a very vain person. He once said’Money is what I pursue, but after making money, investing in the entertainment industry is my ambition ‘."

  "He ordered his secretary to make the wall outside the office into a star wall, which was covered with photos of various celebrities. Jia Yun has always been generous to the actresses he likes. When my aunt was chatting privately with some bosses, she heard that Jia Yun once took care of an actress in Qiongyao’s play, who was only 16 years old. At that time, everyone didn’t care much, but after thinking about it, this person was Fan Bingbing."

  "They said that from the time Fan Bingbing left the pickup company, Jia Yun gave Fan Bingbing a total of 4 million maintenance fees. It is said that Fan’s mother also knew about it."

  Internet rumors said that Jia Yun had taken care of many female celebrities, and Fan Bingbing was one of them. Jia Yun liked being young, so he fell in love with Fan Bingbing at first glance, and even signed three plays with her.

  Jia Yun later signed a contract with actress Shu Chang in the form of "taking care of". He threatened to make Shu Chang more popular than Zhang Ziyi. But there were also actresses who rejected him, such as Mei Ting.

  

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Deng Chao, the director of "My Hometown and Me", has made new progress!


1905 movie network feature The third day of the National Day box office counterattack has also become the fastest National Day film to break 1.10 billion yuan box office.


The five unit short films in the film have different audiences’ impressions. Among them, although the "Road Home" directed by Deng Chao and Yu Baimei is not the best one in the public evaluation, it has also achieved a certain comedic effect and emotional expression that fits the theme.

 

"We also know that the level is indeed better than when we first started," Deng Chao and Yu Baimei said in our interview. If a two-hour movie is compared to a grade, they have now entered "the third and a half grades" from "The Road Back Home."


Deng Chao and Yu Baimei were interviewed by 1905 Movie Network

 

"We still have many books to finish. We can only continue to deepen our learning through practice. In the project we will do soon, think about what problems we had last time. We hope that each time we perform better than last time."

 

Deng Chao and Yu Baimei admitted that if "The Road Back Home" were remade now, they believe it would be better than it was then.

 

The filmmaking duo, who made three and a half films in six years and called themselves "directing students" in the "third and a half years," knew that graduation was still some time away, or that, on this so-called directing path, there would never be a day when they would actually graduate.

 

Behind the scenes: Deng Chao gaining weight and growing a beard, Wu Jingcheng "action guidance"


The story of "The Road Back Home" is inspired by director Yu Baimei’s observation and experience of changes in his hometown.

 

In 2018, he returned to his hometown in northern Shaanxi and saw that the Loess Plateau, which used to be full of rocks and ravines, had become green, and millions of acres of the Mu Us Desert had also been successfully greened. He wanted to write a story about this theme.


In the process of conception, Yu Baimei just saw the news that Yulin had successfully developed the sand apple, "They are digging pits in the desert, and after digging the pits, they put loess in the sand, and after putting the loess, they plant fruit seedlings. The seedlings are also wrapped in plastic sheets for fear of water loss, and then they need to be watered continuously. Because northern Shaanxi is relatively dry, it is very difficult in the desert."

 

Yu Baimei introduced that it took seven or eight years to develop the sand apple before it was finally successful. The difference between it and the Three North Shelter Forest is that it has both a sand prevention effect and a cash crop. Combining the Mu Us Desert with the sand apple, there is a story background for "The Road Back Home".


Co-director Deng Chao is still starring this time. In order to play Qiao Shulin, a seemingly opportunistic and full of lies, the local boss who is called "Joe’s richest man",He wants to look "greasy" on the outside, grow a beard, gain weight, and "eat his belly out".


As a native of Jiangxi, Deng Chao also had to learn to speak Northern Shaanxi dialect. He said that it was really difficult to learn Northern Shaanxi dialect, "It was me and Wu Jing who struggled more. Of course, Wang Yuan won.

 

Wang Yuan is the only actor who did not ask for correction in the later dubbing stage. He directly used the original sound on the spot, and Deng Chao and Wu Jing both got the dubbing shed to re-record, and the teacher in northern Shaanxi pronounced it word by word.


Yu Baimei revealed to us a little voice-in-the-scene: "The northern Shaanxi dialect has very heavy nasal requirements, and Deng Chao and Wu Jing were forced to fold in the end, stuffed with toilet paper and blocked their noses. Teacher Shaanxi said this has a smell, but this is more like it."

 

Mr. Wu has made three consecutive guest appearances in films directed by Deng Chao and Yu Baimei, from "The Breakup Master" to "The Milky Way Tutorial School" to "The Road Back Home." This time, he played the owner of a snack bar in northern Shaanxi. Although he did not show the action scenes he is good at, he volunteered to become the "action director" on the set.


In Miao Fu’s appearance, he needed to brake suddenly at a fixed point in the frame of the camera. For him, who had not driven a car for many years, this action was very difficult. Miao Fu drove many times and couldn’t stop to the designated location.

 

Wu Jing, who was in the same scene, couldn’t help but take a big cushion and put it at the front, instructing Miao Fu to drive directly into the cushion, and step on the brakes as soon as he heard the sound of the collision. Miao Fu followed Wu Jing’s suggestion and finally succeeded.

 

Miao Fu’s legs went soft after getting off the bus, "He didn’t expect him to be acting in an action play." Deng Chao also imitated Wu Jing’s state of being guided unconsciously on the set, "Let’s see how to put this, come, okay, wait for this… Teacher Wu Jing doesn’t want sand in his eyes."

"The Road Back Home" was filmed for 26 days and was the third film of "My Hometown and Me." Yu Baimei used "heartbreak" and "gritting teeth and cutting love" to describe the editing stage. The original duration of each group was basically about 40 minutes, and the five groups were 200 minutes. Considering the theater, audience and various factors, they also had to shorten the scene and cut some shots.

 

Why did Deng Chao and Yu Baimei make progress in making movies?


Deng Chao in "The Road Back Home" and Ge You in "Good People in Beijing" are actually a kind of people who share the same characteristics: they love to lie and play tricks, but they also complete the appropriate response to the main theme proposition.

 

They all attempt to create a scam by themselves, with the ultimate goal of achieving kindness to others and to their hometown.

 

The image of Qiao Shulin portrayed by Deng Chao was very distinct. He was wearing a polo shirt with a slightly wrinkled blazer, a briefcase under his arm, and sunglasses on the bridge of his nose. He looked like a down-to-earth local tyrant, not to mention a "fake local tyrant".


In the comedy section, "The Road Back Home" is not the laughing fruit of "The Breakup Master" and "The Villain Angel", but uses Deng Chao’s disguised identity as a local tyrant and his mouth when he fooled "Cargo Queen" Yan Ni to make jokes, such as forcibly doing first class, forcibly rubbing group photos, unable to afford hotels, and using bus cards to swipe to pay.


Why is it that Deng Chao and Yu Baimei have made progress in this film than before, not only in terms of comedy, but also in their success in shaping a relatively plump screen character?A pitiful and lovely Qiao Lin, Deng Chao also played him quite realistically and interestingly.

 

At the end of the story, a speech story reversal subverted Qiao Shulin’s disliked image as a liar at first. He was the one who really contributed to his hometown. In order to successfully grow and sell sand apples, and lead the villagers to poverty reduction and wealth, he was willing to invest all his money in desert greening and apple development, and even fell into bankruptcy.


Yan Ni’s live streaming host Yan Feiyan also showed a high-minded, arrogant and rude appearance at the beginning. Along the way, she gradually led to her poor childhood and growing up.


Both "The Road Back Home" and Xu Zheng’s "The Last Lesson" depict rural teachers – Teacher Fan and Mother Gao – whose inculcation to their students has nurtured a generation of young people who work together to build their hometown and change the face of their hometown. The same is true of Qiao Shulin, the son of Mother Gao, and Yan Feiyan, who finally changed her attitude.

 

Yu Baimei said: "Your hometown can be your teacher. There is a teacher Gao in’Galaxy Tutorial School ‘. This time I wrote about another mother Gao, who was a teacher who deeply influenced me in my hometown." From Yan Ni touching Gao’s mother’s red headscarf after getting on the plane to her climbing to the top of the mountain to see her new alma mater, these brushstrokes also stem from Yu Baimei’s true nostalgia for his teacher.


The connection between "The Road Home" and "The Milky Way Tutoring School" also includes the male protagonists Horned Horse Haowen and Qiao Shulin. They are also the same kind of people, both of whom are not understood by the outside world and misunderstood by others. They are all down-and-out fathers who have experienced glory and fallen to the bottom at the peak of their careers.

 

"The Road Back Home" also has various problems left by "Galaxy Cram School", which needs to be further optimized and improved by Deng Chao and Yu Baimei in creation.Using a tearful student speech to reverse the image of the character inevitably fell into a didactic sense, and also made Qiao Shulin too tall.


No matter what, "The Road Back Home" still had the greatest advantage of "My Hometown and Me" as a whole. It was a movie with "human flavor". There were no absolute good people and no absolute bad people.

 

It is to use less perfect little people, with small changes in human feelings, to project the inner operating laws of the Chinese countryside, and to reflect the grand proposition of the changes of the times.

 

We are beginners in directing and watch the same movie textbook as Wu Jing


Three of the directors of the five units of "My Hometown and Me" are "acting is good" – Xu Zheng, Chen Sicheng and Deng Chao, and their directorial debuts are also box office hits.

 

Deng Chao and Yu Baimei firstThe first co-directed film "Break Up Master" won the summer domestic film box office championship with 665 million yuan in 2014. But what does not match the box office is the criticism of the low quality of the work to the bottom.


At that time, Deng Chao said in an interview with 1905 Film Network: "I hated Deng Chao even more before filming’The Breakup Master ‘. For example, I would complain about other people’s works and compare things… After I finished a movie completely, I knew how difficult it was to be a filmmaker, and then I said I would never complain again."

 

When it came to "Villain Angel", the infamy of bad movies came one after another. A first-class actor, along with Yu Baimei, was named "an underclass director", and Deng Chao gradually understood how difficult it was to make a movie.


Deng Chao and Yu Baimei admitted that the commercial success of "The Breakup Master" was a fluke, and they began to wonder what it was like to be a director. "Neither of us are actually professional directors. After each shooting, the most discussed thing is the review. We still feel like beginners in directing, and there are many secrets we don’t know."

 

Obviously, from "Breakup Master", "Villain Angel" to "Galaxy Tutoring School", Douban’s score has also increased from 4 or 5 to 6, and this time "The Road Back Home" can also see a little improvement.


"Galaxy School" can even be seen as a watershed moment in the filmmaking of the directors’ co-directors, moving from a rambunctious comedy to a work with more emotional depth.


Wu Jing, who has made many guest appearances, is the object they have always wanted to cooperate deeply. During the filming of Wu Jing’s scene in "The Road Back Home", Deng Chao and Wu Jing simultaneously received an invitation to cooperate in the film "Kumgang River" to resist the United States and aid Korea. They also hope that the three can find an opportunity to make a feature film together.

 

Deng Chao, Yu Baimei, and Wu Jing also had a small group in common, and the most talked about their own gains and losses as directors. They bought movie textbooks together, read the same book, and saw that a certain page was related to the movie they shot. They would take screenshots and send them to the group to share the problems encountered during filming, help each other, and make progress together.


For the future, Deng Chao and Yu Baimei do not make too many assumptions. What is clear is that they will make genre filmsSeveral projects will not be comedies, but the comedic elements will always exist in a certain proportion, and even the two people will not always be bound together as directors, with the possibility of independent directing.

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Celebrities "eat chicken" are not behind! Inventory of game coffee in the entertainment industry

Group photo of the five brothers of "Give Me Five"


1905 movie network news Recently, the five brothers of "Give Me Five", Liu Haoran, Wang Junkai, Zhang Yishan, Wang Continental, and Dong Zijian, have successfully hit the hot search in the Internet cafe, and the recently married Dong Zijian has brought his wife Sun Yi to sprinkle dog food. Since the recent popularity of "PlayerUnknown’s Battlegrounds", all kinds of stars who love to play games have been unable to resist its charm. Let’s take a look at the stars who are "addicted to games and can’t extricate themselves" today.


1. Wang Yuan


Wang Yuan and Jia Nailiang


Wang Yuan used to eat chicken with Jia Nailiang and Wei Daxun, and Jia Nailiang also posted on Weibo saying that they were very happy to eat chicken together. Some time ago, Wang Yuan’s assistant also livestreamed a video of playing games with Wang Yuan. He heard that Wang Yuan’s game skills have always been very good, and he still has the potential to "lead flying" everyone.


2. Lin Xinxin and Lin Junjie


Lin Gengxin was caught playing games in an Internet cafe

Lin Junjie


Lin Zengxin and Lin Junjie are also famous game cafes in the circle. The two have played black and eaten chicken with game live streaming hosts many times, and both have been encountered by netizens when playing games. Lin Zengxin has been photographed by netizens many times in Internet cafes, while Lin Junjie has a "glorious history" of playing games before the party performance.

3. Chen He


Chen He


       As a veteran player of LOL, Chen He, who has joined the star team, will definitely not miss the current popular "chicken eating". What’s more, he often plays live streaming games in person, and he has also said that if he does not enter the entertainment industry, he may become a game live streaming host.

4. Luhan


Luhan and Guan Xiaotong


        Luhan is also a standard game coffee. In the previous Honor of Kings mobile game, netizens found that he often played with his girlfriend Guan Xiaotong, and now he seems to play with his girlfriend in PUBG. It has to be said that this dog food is also everywhere.

5. Wang Junkai


Wang Junkai


        It is not the first time that Wang Junkai has been searched for "chicken" with Dong Zijian and his party. During the college entrance examination, some netizens once wrote a joke to ridicule him. "Such a busy senior high school life still insists on playing Honor of Kings every day, and also takes the title of" The Strongest King ". It seems that Wang Junkai is also in love with the game for ten minutes, and Liu Haoran, Wang Yuan and other friends in the circle are his" black friends ".


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Wahaha profile

  Hangzhou Wahaha Group Co., Ltd. was founded in 1987 and is currently the largest food and beverage manufacturer in China. It has established more than 140 joint venture holding and shareholding companies in 28 provinces and cities across the country, and has established sales branches in all provinces, autonomous regions and municipalities directly under the Central Government except Taiwan. It has nearly 28,000 employees and total assets of 24 billion yuan. The company has a world-class automated production line, as well as advanced food and beverage R & D testing instruments and processing technology, mainly engaged in the development, production and sales of food and beverages, mainly producing milk beverages, bottled water, carbonated beverages, tea beverages, fruit juice beverages, canned food, medical and health products, snack food and other eight categories of nearly 100 varieties of products, including bottled water, milk beverages, canned porridge for many years has been ranked first in the country. In 2007, the company achieved an operating income of 25.80 billion yuan. Wahaha has ranked first in China’s beverage industry for 10 consecutive years in terms of asset size, output, sales income, profit, profits and taxes, and has become the largest, most efficient and most promising food and beverage enterprise in China.


  In the past 20 years, Wahaha has paid a total of 6.80 billion yuan in taxes to the state, funded education and various social welfare undertakings 200 million diversified; vigorously developed agricultural and sideline products deep processing projects, and purchased various agricultural and sideline products worth 7.80 billion yuan in the past 20 years, directly and indirectly solving the employment problem of the 400,000 rural population; in the central and western regions, poverty-stricken areas, and Northeast old industrial zones, nearly 40 factories have been invested and built, making positive contributions to promoting local economic and social development.


  Due to his outstanding leadership and management ability, Zong Qinghou, the chairperson and general manager of the company, was awarded the National Labor Model, the "May Day" Labor Medal, the National Outstanding Entrepreneur, the 2002CCTV China Economic Person of the Year, the Outstanding Socialist Cause Builder with Chinese Characteristics, the Yuan Baohua Enterprise Management Gold Award, and the 2005 China’s Most Influential Enterprise Leader. He was honorably elected to the 10th National People’s Congress and re-elected to the 11th National People’s Congress.


  Mr. Zong Qinghou is the "godfather" and "soul" of Wahaha. Without Zong Qinghou, there would be no Wahaha. For the latest information on Zong Qinghou and Wahaha, please refer to the new book "Zong Qinghou and Wahaha, an in-depth study of a famous enterprise".


  In 2008, the sales revenue was 32.50 billion, an increase of about 26%, the profit and tax were 6.60 billion yuan, and the net profit was about 4 billion.

(Editor in charge: Shi Xiaojuan)