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The average monthly income of network anchors is at least 10,000 yuan. Experts: Income generation by novelty content.

The video anchor eats cactus, smokes and eats light bulbs live. Video screenshot

The video anchor eats cactus, smokes and eats light bulbs live. Video screenshot

The video anchor eats cactus, smokes and eats light bulbs live. Video screenshot

  Recently, a female anchor named "Eating Food Feng Jie" on a video platform uploaded a large number of videos, including many performances of eating strange things raw. Some netizens broke the news that the woman was suspected of being controlled by a man and was coerced to perform. However, after investigation by Handan police, the woman and the man have a mother-child relationship. In order to increase the number of clicks, the two jointly planned, performed and released videos.

  According to the investigation by the reporter of Jinghua Times, the content of the video platform is diverse, and it is not only the "food-eater Feng Jie" who attracts people’s attention with "masochistic" performances such as raw food, but also some videos are full of suggestive content. The reporter learned that the platform has hundreds of thousands of fans when users are underage. These anchors earn income through advertisements or live broadcasts, with an average monthly income of at least 10,000 yuan.

  case

  Aunt suspected of being coerced, recorded video, police investigation showed that it was planned.

  A female anchor named "Chihuo Fengjie" uploaded a large number of videos through a short video software, with 132,000 fans. The anchor claimed to be 48 years old, a retired worker, single and childless, and his hobby was "eating something that ordinary people can’t eat". The video released by "Eating Food Feng Jie" mostly shows eating "special items", such as swallowing goldfish alive, eating light bulbs, eating live eels raw, eating breadworms, cacti and so on.

  The reporter noticed that in the above video, the number of clicks on the performance of eating light bulbs reached 2.741 million. The performance of "swallowing goldfish alive" reached 733,000 hits.

  On June 3rd, a netizen posted that Weibo suspected that the woman was under duress. "My aunt does something that normal people don’t do every day. I paid close attention to the look on her face when she took the video, and I felt as if she had cried. " Some netizens said that they had heard someone in the video urging the aunt to eat quickly. "The voice is very small, but you can still hear it if you listen carefully." According to the screenshot of the live video released by netizens, some netizens suggested that the aunt "took off her glasses when she was controlled", and then the woman took off her glasses. This detail makes netizens more suspicious that women are being coerced.

  Soon after, some netizens exposed the photo and video platform account of the man suspected of controlling the woman, and posted a screenshot of the chat record. In the screenshot, the man said, "I am the nephew of my aunt. I just control her and let her make money for me. I will beat her if I don’t make money."

  The matter continued to ferment. As of 6: 30 pm on June 3rd, the topic of "Aunt was suspected of being forced to record videos" was read by 92.735 million people in Weibo.

  On the afternoon of June 3rd, the police in Handan released an investigation report on this matter, and the related video was confirmed by the police in Handan. In the video, the aunt (Chen Mou, 45 years old, from congtai district) and the online man (Wu Mou, 24 years old, from congtai district) were in a mother-child relationship. At present, Chen Mou’s physical condition is normal, with no obvious scars. The two confessed that many times through the video platform, they jointly planned, performed and released videos such as "eating strange things" to attract the attention of netizens and increase the number of video clicks. At present, the police have extracted pre-processed cactus, Chili noodles and other performance props, and are further investigating the relevant situation.

  Subsequently, the video platform released a message in its official Weibo, saying that the police investigation results had been announced, and the platform would strengthen management. That night, "Chihuo Feng Jie" cleared all previous videos and released a new video in which she declared that she was not intimidated. The reporter noticed that as of around 8 o’clock that night, her fans had soared to 293,000. However, this "clarification" video released by "Chihuo Fengjie" did not quell the doubts of netizens, and many netizens called on the police to continue the investigation.

  After 95, the boy risked drinking "fire wine" and bluntly said that it was also catharsis in order to increase the powder.

  The reporter found that in the video platform, there are not a few "masochistic" people who perform eyeballs by eating special things raw. Among them, three post-95 boys named "Social Seal Brother" (hereinafter referred to as Xiao Xi), "Yellow Brother of the Central Plains" (hereinafter referred to as Xiao Huang) and "Bo Brother of China" (hereinafter referred to as Xiao Bo) are from Shandong, Henan and Zhejiang, and most of their recorded contents are "Xiao Xi". Three people met and formed a combination through the video platform. Among them, Xiao Xi is the youngest and has the largest number of fans, which is 375,000, while the other two have more than 100,000 fans.

  In an interview with the Beijing Times reporter, Xiao Xi said that he is 17 years old and a sophomore, but he is currently in a state of suspension. He spends a lot of energy on the video platform and hopes to be a full-time video anchor in the future. He introduced that as long as the recorded video can be recommended to the homepage of the video platform and become a "hot video", the number of fans will increase substantially.

  In a video he recorded recently, "Challenge 40 Cigarettes", he stuffed cigarettes into his nostrils and mouth, lit them at the same time, and swallowed the ash, with a painful expression. And the video has reached more than 3 million. Previously, he also released videos such as "Challenge 20 cigarettes" and "Eat 4 cigarettes".

  Xiaobo is 18 years old. In an interview with reporters, he said that he once ate two live turtles and performed "biting" lighters. "My number has only been played for one month, and the number of fans has risen to hundreds of thousands." And he himself did not think too much about the consequences before doing these challenges. He said that most of the experiences of eating raw food did not bring discomfort to his body. Only once, when he recorded a video of eating Chili powder, he was dizzy. "I fainted for three or four minutes and felt particularly heartbroken. Later, I spit it out."

  In addition, an accident almost happened in another recording. Xiaobo said that in the video "Drinking Fire Wine" recorded by Xiao Huang, the flame in Xiao Huang’s cup spread with the spilled alcohol, igniting his pants and causing abdominal burns. The reporter found that Xiao Huang was carrying a burning glass of white wine. At first, he lit a cigarette with the fire in the cup, and then an accident happened, ending the video recording in chaos. He himself said, "I wanted to try to spill a little bit to prove to netizens that it was real wine, thinking that the fire would go out soon, but I didn’t expect it to get up. I was very scared at that time. Fortunately, someone around me helped me put it out with water. " In this accident, his foot was stabbed by broken glass.

  When the reporter asked why he was willing to take risks to record such a video, Xiaobo bluntly said, "It is also a catharsis for the sake of rising powder." The growth of fans has given him a sense of satisfaction that he never got in the real society.

  The anchor can withdraw cash if he receives a virtual gift with pornographic content.

  The reporter observed that some anchors on the video platform gain attention with vulgar and pornographic content.

  Take the user’s "laughing at four bottles" as an example. The video posted by the user is marked with words such as "sexual abuse" and "crazy car shock". Some videos are recorded in bed, and a man and a woman or a man and a woman tell pornographic jokes in the form of dialogues and short plays to simulate adult indecent pictures.

  In addition, some users attract fans with exposed costumes and provocative behaviors, and some users wear sexy pajamas to record videos in their bedrooms.

  The anchor named "Dong Damei" often takes selfies in sexy clothes. In a recent video she recorded, she sang lip-synching in front of the camera in red sexy pajamas, and the video was played 422,000 times. The anchor told the Beijing Times reporter that she is 24 years old and has been registered on the video platform for less than 4 months, and the number of fans has gradually accumulated to more than 200,000.

  She introduced that in addition to recording videos, she occasionally broadcasts live on the video platform. "In the live broadcast, fans will keep brushing gifts for me."

  It is understood that these virtual gifts need to be purchased using the virtual currency of the video platform. The reporter saw on the virtual currency page that 6 yuan can be used as the virtual currency of 42 yuan, while the gifts that can be purchased by virtual currency include flowers and lollipops, and the crown with the highest value costs 188 virtual currency. After the live broadcast, the system will convert the gift into a yellow diamond. An anchor introduced that after sharing with the platform, 10,000 yellow diamonds will be converted into 5 yuan RMB, and the anchor can withdraw cash in the background.

  Dong Damei said that in a live broadcast lasting about half an hour, she received a total of 30,000 yellow diamonds.

  In addition, Dong Damei published her own WeChat account in her profile, and fans constantly added her as a friend. Dong Damei said that the number of his friends has reached the upper limit. These friends have also become potential buyers. The reporter noticed that she posted information about selling gold jewelry in her circle of friends every day to generate income.

  High school students and their mothers perform together to keep fans watching mobile phones frequently.

  The video platform anchor "Qizihang Running" has 878 works and 650,000 fans. You can click a video at will, and the number of plays ranges from 200,000 to 600,000.

  Open his homepage, almost all his works are in cooperation with his mother. In the video, he has a clean face, bangs are carefully cut, he wears a white or black coat, plays guitar with his hand, and completes songs with his short-haired mother. The video length is about 1 minute. Compared with the sexy woman who often shows her flesh on the video platform or the anchor who takes the funny and vulgar route, his style is somewhat "small and fresh".

  Qi Zihang told the Beijing Times reporter that he was only 18 years old two months away from Liaoyang, Liaoning Province, and he was a student who was about to take the college entrance examination. He began to spend energy on the video platform last year. In the earliest works, "Qi Zihang Running" was still a male student who mainly recorded his life and practiced guitar singing by himself. He tried to play "diors man" with friends, and most of the videos were played below 50,000 at that time.

  A year ago, the broadcast volume of "You Love Her So Much" with my mother reached 760,000. Many people commented that his mother was young and beautiful and sang well, and praised the mother-child combination. From then on, they began to perform with her, showing her talents such as playing guitar and singing.

  Qi Zihang said that singing and playing guitar is just a hobby. He has played for five years but has never received professional training.

  Qi Zihang admits that he studies in general, doesn’t like learning, likes being in diplomatic friends, and likes to use his brain. "The form of singing with my mother is my own idea, in order to attract more people’s attention." He revealed that in addition to the video software, he also uses QQ and Weibo. He has several micro-signals. "Sometimes two mobile phones are too busy." There are only 71 states and more than 7,000 fans in Weibo with the same name. He bluntly said that in addition to sleeping, he looked at his mobile phone at least once every five minutes to maintain his fans.

  survey

  Divided into plus advertising revenue, the anchor can earn 10,000 yuan a month.

  The reporter’s investigation found that these "reds" who have hundreds of thousands of fans on the video platform have a high income. Behind the huge fans is the economic income that cannot be underestimated. The gifts sent by fans in the live broadcast can be discounted. In addition, the anchor also has advertising income. Some of the anchors are underage.

  Although he is still under the age of 18, when it comes to the process of fan accumulation, Qi Zihang has a mature state, "insist on making it, and make it as a career." He said that if you send more, the number of people who like it will be more, and you will have the opportunity to be popular. After the exposure probability increases, the number of fans will gradually increase.

  Ganlu, an anchor who is famous for his imitation on the video platform, told the Beijing Times reporter that he added an advertisement to the video to charge 300 yuan and made a separate advertisement video to charge 500 yuan. His fans are only 120,000.

  Qi Zihang, who has 650,000 fans, said that his advertising fees ranged from 1,000 to 2,000 yuan. In addition, the gifts sent by fans in the live broadcast are discounted after 50-50 split with the platform. He is still in the third year of high school. "Although the monthly income is unstable, there is an average of 20,000 per month." According to Qi Zihang, he only used his spare time to send videos every two days. "My parents are very supportive."

  Xiao Xi, who has more than 300,000 fans, revealed that his average monthly income ranges from 20,000 to 30,000 yuan. Once the video is promoted to the homepage of the video platform, the advertiser will contact him actively. "There are people who sell mobile phones and people who sell clothes to advertise with me." The way of cooperation between the two parties is that advertisers record or users personally record videos containing advertising information. "Hang in my account for 24 hours and charge 600 yuan for each advertisement."

  Xiaobo said that his monthly income is unstable, with an average of about 10,000 yuan. He recalled the time when he earned the most money, earning 7000 yuan a day. On the same day, after he released a popular video and was promoted to the homepage by the platform, he received invitations from many advertisers. Xiaobo said that he would not choose the content of advertisements. "In the past, as long as the funds were in place, they were given, but they suffered a loss." He revealed that he had been blocked by the platform for one month for publishing an advertisement containing horror pictures. As a result, his fans dropped sharply and his own income was also affected.

  Expert opinion

  Video platform generates revenue by novelty content.

  Why do videos that eat live worms and cacti raw, challenge smoking and are full of sexual suggestive content get hundreds of thousands of hits? In this regard, Wei Chao, dean of the School of Journalism and Publication of Beijing Institute of Printing, said that curiosity is one of the most basic instincts of human beings, and it is not surprising that people like to pay attention to these contents. In order to gain attention and create income, a large number of content will emerge that caters to the audience’s bad taste, and some content even reaches the level of absurdity.

  The original intention of the platform to expand its influence and attract attention is understandable, but if it attracts attention with vulgar and pornographic content, it may get instant traffic in the short term. But in the long run, it is not good for the brand building of the platform, which will eventually damage the brand value of the platform.

  From the perspective of the public and the social responsibility of platform enterprises, it is irresponsible for the platform to always cater to the low-level evil tastes of human beings and attract attention with ridiculous content, which is also not conducive to the construction of online media.

  Wei Chao said that the main regulatory object of relevant departments is the platform. In China, there is no so-called pre-examination, and more is to require platform enterprises to conduct self-discipline.

  Chen Lidan, a professor at the School of Journalism, Renmin University of China, believes that the platform is mainly responsible for the reason why netizens pay so much attention to such content. The platform selectively promoted relevant videos to its homepage, which contributed to the spread of such videos.

  Chen Lidan said, "This is a platform-oriented issue." The communicator is the controller who controls the whole communication. The poor quality of the communicator will also affect the audience. The reason why the platform favors such content is mainly due to the pursuit of click-through rate and the idea of making profits.

  The behavior of minors as anchors should be standardized

  In view of the possible impact of minors’ entry into the short video platform as anchors and the harm of pornographic and vulgar content on the platform to teenagers, the reporter of Jinghua Times interviewed Professor Zong Chunshan from the Youth Legal and Psychological Counseling Service Center. He said that this is a new phenomenon after the Internet approached life. The Internet is a double-edged sword. On the one hand, the Internet lacks management, and there are lagging problems in national legislation and the self-ethics of Internet platform enterprises, which makes a lot of vulgar and unsuitable content appear on the Internet. And because the internet has no boundaries, both adults and minors can access these contents. Such an environment has a great influence on children’s physical and mental health, in a sense, it will affect their values, outlook on life and even their sexual orientation.

  Zong Chunshan further explained that minors lack the ability to distinguish some information, such as some vulgar gender content, which will make minors misunderstand that gender relations are so naked, without emotion and responsibility, and their outlook on life will be affected.

  On the other hand, minors also discover that they are the masters of the Internet, and they can make use of the Internet in a positive way. However, at present, more often than not, excessive addiction to the Internet makes people feel empty, and some minors will feel anxious when they leave the Internet, which also makes them spend more time on the Internet.

  Zong Chunshan does not encourage minors to be anchors on live or short video platforms and become so-called "red people". Because minors lack the ability to distinguish things, it is easy to spread vulgar content and unhealthy content as their own content. This will do great harm to themselves and society, and will inevitably affect their studies, and more importantly, it will affect their real life.

  He reminded parents not to let their children take the route of online celebrity and stars too early. "This is an unhealthy orientation." It is not suitable for minors to enter the entertainment industry as soon as possible. The entertainment industry is a "playground" for adults, and there are many contents that minors cannot adapt to. However, the rules of the Internet game will make underage anchors face accusations, abuse, insults and temptations from many netizens, which is too cruel for an immature child, and parents need to strengthen guidance.

  Zong Chunshan suggested that the relevant departments should regulate the participation of minors on the Internet, and the relevant departments should speed up legislation and research and introduce protective policies to prevent minors from getting involved in this issue too deeply. In addition, the management of Internet information should be strengthened, and the content on the Internet that is not beneficial to minors’ body and mind should be avoided as much as possible. Relevant departments should restrict platform operators through legislation, so that they have no loopholes to exploit.

  Lawyer’s statement

  Playing erotic edge ball is against public order and good customs.

  Jiang Jian of Beijing Xiongzhi Law Firm believes that according to the provisions of China’s criminal law, obscene articles refer to books, periodicals, films, videos, pictures and other obscene articles that specifically describe sexual behavior or explicitly promote pornography. However, at present, according to the contents displayed in videos and pictures, it is not enough to be regarded as obscene articles in criminal law. Therefore, it cannot be regarded as the crime of spreading obscene articles, organizing the broadcast of obscene audio-visual products, or organizing obscene performances. If it is suspected to constitute a crime, the public security department should identify it according to the investigation results. However, in general, some anchors’ behaviors such as playing the erotic edge ball and catching the eye with sexual hints such as yellow paragraphs violate public order and good customs, and relevant state departments should issue corresponding laws and regulations to regulate them.

  Han Xiao, a lawyer from Beijing Kangda Law Firm, said that many performances provided by the video platform are obviously provocative and suggestive, and whether they are obscene or not should be confirmed by the police. If it is constituted, according to the provisions of the Decision on Maintaining Internet Security, it is suspected of illegal and criminal acts to establish obscene websites and webpages on the Internet, provide links to obscene websites, or disseminate obscene books, films, audio-visual and pictures.

  Lawyer Han Xiao said that in recent years, with the rapid increase of mobile communication devices and terminals, the crime of obscene articles has once again shown a rampant trend. On the one hand, there have been great changes in the mode of communication. Compared with the mode of communication of computer websites, the mobile terminal APP with huge installation has a faster spread speed and a wider spread range. At the same time, the forms of obscene articles themselves have also undergone tremendous changes, and they are no longer limited to previous novels, pictures and videos. Various live broadcast platforms and live broadcast software emerge one after another. With these platforms and software, the so-called "anchor" uses various actions such as teasing nudity and sexual suggestion to win eyeballs, gain attention and gain economic benefits from them.

  However, due to the current development of network technology, the corresponding backward network supervision technology and imperfect supervision system make it more difficult to supervise the network and mobile communication terminals.

  Jinghua Times reporter Wu Hongli Fan Rui

通过admin

Is the mobile phone a "multiplier" or a "jammer" for children’s growth?

After 00 and 10, they seem to face two "parallel worlds" since they became sensible — — Virtual world and real world. To some extent, they have two sets of "ways of living" and even two "social support systems".

  Under such circumstances, banning their contact with mobile phones and depriving one world may not make another world better. This also means that parents’ management of their children’s mobile phones is not simply to isolate their children from their mobile phones, but to help them better survive in the "parallel world" and add value to their lives.

  Video games and social software firmly attract children’s attention, and even many parents think that mobile phones are the "root of all evils" that affect children’s studies.

  Since the beginning of this year, the Ministry of Education has issued documents, clearly requiring five management in primary and secondary schools, namely, mobile phone management, sleep management, extracurricular reading management, homework management and physical health management. Before the start of school in autumn, the State Press and Publication Administration issued a document to strictly regulate the time when online game enterprises provide online game services to minors.

  Under such circumstances, do parents still need to control the time and scope of use of teenagers’ mobile phones? The answer is yes.

  Under the rude ban, children are more likely to indulge in the internet.

  If mobile phones are completely banned, can we go back to the era of rolling iron rings and playing glass balls?

  The answer is probably impossible. Today, the mobile phone is not only a communication tool, but also a "leisure tool" with the update of the times. Not to mention that children love to play, many parents take their mobile phones and it is difficult to put them down. Whether children or parents, the first thing they need is to think calmly about what kind of existence mobile phones and online games are; How should we deal with this mode of existence and achieve a better life for ourselves?

  What exactly is a mobile phone? Mobile phone is a bridge of interpersonal communication, which makes the world smaller and our life circle bigger. Mobile phones are also a tool to transform the world, and many traditional industries have been reshaped online; Including online education, has also entered the study and life of minors.

  According to the "Research Report on the Internet Use of Minors in China in 2020" issued by the Central Committee of the Communist Youth League and the China Internet Information Center, 11.5% of minors spend more than 2 hours online every day on weekdays, and 12.2% spend more than 5 hours online every day on holidays; Among these underage netizens, 62.5% often play games online, and more than half play mobile games.

  It can be said that the mobile phone seems to be the entrance to a "parallel world". When you open the mobile phone, there are surprises and temptations. Some people are "hunting" and "growing vegetables" in it, and some people are lost in it. Both parents and children must learn to survive in this world. Don’t be afraid of strangeness, don’t shrink back from challenges, don’t be lost by temptation, and don’t be disqualified by ignorance.

  But the reality is that the survey shows that 10% of parents don’t let their children play mobile phones at all, and even when their children surf the Internet, such parents are nervous. There are 60% children who check the information online normally, and they have been mistaken by their parents for playing games.

  However, many parents talk about the wrong of mobile phones and games, but they can’t let go of their mobile phones. Their preaching is often difficult to convince children. At the same time, the study found that compared with children who are not addicted to the internet, the proportion of parents who surf the internet frequently is 16% higher, and the proportion of parents who don’t communicate with each other and play separately is 10% higher.

  Research from China Youth Research Center shows that children are more likely to indulge in the internet in families that rudely prohibit their children from surfing the internet.

  Those children who are academically gifted are not completely free from playing mobile phones and games.

  Many parents think that after children are separated from mobile phones and games, the "extra" time will be spent on learning. After all, time is constant. If you don’t spend it on mobile phones or games, you will spend it on learning. Is it true?/You don’t say.

  In fact, because learning efficiency is related to learning time and effect, the longer the learning time, the lower the learning efficiency without obvious improvement in learning effect.

  To make matters worse, the inefficient learning mode will only bring children a low sense of self-efficacy, and they will become less and less fond of learning, even tired of learning and refuse to learn.

  Whether you study, use your mobile phone or play games, in the final analysis, it is to let your children grow up and make them more knowledgeable, capable and valuable.

  No matter whether the child goes online or plays games, when he becomes better and better, it means that parents should let go moderately and don’t dwell on details such as his study time; If the child becomes worse and worse, then parents should pay attention to his state. In our investigation, we found that those children with excellent academic performance are not students who don’t play mobile phones and games at all. From many dimensions, we can see that their lives are complete and their vitality is high.

  Parents’ intelligent management of their children’s mobile phones does not mean that children and mobile phones are completely isolated. Mobile phone management is not a means to control children, nor a tool to reward and punish children, nor is it a way for parents to vent their emotions. Managing mobile phones is to improve the parent-child relationship, not break it.

  Let children learn self-discipline, not heteronomy.

  How to survive better in both virtual and parallel worlds? This requires parents and children to face together and explore together through agreement. Parents should be well-founded and avoid unilaterally adjusting their children’s rules of using mobile phones based on their own subjective wishes. Some parents said that it is not that children are not allowed to play mobile phones, but it is stipulated that they can only play for 30 minutes every day. Then why 30 minutes?

  In the eyes of experts, children under 3 years old should not touch mobile phones and video games. They should climb, run, play with mud, play house, touch and feel the world with their bodies, instead of raising children on the screen.

  At the age of 3-6, children can watch cartoons, science and education films, play interactive games and learn to sing and dance, but it is best not to spend more than one hour every day, and they should play with adults or children in the rest of the time.

  At the age of 7-9, children can use their mobile phones to complete daily tasks, look up information in online courses, and interact in a circle of friends. However, these activities should be carried out under the supervision of parents, monitoring, guiding and managing the online content, interactive objects and overall time.

  Children aged 10-12 can have personal privacy. Parents don’t have to supervise everything. They should grasp the overall direction, control the overall time, solve the problems they encounter, often communicate with their children about their online experience, and improve the online rules through mutual negotiation and interaction.

  Children aged 13-18 should independently manage their own mobile phones and time, incorporate mobile phone management into their master plan of life, study and communication, constantly adjust and improve their mobile phone management level, and make mobile phones a "multiplier" rather than a "jammer" for their own life growth. In this process, the relationship between parents and children should be cooperative rather than antagonistic, and parents should gradually give their children the initiative in mobile phone management. In the whole process, maintaining a good parent-child relationship has always been the first magic weapon to give children the ability to manage their mobile phones.

  Managing mobile phones is to let children learn self-discipline rather than heteronomy. Parents always let go and children always grow up. One day, children will use and manage their mobile phones and play games online completely independently. Theoretically, the earlier parents let their children learn the autonomous management of mobile phones and games when they enter adolescence, the less likely their children are to become addicted to mobile phones or games, and the lower the probability of parent-child conflicts.

  Never choose "screen parenting" because you are afraid of trouble.

  The essence of mobile phone management, like emotional management, network management, wealth management and time management, is a part of life management, so mobile phone management for children should start from an early age.

  First of all, parents can’t "screen parenting" when their children are young because they are afraid of trouble.

  Children’s best playmates are parents. Many parents give their children a mobile phone when they are young, so that they can calm down and play by themselves. When children develop the habit of playing with electronic products such as mobile phones through this "screen parenting" method, or find fun in it, parents often upgrade "screen parenting" to a way to control their children. If you are satisfied with your child’s performance, reward him to play with his mobile phone for a long time. If you are not satisfied, deprive him of the right to play with his mobile phone. Over time, in children’s minds, playing mobile phones and playing games is happy, and the occurrence of this happiness is irregular. Only when parents are in a good mood can they play as long as they can.

  When the child enters rebellious adolescence in this way, he will think, why can I play casually when I was a child, but I can’t play now? Why can’t adults just play and I can’t? Why can’t I play when other children can decide for themselves?

  At this time, it is easy for parents to enter the parent-child war if they want to take care of their children’s mobile phone use. This is why parents should manage their children’s mobile phones early, slowly and flexibly, not late, quickly and rigidly.

  Secondly, parents should help their children to start a variety of happy modes. Some children have no playmates, no leisure activities, and can only stay at home alone after studying, and there is no one to communicate with, and they also lack independent activities at home. At this time, mobile phones and online games are the fastest thing for them to get started, the most timely positive feedback, and the easiest thing to put into their emotions. When they turn on their mobile phones, they can escape from reality and forget their unhappiness.

  For such children, we should help them reduce their study pressure, reduce their rankings, reduce their homework, improve the parent-child relationship and teacher-student relationship, increase exercise, increase classmate interaction, increase extracurricular reading, give play to their hobbies and specialties, let them get in touch with nature and engage in social service activities, and rescue them from mobile phone addiction.

  At the same time, we must help children build a circle of friends. From the middle and senior grades of primary school, the influence of peers began to surpass that of parents and teachers. In junior high school, peer influence becomes the "first influence", and developing peer relationship is one of the most important life tasks for adolescents. At this time, it is a critical period to help children build their own circle of friends, develop friendship and find their own social support system. Therefore, parents should provide more time, space, financial support, guidance and protection for their children’s socialization. With social circles such as painting circle, technology circle, performance circle and sports circle, children will not be lonely and depressed, nor will they just play mobile phones in their lives.

  At this time, parents should retreat appropriately, don’t snoop and monitor, and let go appropriately to let their children grow up in the group. Otherwise, parents with high sense of control will encounter children who pursue high autonomy, and parent-child conflicts will be inevitable.

  Facing adolescent children, parents should learn to "quit" appropriately.

  The research shows that once a conflict occurs, the worse the parent-child relationship, the higher the proportion of children addicted to the Internet, and the higher the proportion of playing games and brushing videos. Therefore, in the face of adolescent children, parents should learn to "quit" appropriately, leaving enough room for their children to be independent.

  Let children manage their own time bank. Nowadays, many parents are keeping an eye on the time when their children play mobile phones. As a result, the more they stare, the more they can’t stare, and conflicts occur. In fact, mobile phone management is a problem that children must face in this life. If they can’t control it when they are young, they can’t control it when they are older. In fact, many of us adults and even the elderly are no better than children in cell phone addiction.

  The author’s suggestion here is: When children go to middle school, they should learn to manage their mobile phone use. If parents are not at ease, they can set up a mobile phone use time bank for their children. Parents and children agree on the total time of playing mobile phones every week. Within the total time range, children can choose when to play or how long to play each time. If the total time runs out this week, parents can confiscate their mobile phones in the remaining days. If it is overtime or has special needs, with the consent of parents, it can be borrowed in advance from the total time next week, but the time interest should be paid at 1: 1.5 or 1: 2 times. If you have a balance this week, you can automatically transfer it to next week or redeem the prizes your child wants. In short, it is necessary to gradually shift the parental management mode of mobile phones to the self-management mode of children.

  With the era of cloud storage, big data, 5G Internet of Things, artificial intelligence and mobile terminals coming to us, no one can stop it, and everyone must open their arms to meet the changes. For parents, this requires courage and wisdom. It is not feasible to rely on blocking. It is better to equip the children’s body and mind first and let them be "Peter Pan" who embraces the new era.

  (He Lingfeng is a professor at Shanghai Institute of Physical Education and a member of the Steering Committee of College Psychology Teaching of the Ministry of Education.)

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The new rules are coming! The two departments issued opinions to encourage the development of shared cars.

  CCTV News:The Ministry of Communications and the Ministry of Housing and Urban-Rural Development have issued new regulations to encourage the use of new energy vehicles to carry out time-sharing and encourage time-sharing operators to adopt credit model instead of deposit management.

  The Guiding Opinions on Promoting the Healthy Development of Minibus Rental formulated by the Ministry of Transport and the Ministry of Housing and Urban-Rural Development was officially promulgated today. The Guiding Opinions includes 5 parts and 13 articles, including general requirements, laying a solid foundation for safety management, improving service capacity, encouraging time-sharing development and creating a good development environment.

  It is understood that from June 1 to 14, the Ministry of Communications publicly solicited opinions on the Guiding Opinions on Promoting the Healthy Development of the Car Rental Industry. According to the suggestions, the Guiding Opinions were revised and improved: the scope of application was limited to the lease of minibuses; Enriched the relevant requirements of anti-terrorism prevention and added the contents of "maintaining public safety"; At the same time, the new format of time-sharing lease is standardized and managed.

  What is a minibus??

  Minibus refers to a minibus with seven seats or less. The "Guiding Opinions" clearlySmall minibus leaseIt refers to the operation mode that the minibus leasing operator delivers the minibus to the lessee for use within the agreed time, collects the leasing fee and does not provide driving services.

  According to the Ministry of Communications, there are currently more than 6,300 car rental operators in China.The total number of leased vehicles is about 200,000.The market scale is growing at an annual rate of about 20%. but92.7% of car rental enterprises in China own less than 50 vehicles.It is difficult to implement network operation and form economies of scale.

  In addition to insufficient service capacity,At present, there are no new laws and regulations for the car rental industry at the national level.. At the local level, only four provinces (cities) such as Beijing, Shanghai, Chongqing and Shanxi have issued special local regulations on car rental, while another 21 provinces only involve one or two principled provisions in the Road Transport Regulations and other relevant local regulations, while six provinces such as Tianjin, Hebei, Inner Mongolia, Guangxi, Hainan and Qinghai have not yet issued laws and regulations on car rental.

  For the sake of vehicle insurance, scrapping and second-hand salvage value,At present, about 95% vehicles in the car rental market are registered as non-operating vehicles.As a result, it is difficult to guarantee the safety of vehicles, and users cannot get insurance compensation in case of traffic accidents.

  In order to ensure the safety performance of leased vehicles and the legitimate rights and interests of users, the Guiding Opinions put forward requirements such as standardizing the management of leased vehicles and implementing the inspection system in real-name registration system. Rental vehicles shall be in accordance with relevant laws, regulations and technical standards.Go to the public security organ for registration., and in accordance with relevant regulations, carry out safety technical inspection, environmental inspection and scrapping of vehicles. Insure compulsory insurance and third party liability insurance according to the insurance rate corresponding to the registered nature of use.

  To implement the identification system, minibus rental operators should have the facilities and equipment needed for identification and check the valid documents provided by the lessee.

  Highlights of the new regulations ②: Encourage time-sharing of new energy vehicles.

  In order to encourage the development of the new format of time-sharing lease, the Guiding Opinions proposes to consider the characteristics of time-sharing lease in non-intensive travel, reasonably determine the positioning of time-sharing lease in the urban comprehensive transportation system, and study and establish a vehicle delivery mechanism that is suitable for public travel needs, urban road resources and parking resources.

  Time-sharing operators should improve their online and offline service capabilities, strengthen the intelligent organization and deployment of vehicles, and ensure the good safety of vehicles through daily inspections and self-inspection of vehicles by operators. Operators should adopt safe and compliant payment and settlement services to ensure the safety of users’ deposits and funds, and encourage the use of credit mode instead of deposit management.

  This paper puts forward some support policies, such as encouraging public parking lots in crowded areas to provide convenience for parking time-sharing vehicles and exploring on-street parking concessions in cities. Encourage the use of new energy vehicles to carry out time-sharing leasing.

  Highlights of new regulations ③: Promote the construction of parking spots in densely populated areas.

  In order to improve the service ability of the industry, the Guiding Opinions put forward specific requirements from the aspects of infrastructure planning and construction and daily operation and management of operators. According to the local economic and social development and residents’ travel needs, it is required to formulate a development plan for minibus rental, and incorporate it into the comprehensive transportation system planning and urban comprehensive transportation system planning, strengthen the transfer connection between minibus rental and different modes of transportation, and promote the construction of transportation hub business outlets such as airports, railway stations, bus stations and ports, as well as parking stations in densely populated areas.

  Encourage operators to use new technologies and new means to strengthen daily management and improve the convenience of car rental. Operators should improve network security protection measures and collect, store, use and protect personal information in compliance with laws and regulations. Strengthen the linkage between upstream and downstream industries and related industries, and promote the scale, networking and brand development of the industry.

  List of other highlights

  In addition, in order to further create a good development environment for the industry, the Guiding Opinions also put forward the requirements of accelerating the construction of system standards and promoting the resolution of outstanding problems such as illegal road traffic disposal of leased vehicles and fraud of leased vehicles. Accelerate the construction of credit system, establish a credit evaluation system for lease operators and lessees, and build a cross-departmental and cross-regional joint incentive and punishment mechanism.

  The Guiding Opinions require that local transportation departments should formulate supporting policies, measures and implementation plans.

  On August 2, the Ministry of Transport and other 10 departments jointly issued the draft of "Guiding Opinions on Encouraging and Regulating the Development of Internet Rental Bicycles", which clearly pointed out that the development of Internet rental electric bicycles is not encouraged.

  Li Jiangping, inspector of the Traffic Management Bureau of the Ministry of Public Security, said that such regulations mainly consider that vehicles generally exceed the standard and do not meet the standard requirements of the General Technical Conditions for Electric Bicycles; Prone to traffic accidents; Fire safety hazards are prominent; High risk of vehicle operation safety; In addition, the battery pollution problem is serious.

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What does a hot search think of AI’s "resurrection" of the dead star?

From Bao Xiaobai’s "resurrection" of her daughter who died of illness to netizens’ "resurrection" of CoCo Lee with AI, AI "resurrection" has become one of the hottest topics at present.

Merchants on the e-commerce platform have already smelled business opportunities. Shops and studios that "resurrect" their loved ones with AI are everywhere, and the lowest 10 yuan can "make old photos move". Some merchants’ interfaces show "move and don’t talk" 40 yuan and "make talk" 150 yuan, and the interface shows that more than 800 copies have been sold.

However, the head enterprises that have been deeply involved in the field of digital people for many years seem calm. Silicon-based intelligence has "resurrected" thousands of people in the past few years. Founder and CEO Sima Huapeng told CBN that the whole enterprise has cloned about 500,000 digital people in the past, which means that in the whole big market, digital immortality business only accounts for a small part. "It’s not an industry that everyone looks so beautiful."

"Many people don’t want to put their loved ones ‘ Copy ’ When you come out, some bring happiness, others leave, and then watching and communicating repeatedly will deepen the pain, you know? " Sima Huapeng said that the silicon-based intelligent team has also experienced many rejections in the project of exploring the "resurrection" of AI. In his view, digital immortality may be an industry with a low ceiling in China, but in the field of digital people, whether it is short video, live broadcast or interactive application under the blessing of large models, there is a lot of imagination.

At present, digital immortality is also facing legal and ethical problems. Recently, the "resurrection" of AI stars has also caused a lot of controversy and been opposed by family members.

You Yunting, a senior partner of Shanghai Dabang Law Firm, believes that "public figures have a certain particularity, because there are many fans, who are familiar with themselves. If they see the videos of such public figures, they are cherished, even if they are created by artificial intelligence, I believe that most fans will not have opinions." He said that if it is a harmless behavior to the society, it is no problem, but if family members or their heirs raise objections to it, they should respect their opinions and take some content off the shelves.

Details stamp: "AI" Resurrection "is as low as 10 yuan, but it is not necessarily a good business"

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The new SUV Satus Shanghai Auto Show listed Kia’s global model lineup.

  On April 18th, Kia unveiled its global strategic vehicle matrix at the 20th Shanghai International Automobile Industry Exhibition, and adopted a brand-new "Windows of inspiration" booth design, which shone with a brand-new lineup and a brand-new look. At this auto show, KIA’s brand-new compact SUV Satus went on the market, further enhancing the market competitiveness of the fuel vehicle product lineup. At the same time, EV6 GT, EV5 concept car, EV9 concept car and E-GMP, a platform dedicated to electric vehicles, were unveiled, demonstrating Kia’s determination to go all out to transform into electrification. KIA will unswervingly dig deep into the China market, gather global superior resources to empower the China market, introduce global hot-selling models one after another to improve the product matrix, improve the user ecological chain system, and ensure the success of the China market.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image001

  Brand transformation has achieved remarkable results. Kia has unswervingly taken root in the China market

  Facing the rapidly changing global automobile market, Kia launched a comprehensive and thorough brand transformation in 2021, and made changes in the whole business field, so as to realize corporate vision as a "sustainable mobile travel solution provider". At the same time, based on the "Plan S" strategy, Kia is expanding its business map in an all-round way, creating innovative travel products and solutions in the new travel era, and is committed to becoming a global leader in mobile travel.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image002

  At the auto show, Kim Kyung-hyun, general manager of Kia China, said: "In 2022, Kia achieved unprecedented brilliant results in the world, ranking seventh in the global auto brand sales list with sales of 2.9 million vehicles. As the most dynamic and potential automobile market in the world, China’s success in the China market is the core of Kia’s global strategy. " In order to better promote the development in China market, Kia is also adhering to the brand innovation strategy of New Kia, taking customer experience innovation as the goal, unswervingly pushing forward the localization reform, renewing and upgrading the brand, products, channels, services, marketing and other aspects, accelerating the electrification transformation, and making every effort to meet the increasingly rich mobile travel needs of China users.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image003

  The brand-new SUV Satus is officially listed, and the Kia fuel vehicle lineup will be added.

  At this auto show, KIA’s brand-new compact SUV Satus was officially launched, and four models were launched. The official guide price was 109,900 yuan-139,900 yuan. At the same time, it also brought consumers an eight-fold value-for-money car purchase gift. After comprehensive concessions, the amazing price only started at 99,900 yuan.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image004

  Satus adopts the brand-new design concept of Kia’s "Opposites United" and takes "Power to Progress" as the design inspiration to create a tough, confident, smart and fashionable appearance style. In terms of interior, Setus has a dual 10.25-inch intelligent integrated display screen, equipped with a newly upgraded Kia Connect intelligent interconnection system, which supports intimate functions such as valet mode and rear seat mute mode unique to the same level, creating a higher-level driving experience for users. In addition, Satus is also equipped with L2+ intelligent driver assistance system to protect users’ travel. In terms of power, Setus not only has a 1.5L powertrain with better fuel economy, but also the comprehensive fuel consumption of WLTC is only 6.05L; per 100 kilometers. Add 1.4T surge power system, the maximum torque is 242N·m, and the comprehensive fuel consumption of WLTC is as low as 6.26L per 100 kilometers, which fully meets users’ demand for extreme vehicles with strong power and low fuel consumption.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image005

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image006

  As a star model of KIA’s global strategy, the listing of Satus is another achievement of KIA’s brand innovation strategy, which will help KIA’s fuel vehicle lineup accelerate its rejuvenation. At the auto show, KIA’s world-famous star models such as Lion Platinum Tuojie, Jiahua, K5 and K3 also made their debut, attracting many favorable eyes.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image007

  KIA China’s New Energy Strategy Accelerated Landing KIA Pioneer Pure Trams Shined All over the Hall.

  In response to the explosive growth of new energy vehicles in China, Kia has formulated a medium-and long-term electrification blueprint to help Kia China become a leading electrification brand. Starting this year, Kia will launch at least one pure electric vehicle based on the E-GMP platform for electric vehicles every year. By 2027, a total of six pure electric vehicles will be launched. At the same time, KIA will increase its R&D investment in advanced technologies such as mobile travel, electrification, interconnection technology and autonomous driving, and integrate the research results of China Forward Digital R&D Center based on KIA’s special platform for electric vehicles, so as to bring more and more excellent electrification products to China consumers.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image008

  At this auto show, KIA EV6 GT, EV5 concept car, EV9 concept car and E-GMP, a special platform for electric vehicles, appeared on the same stage to show the profound strength of KIA Pioneer pure electric technology. Among them, the comprehensive output power of EV6 GT is as high as 430kW, the acceleration time of 100 kilometers is only 3.5 seconds, and the performance is comparable to that of super-running; At the same time, it supports 800V high-voltage fast charging system, and it only takes 18 minutes to charge the power from 10% to 80%. In terms of intelligence, the EV6 GT is equipped with an enhanced intelligent driving assistance system including semi-automatic lane change assistance and rear collision avoidance assistance, and is also equipped with AR HUD reality enhanced head-up display technology to fully escort users’ travel. It is worth mentioning that, on a global scale, EV6 is in the limelight. After winning the "2022 European Car of the Year" award and the "2023 North American Car of the Year" award, EV6 GT has recently won the title of "2023 World Performance Car", demonstrating Kia’s unparalleled electric technology strength. In August this year, EV6 will be listed in China in the form of imported cars, maintaining the high quality with the global unified standards.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image009

  The EV5 concept car adopts the brand-new design concept of Kia’s "Opposites United", which shows the new trend of design aesthetics of pure electric vehicles in the future. The interior innovation of EV5 concept car adopts a new rotatable seat layout, which breaks the boundary between the interior and exterior space and creates an unbounded space for users to live in harmony with nature. The battery life of more than 700km (CLTC standard) and the fast charging time of less than 20 minutes greatly alleviate users’ anxiety about the mileage and charging of electric vehicles. In addition, EV5 is KIA’s first vehicle equipped with the 2nd generation remote control intelligent parking assistance system in China, and will apply a number of cutting-edge intelligent safety configurations to provide users with a safer and smarter car experience. The EV5 is scheduled to be listed in China in November this year, and it will be the first global electric vehicle produced in China and listed for the first time by Kia, which is of great significance.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image010

  Kia Pure Electric’s flagship SUV EV9 concept car has a car length of over 5,000mm and a wheelbase of 3,100mm, and adopts three rows and six seats of luxury seats, plus a flat floor design, creating a luxury space that is ahead of its peers. The EV9 will be equipped with an 800V high-voltage fast charging system, which can increase the cruising range by 239 kilometers after charging for 15 minutes. At the same time, through the application of the fourth-generation battery and the second-generation battery management system, the competitiveness of the cruising range will be further ensured. As KIA’s first vehicle equipped with highway automatic driving system (HDP) in China, EV9 is expected to achieve L3-class automatic driving, and at the same time, the whole system will be equipped with 10 airbags as standard to escort drivers and passengers all over the world. According to the plan, the new car will be officially launched in China next year.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image011

  In addition to increasing product layout, Kia will also maximize the expansion of electric vehicle sales channels and brand contacts through strategic cooperation with large dealer groups, and comprehensively innovate the user experience. At the same time, in addition to providing personal home charging stations and installation services, Kia also plans to cooperate with Shell to establish a high-speed charging network, and further expand the layout of the basic charging network through cooperation with third-party charging enterprises in China to provide users with a convenient and cost-effective electric travel experience. In addition, Kia plans to launch the brand APP in the second half of this year. As a comprehensive platform built with user thinking, Kia APP will comprehensively enhance the user experience from all areas of car life such as car purchase, car use, service and infotainment.

The brand-new SUV Satus is listed at the Shanghai Auto Show, and Kia's global model lineup is added _fororder_image012

  This year is an advanced year for the brand transformation of Kia China. Kia will accelerate the comprehensive implementation of China’s new energy strategy, provide China consumers with a higher quality mobile travel service experience by introducing more world-leading electrification technologies and products, and strive to take off again in the China market. (Photo courtesy of Kia Motors)

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Interview with Zhang Haidong, the producer of Opponent | Don’t blindly pursue novelty in spy war dramas.

A pair of spy couples living on the mainland from abroad suffered a midlife crisis and lived a trivial life. There is a female team leader of the National Security Bureau leading a close investigation in front of her, and there is a cruel online push behind her. Struggling in the cracks, what should they do? From heaven to earth to chicken feathers, the "atypical" spy war drama "Opponent" featuring two anti-routine spies unexpectedly became popular in 2022, and the heated discussion continued, and the spontaneous publicity of netizens also became a grand occasion.

Facing the double harvest of popularity and word of mouth, producer Zhang Haidong admits that popularity can’t be met, and the only thing he can do is to strive for good quality in the professional field. From conception and creation to shooting and online, The Opponent, which took three years to polish, confirmed Zhang Haidong’s idea as a content creator and producer. Good works are not mass-produced. She enjoys the whole production process, and has accumulated more insights on preparation, production and publicity in her years of work as a producer. In addition, more is still the original heart has not changed. The ups and downs in the industry go round and round, and Zhang Haidong always believes in making products with sincerity and heart, and puts limited energy on every project that can be selected to witness their birth.

Q

A

ICONSPRO: You have actually participated in the production of spy war works before. What do you think is particularly attractive about Opponent?

Zhang Haidong:The theme of modern spy war is relatively rare in the market. Everyone has watched more time dramas, and they are already familiar with some of the usual scenes and deductive methods of time dramas, and they don’t have much expectation. Because this play is a modern spy war, the background of the story is put into the present, and I think it is a very strong attraction for the audience.

ICONSPRO: The audience has some interesting comments on Opponents, such as "The Poor Smith". Have you ever paid attention to them?

Zhang Haidong:We have a group in which all the actors and actresses are creative, and everyone will post some comments from some netizens on the Internet and update them every day. I think people say it is a poor version of Mr. and Mrs. Smith, which is also quite vivid.

ICONSPRO: In the work "Opponent", the characters are very well shaped, and the characters are multi-faceted. Which characters are you particularly fond of or impressed by in this play?

Zhang Haidong:From the creative point of view, I like every character very much, and every character is very lifelike, not the kind of facebook and flat figure, but very three-dimensional. Moreover, the screenwriter also devoted himself to his enthusiasm, and he wrote very full, whether it was the leading role, supporting role or marginal character, so it was equally important. However, if we are most impressed, of course, Li Tang and Ding Meixi are quite different from the spies we have shaped in the past. Those (spies) that I saw in literary and artistic works before, who are in heaven and earth, can do anything in suits and beautiful dresses. Do people think that the imaginary spy should not be like 007? How can we be so poor and forced by life, so trivial, everyone will have such a big contrast, in fact, this is exactly what kind of breakthrough point we said when we were doing this play as the main creator, and what innovations we made on the theme is precisely a reflection of our original intention.

ICONSPRO: The powerful cast of "Opponent" is a highlight of this work. What are the considerations in the choice of actors? In particular, the young actors of several protagonists and the newcomers of the National Security Bureau did not cater too much to the current market to choose actors with high popularity and popularity. How is this considered?

Zhang Haidong:First of all, I think the image temperament of the actor should be highly consistent with the revealed characteristics of this role. Why is it that all the audience will say it’s true and have a sense of substitution this time? It seems that everything that happened is true, and the enthusiasm for pursuing the drama is so high because they have seen it. I think the authenticity of the actors is very critical, and it will not let the audience drift out, and it will not make the audience think that you are fake, acting or making up. I think the actor is a very important part in shaping the role, so its accuracy and the fit between the actor and the role are very important. (ICONSPRO: After reading the script, the starring teachers expressed their willingness to attend? ) Yes, I’m very excited to read all the scripts, and it’s imperative to say that I won’t consider other plays for the time being, so I must go to the "Opponent" play, which is absolutely true.

ICONSPRO: Are the young actors chosen according to them after they are created by the master?

Zhang Haidong:After we decided to play the leading role at that time, we must look for actors who are similar to them in appearance. Again, we must be true. From the current screen performance, we will feel that they are not only similar in shape, but also similar in spirit, that is, they are highly consistent and very predestined.

ICONSPRO: As a modern spy war drama, it is necessary to have a certain understanding of the daily work and life of spies and national security personnel. What preparations did the team make in this regard?

Zhang Haidong:Our screenwriter, Mr. Wang Xiaoqiang, consulted a lot of information in this field at the early stage of his creation. Moreover, we also have experts from the national security department to give us some further guidance, so many viewers, especially some in the industry, will think it is very real.

ICONSPRO: How long did it take "Opponent" from script creation to final shooting? Compared with ancient costumes, sweet pets and other themes, spy war works are not the hot type in the market. Why do you insist on doing works with this theme?

Zhang Haidong:First of all, I don’t resist any theme. It’s not that I can only shoot spy wars. I’ve been trying to pursue such a project with the best of both word-of-mouth and market popularity. It just so happens that I think it is this type of project from the beginning of Mask to the present Opponent. It doesn’t mean I did it on purpose. Spy warfare is because it has strong drama elements, it is a strong plot, and then there is suspense and a particularly strong life-and-death contest, which are very important reasons to attract the audience.

ICONSPRO: What is the biggest difficulty in the whole process of creation and shooting? The plot of "Opponent" is developing at a fast pace, and spy war dramas often need active thinking and understanding skills. Are you worried that the audience will be more difficult and difficult to understand?

Zhang Haidong:I think this phenomenon will definitely exist, and we can only try our best to express it in the most important way. I think Mr. Xiao Qiang is very capable in constructing stories, and he combines strong plots with strong emotions without showing any traces, so everyone doesn’t feel far-fetched The play serves the emotion, which in turn promotes the plot of the play. He has done very well in this respect. In fact, if you construct the whole structure of the story very well in the early stage of creation, and then have the appropriate actors to perform it, it will definitely be a favorite work, and the audience will look at the story first, right? We didn’t say that we should focus on the extreme pursuit of the plot of the spy war drama, because in that case, I think it may divert the audience. The most important thing is to try to lay out some plots that the audience can understand, including its internal reasoning logic, and try to be acceptable to the audience. There is another one. Why do you think the emotional part of this play is very eye-catching? This is a narrative rhythm. In the end, the incident will bring out the relationship between people, and the feelings generated by the incident will be laid out. We have also done very well this time. Therefore, it is very good to grasp this rhythm one by one. And from the feedback now, some viewers will say that he will be a little dizzy in the first few episodes, and there will be more roles, and then he will sort out all aspects of character relations. But slowly, after about three or four episodes, I will go in, and I will not be particularly constrained by the plot. On the contrary, I will pay more attention to the relationship between the characters behind me.What caused all their recent situations and experiences actually happened to be our original intention and our intention to do this play. If everyone pays special attention to the bridge above the plot, maybe I think we will express something, and its degree will be weakened.

ICONSPRO: In fact, we didn’t make much changes in this script in the later period, basically maintaining the original script written by the original little gun teacher?

Zhang Haidong:Because Mr. Xiao Qiang is a very mature screenwriter, he wrote every work himself. He is very strict with himself, and the script has not passed his own level, and he generally won’t take it out easily. Our main creations, including actors, are very recognized after reading the script. Moreover, especially in the spy war drama, its buttons are tightly connected, and it is necessary to be very cautious in unbuttoning, so it is easy not to move its structure and move its bridge. Everyone has reached such a consensus. So we basically didn’t move his script during the creation period, which is based on a common recognition.

ICONSPRO: How long does it take from the beginning of the creation of the small gun teacher to the completion of the final shooting?

Zhang Haidong:There are three years from conception to creation to our real shooting, and then to editing and synthesizing and meeting the audience.

ICONSPRO: With the current trend of younger users, is there any special consideration and design in the expression of younger opponents?

Zhang Haidong:There is a very clear line, that is, the emotional line of Guoan soldiers, which is a very obvious one. Their age groups are all in their twenties. There are also Ding Meixi and Li Tang. Their daughter Li Xiaoman is seventeen or eighteen. She happens to be ignorant in adolescence, and she also represents a very large group. Duan Yingjiu’s son, such a group of seventeen or eighteen, is just about to enter the society. There are also a group of people like Zhu Hui, Huang Hai and Ding Xiaohe, who have entered the society and have made some choices between work and emotion. The puzzles in work and life and how to solve these puzzles are all in this film.

ICONSPRO: Compared with previous spy war dramas, Opponent has some innovations in the background of the times, the setting of characters, the cut-in perspective, etc. In your opinion, what are the new development directions of spy war themes in the future?

Zhang Haidong: Personally, I think that is to say, there are undoubtedly two aspects. One is the laying out of the plot. If it is a spy war now, it is not like a time drama, because it has the looseness of time scope, so you still have some room for imagination and play in the plot design. In modern drama, you just have to fit in, be very real and realistic. Blindly pursuing the strangeness of the plot is prone to flaws, so I think the setting of the plot should not be divorced from people, and simply describe the event, which will be thinner and shallower. Then there is the relationship between the characters and the feelings of the characters behind the incident, which really need to be described by pen and ink. They are organically combined and cannot be separated from each other, just like one or two skins, and the audience will not be moved.

ICONSPRO: Why did the title of the play change from the original Lover to Opponent? Is there any other interpretation of the title of the play besides the "opponent" between the national security personnel and the spies?

Zhang Haidong:As creators, our thoughts or our ideas have grown and changed. From the creative point of view, we may focus on how strange the relationship between characters is. In the process of creation, experts give us some guidance, and we will find that this angle and conception will be narrow, so we should enlarge it, because when you hear the name "Love", it will definitely be closely related to love. Moreover, if you simply describe the love of this spy couple, your original intention and conception will be lower. "Opponent" divides the enemy and me, even a camp, into different people at once, right? The degree of their persistence in faith is laid out in all aspects. So I think the title of "Opponent" is still relatively accurate, and it is the opposition in all aspects. And when they face emotions, whether they let go or fight for it, it is a feeling of game in it. For example, Duan Yingjiu actually loves her husband deeply, but she is in the big love area, and she gives up small love. "Opponent" can be interpreted as a neutral word, in fact, it is your choice, whether you choose side A or side B, it can also be extended to be like this. For a spy war drama, you must have a title that is relatively intuitive and clear.

ICONSPRO: There has always been a problem of uneven reputation and ratings of film and television works in the industry. In fact, the popularity of Opponent, which has a high reputation, was not particularly high at the beginning of its broadcast. What do you think of this phenomenon? What do you think is the reason?

Zhang Haidong:The only thing we can do is to do a good job in the quality of this play in our professional field. I think this is something we can do. I think the heat is hard to meet. From the perspective of the industry, I think word of mouth is more significant and very important for us. The general environment is getting better and better now. Everyone’s recognition and pursuit of good content is the pursuit of this enthusiasm, and the awareness is also increasing. In fact, it is a very good direction. From my play "Opponent", it is true that the publicity has not reached the kind of popularity that everyone expected. Of course, there are many objective reasons for it, but as long as everyone watches this film, they say it is very good-looking. This good-looking is not only the story design, but also the actor’s performance and the picture presentation. This is a particularly gratifying thing. All the hard work and payment have been highly recognized and agreed by everyone, and I think it is a positive feedback.

ICONSPRO: After participating in many spy war dramas, have you summarized the rules of content production of this theme work?

Zhang Haidong:Don’t blindly pursue its novelty in the plot of spy war drama, because you are bound by all aspects, your wisdom, your professional knowledge and your ability to set and release buttons may not be perfect in the plot. And once the audience is caught in the situation of tracking the plot, they will repeatedly pick your flaws very severely and meticulously in the plot. I think it is easier for make a fool of oneself. It’s not that we have to speculate or anything, because no one can say that I can be perfect in all aspects of the plot, so I think we must rub the feelings of the characters in. Because what the audience sees is actually an emotion and a state, you see that he is attracted by strong plots. In fact, he is also tracking particularly intense emotions. At this time, after adding emotions, you will give him a pause and a relaxation, which can meet the viewer’s aesthetic needs at a higher level. So I think we should make more efforts in this respect, from the perspective of the combination of events and emotions, rather than blindly pursuing strong plots.

ICONSPRO: Will some friends have some feedback on your play?

Zhang Haidong:I saw a WeChat just now. Look at my friend. He said that you made an atypical spy war drama with fireworks. It was great. What is uncovered is the entanglement, dreams and helplessness of adults, and the works with human flavor have temperature. A WeChat like this, I receive a lot every day, and I feel particularly beautiful.

ICONSPRO: You have been studying dance at first, then why did you choose to enter the film and television industry? What is the turning point?

Zhang Haidong:I think it may be that life has reached a certain stage and there may be another pursuit. I think I’m lucky. After nearly six years of training in a dance, I have a deep understanding of beauty. It is a very opportune opportunity to come into contact with film and television dramas, and there is an internal connection between them. For example, they are all based on literature, and they are expressed in different forms in the depiction of characters. These things are common, but there are some differences in the forms of expression, but it is precisely a space for me to continue to study, explore and improve myself, so I will try to turn to film and television production.

ICONSPRO: From joining Hairun in 2002, to becoming a independent filmmakers in 2005, to signing Huayi to set up his own studio in 2010, and to set up Haidong Tomorrow Film and Television in 2016, what are your different feelings at these important time points in your life?

Zhang Haidong:At first, I did some plays by myself, but at that time I was still in a state of learning. I felt that I must use some more powerful forces to make myself grow faster. Later, I went to Hairun. At that time, Hairun was among the private film and television companies in our country. It was really a mobile phone, and the quality of its products was excellent. After working as an executive producer and producer for about five plays, I began to feel uneasy again at that time, just to see if I could apply what I had learned. So in 2005, I made the first drama of my company, which was a theme with a strong plot and a strong story. That play is my real release from production, and the whole chain has gone through itself from beginning to end, which is not a small promotion, but also a turn. In 10 years, I entered Huayi, set up my own studio, and then worked in Huayi for another 5 years. In 16 years, the contract expired, because I made several plays and all the transcripts were good. I took such a report card and continued to run my own company. At this time, I came into contact with the Internet. At that time, the Internet was just a stage of rapid development.

ICONSPRO: What are the differences and changes in your mentality at these important time nodes in your life and in your way of thinking about content production?

Zhang Haidong:I think that I am more and more determined, that is, I must be down-to-earth. There is really no speculation in this industry. Never think that a producer is a very glamorous identity. I am here to pursue this identity. In fact, it is a double-edged sword, because identity gives you the right to speak, but if your cognition and your industry experience do not reach a certain level, the greater your right to speak, the greater the risk may be. All aspects have been trained to a very objective and professional angle, so that you can say that the crew can carry out your will, or that you can work hard and move forward in the right direction, so that you can get the final result you particularly want. Otherwise, it is basically consumption. Don’t play the producer, you took a team to move forward. This project was born of you, and its life and death are really under your control. You should be responsible for the overall project and all the creative staff and actors. It is not carrying out your personal will, but amplifying a very objective thing. So I think my feeling is actually that I should be more confident and more confident in my heart, and these things are not blind, but more objective.

ICONSPRO: This is not the first time that "Opponent" has cooperated with the screenwriter and director. Is it possible to have a more tacit understanding in shooting?

Zhang Haidong:I think it is very important for a creative act to get to know each other. Because trust is based on understanding, film and television works are a working mode in which everyone works together. If there is no minimum trust, many creative inspirations or ideas will be consumed more or less, because people’s emotions are something you can’t avoid, and art has no criterion. In the process of communication, it is very consuming. We know each other very well, so everyone will think that we have different views on this matter because of our understanding of the matter. I think everyone’s communication takes place outside the play, in the early stage, and it’s okay to spend a lot of time. It’s okay to unify and express opinions with each other, but when we really enter the creative stage and the shooting stage, we must put all our energy on the drama expression.

ICONSPRO: Haidong Tomorrow Film and Television has basically maintained the production frequency of one work a year after its establishment. Was this planned from the beginning?

Zhang Haidong:Our company’s philosophy is to emphasize quality over quantity, and there is no special external pressure, pushing myself to say how many plays I will shoot every year. A good film and television work is not mass-produced, but it needs to be meticulously crafted in every detail, which itself consumes time. Personally, I enjoy the whole production process. I like to see my favorite works come out from scratch step by step. I didn’t say that my company must have a relatively large layout. I must open several projects a year. In the current market environment, I don’t think anyone will say that I can succeed in opening three projects a year. It is better to put my limited energy into every project that I like and can be selected by our company, and do it carefully.

ICONSPRO: Is the company basically responsible for one project now, or are many projects in parallel?

Zhang Haidong:At present, the focus is on grasping a project and making this project to the extreme. I think this direction should not change much. In 13 years and 14 years, when capital poured into our film and television circle, I didn’t even say that I would recruit more producers and open more plays to do my work, so as to meet the demands of the capital market. Now, it is even more impossible for me to do this because it is meaningless.

ICONSPRO: What standards does the company have in the selection of film and television works? What is the most important thing?

Zhang Haidong:There is no special setting. I think the only criterion is to make quality products and choose them objectively. I think these things are really hard to meet. If I meet a very good IP, I say I don’t do it, I only do the original, and there is no such choice. It is impossible to say that there are good original works in my hands. I must look for IP. I don’t think there is a necessary connection between the two. As long as it is a good script, it is not limited to the subject matter and its source. That is, how many good IP are there, and will you get the good IP? When it reaches you, it is still the original thing, but are there any other elements attached to it, which will interfere with your creation, and the investment may be large. How much money will you put on the original work itself to present it? Therefore, specific issues are treated in a specific way. The underlying logic means how much energy and thought you spend to present it. If you present it with your heart, it is impossible to say that the original IP foundation is very good, and it is ruined for you. There must be objective reasons for reducing its original heat or quality. We must respect objective laws in this line of work, not too many human factors.

ICONSPRO: So far, what is your most impressive or favorite work?

Zhang Haidong:At present, I think it must be "Opponent". I have been immersed in the creation of "Opponent" for more than a year. A masterpiece is not easy to be copied, and it is unlikely to be copied, because it has gathered too many excellent resources and very rare creative factors.

— THE

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A-level wanted man who shot and killed two Foshan patrolmen 12 years ago was seized (Figure)


Cheng Ruilong, who served his sentence incognito in Jiangxi prison. (Image from Dajiang. com)



Cheng Ruilong, a Class A wanted suspect in the Ministry of Public Security. (data picture)


  Running around, committing crimes, carrying 7 lives


  Killed two Foshan patrolmen 12 years ago.


  The Ministry of Public Security offered a reward of 50,000 yuan.


  He was arrested after serving his sentence under a pseudonym in Jiangxi for many years.


  This newspaper (reporter Weng Xiaopeng, Wang Guangyong, Zhang Zhang) once fled to Zhaoqing, Foshan, Guilin, Guangxi, Chongqing and other places. The A-level wanted criminal suspect of the Ministry of Public Security, Cheng Ruilong, a murderer with seven lives on his back, was finally seized in Jiangxi. On June 2, Jiangxi Provincial Public Security Bureau revealed through the media that Cheng Ruilong had been anonymous for many years. On May 31 this year, the criminal police detachment of Nanchang Public Security Bureau verified that Cheng Ruilong, who was serving his sentence under an alias, was the suspect on the A-level wanted order of the Ministry of Public Security. Cheng Ruilong was also the suspect who brutally killed two policemen in Foshan.


  The reporter learned from the Foshan Public Security Bureau yesterday that Cheng Ruilong will be taken back to Foshan for trial. The Foshan Public Security Bureau is currently preparing relevant materials and plans to hold a press conference in the near future to inform the relevant case.


  Foshan police:


  A press conference will be held to inform the case.


  Yesterday evening, the reporter contacted Wu Jinning, the current deputy director of Foshan Public Security Bureau, who was in charge of investigating the case at that time. He told the reporter that the Foshan Public Security Bureau is actively studying the relevant case and the Public Security Bureau is preparing to hold a press conference to announce the situation at an appropriate time.


  According to a police insider, Cheng Ruilong is from Guangdong, because he killed two Foshan policemen, and the case will be handed over to Foshan police. At present, all the old policemen who participated in the battle 12 years ago have received orders from their superiors to actively prepare relevant materials, including the case at that time.


  Case review


  Kidnapping Nanhai boss


  According to the police officer Chen who was involved in the arrest at that time, in the summer of 1995, when Cheng Ruilong came to Foshan, Guangdong Province to find friends to play, he found that Li Hua (a pseudonym), the owner of Nanhai, who was engaged in refrigeration business, was rich. On the same day, he discussed with three friends, "It is better to kidnap Li Hua and get some money."


  Later, Cheng Ruilong and his friends followed Li Hua home. As soon as Li Huagang opened the door, Cheng Ruilong and other four people rushed in to control Li Hua, his wife and children, and then found more than 10,000 Hong Kong dollars and US dollars in his home. Cheng Ruilong thinks that the money is too little, so he wants Li Hua to take another 300,000 yuan, or he will kill his family. But Li Hua said that there was only 200,000 yuan. After 30 minutes, Li Hua took 200,000 yuan from the frozen shop and gave it to Cheng Ruilong and others.


  One hour after the incident, one of Cheng Ruilong’s associates was arrested, and another was shot dead on the spot for resisting arrest. Cheng Ruilong fled to Guangxi, and then committed many crazy crimes in Guangxi, Chongqing and Jiangxi.


  Kill two patrolmen


  At 7: 30 pm on May 12, 1997, Jiang Minghua, the third squad leader of the second squadron of the first brigade of the patrol detachment city, took Deng Yongjian to perform plainclothes pre-crouching on the section of National Highway 325.


  At 10 pm, Jiang Minghua and Deng Yongjian prepared to withdraw as planned. Just as they were turning from National Highway 325 to Qinren West Road in the city, through the dim street lamp, they suddenly found two men acting suspiciously on the sidewalk of the bustling Bai Yan Park, one of whom was Cheng Ruilong. At the moment when the two men came forward to conduct an investigation, the gangsters who saw the bad situation suddenly pulled out their pistols from their trouser pockets and shot at Jiang Minghua and Deng Yongjian. They died after being shot. A policeman who came to support later was also shot and injured.


  Crime-ridden Cheng Ruilong


  Cheng Ruilong, male, 36 years old, lives in Fudong Management District, Dalubian Town, Lianzhou City, Guangdong Province. He has a grumpy personality since he was a child and has been playing with some "gangsters" nearby for a long time. In 1993, he was re-educated through labor in Foshan for two years for theft. He has been on the run since the kidnapping case in 1995. In the summer of 1997, Cheng Ruilong returned to Foshan again. When the police found something suspicious, they went forward to check it. Without the police being prepared at all, Cheng Ruilong shot and killed two policemen, Jiang Minghua and teammate Deng Yongjian.


  In 2001, the Ministry of Public Security issued an A-level wanted order for the whole country, wanted Cheng Ruilong, a fugitive suspected of armed robbery and murder. At that time, the wanted order said that Cheng Ruilong had committed six armed robberies and murders with others in Zhaoqing, Foshan, Guilin and Chongqing from 1996 to 1999, killing seven people and injuring two others, and had been absconding ever since.


  In 2005, Cheng Ruilong was arrested for robbery and sentenced to seven years in prison. Cheng Ruilong used the pseudonym "Zhou Quan", and other criminal facts were not exposed at that time. Since then, he has been serving his sentence in a prison in Jiangxi Province.


  The police investigating the case recalled that Deng Yongjian, who died, had just entered the police camp and had not worn a gun.


  "It has been 12 years. I received instructions from my superiors at 9 o’clock that night. All our patrolmen were armed and on standby, and then searched the city, but unfortunately I couldn’t catch him." Chen Jianxin, the deputy commander of the Eighth Brigade of the Criminal Police Detachment of Foshan Public Security Bureau, told the reporter that all the policemen who knew this matter were old policemen, and he still remembered the case vividly. At about 8 pm on May 12, 1997, Jiang Minghua, two comrades-in-arms of his patrol detachment, and Deng Yongjian, a teammate, were ordered to crouch near Bai Yan Park in Chancheng District, that is, Qinren West Road. At that time, the two of them found Cheng Ruilong suspicious. "They went up and checked without knowing that the suspect had a gun." Captain Chen said that Deng Yongjian had just entered the police camp and had not worn a gun. I didn’t expect the suspect to shoot just after going up to check, and the young Deng Yongjian died on the spot. Later, another comrade-in-arms, Jiang Minghua, was also shot in the struggle with the gangsters.


  "Jiang Minghua was rescued in the hospital for many days, but he still couldn’t save his life. My two comrades-in-arms sacrificed like this." Chen Jianxin and other comrades-in-arms received an order one hour after the incident, armed to the teeth to search around the crime scene, but still failed to catch the suspect.


  "(Cheng Ruilong is going to be escorted back) I learned the news on June 1, when there was a meeting and everyone was very excited. It has been 12 years." Chen Jianxin told reporters that the information came from the Jiangxi police at that time, and all the police were very excited, and at the same time, they felt very heavy, because it brought back a memory. However, Cheng Ruilong’s arrest finally comforted his comrades in the sky, and he could also give the public an account. The justice of the sky is long and the net is not leaking.


  Extended reading


  Hiding one’s name in prison


  Four years later, it happened.


  According to the Jiangxi Provincial Public Security Department, on May 21st, the Criminal Investigation Corps of the Department immediately deployed the criminal investigation technical department of the whole province to conduct an investigation after receiving the notification from the Ministry of Public Security on the investigation of Cheng Ruilong, a major fugitive. Three days later, Nie Nianming, a policeman of the Criminal Investigation Detachment of Nanchang Public Security Bureau, made repeated inquiries through the online information system, and initially determined that "Zhou Quan" who was serving his sentence in a prison in Jiangxi was the same person as Cheng Ruilong, a Class A wanted criminal of the Ministry of Public Security. After repeated examination by criminal investigation experts of Jiangxi Provincial Public Security Department, it was finally confirmed that "Zhou Quan" was Cheng Ruilong, a murderous maniac who had absconded for 13 years. Subsequently, the police took it away for further examination. After the trial, Cheng Ruilong confessed to his criminal facts.


  During the trial, the police learned that Cheng Ruilong was re-educated through labor for theft for two years in Foshan, Guangdong Province in 1993. He has been on the run since the kidnapping case in 1995. "At first, he said nothing." Police said that after six hours of trial, Cheng Ruilong’s psychological defense line completely collapsed. Until 10 o’clock on June 1, Cheng Ruilong truthfully confessed the whole process of committing the crime.


  According to Jiangxi police, Cheng Ruilong said that he knew that he had committed a murder, and if he was caught, he would be sentenced to death, so he dared not go home, hid in hiding, changed several names and traveled a lot, and finally settled in Ganzhou, Jiangxi Province and hid in anonymity.


  On January 18th, 2005, Cheng Ruilong was arrested by Jiangxi police for robbery with others and sentenced to 7 years’ imprisonment. At this time, Cheng Ruilong used the transformation method, changed his name, and used the pseudonym of "Zhou Quan" when he was in prison. At that time, he did not reveal other criminal facts for various reasons. After that, he was put into two prisons in Jiangxi Province to serve his sentence, until the incident broke out.


  The Ministry of Public Security issued a wanted order.


  There is a reward of 50,000 for Cheng Ruilong.


  In 2001, the Ministry of Public Security issued an A-level wanted order to the whole country, and published Cheng Ruilong’s information in detail. He was born in Hanchong Village, Pudong Management District, Dalubian Town, Lianzhou City, Guangdong Province, on January 10, 1973. He used to be alias "Jackie Chan, Huanglong, AARON Li, He Moshi and libing" and had a mole (removed) on the right side of his nose, but he did not disclose his pseudonym of "Zhou Quan". From June, 1996 to April, 1999, he committed six armed robberies and homicides in Zhaoqing, Foshan, Guilin and Chongqing, Guangdong, killing seven people and injuring two others before fleeing.


  According to the wanted order of the Ministry of Public Security, 50,000 yuan will be awarded to informants who have found clues and units and individuals who have made meritorious arrests.

Editor: Li Erqing

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A tribute to the ordinary heroic novel "Qingtan" will be released.

  BEIJING, Beijing, March 21 (Reporter Xu Wenxin) "This work is dedicated to the ordinary heroes on the red sorghum land. They bravely took the lead and defended their country before the national justice, which is worth remembering." The film "Qingtan" will be released on March 22nd. The director of the film, Liu Ke, was interviewed by reporters a few days ago, telling about the creative background and shooting process of the film.

  The film "Qingtan" is adapted from the novel of the same name by Gaomi writer Xinyi. It is set in Jiaodong area in War of Resistance against Japanese Aggression period and shows the story of ordinary heroes guarding national dignity. Liu Ke said that although the film and the original novel have changed in story clues and role setting, the film still inherits the spiritual core of the ebony tree in the novel, that is, no matter how harsh the environment is, it can insist on the castle peak, break through the rocks, survive tenaciously and persevere.

  Rooted in barren rocks and thin cliffs, and growing in barren hills, the ebony tree can survive and thrive in a harsh environment without the nourishment of fertile fields and fertile soil and the comfort of greenhouses. In the dense green sandalwood garden, there are thousands of green sandalwood trees, some of which have a history of thousands of years.

  "Qingtanyuan is the energy supply station for the crew." Liu Ke said that the character Leng Yufeng was a spy planted by the Japanese invaders in China. In the process of getting along with the people in Jiaodong, Leng Yufeng’s inner kindness was slowly awakened. She was complicated and painful. The actress failed to get out of the role for a long time after she appeared, and the ebony tree gave her a lot of strength.

  "The film production cycle is short and it is in the heat, which brings a great test to the whole crew, especially in the drama part. Some actors have no martial arts skills and still practice and go into battle in person. It can be said that the green sandalwood spirit of the film not only runs through the play, but also is reflected outside the play." Liu Wei said.

  Liu Ke said that "Qingtan" takes the provincial intangible project "Lumbricus Classic Boxing" as the main line, takes the inheritance of red culture as the main theme, and combines the "four treasures" of Gaomi folk art, such as ash-throwing New Year pictures, clay sculptures, paper-cutting and Mao Qiang, and tells the ups and downs of the three families of Lumbricus Classic Boxing, rebel leader Leng Tieshan and mantis boxer Wan Haimin.

  "Guan Feinian (the nephew of Guan Datong) learned that Master was killed by the Japanese and that he was a descendant of the treasure of Qingtan, and he grew rapidly. In order to protect the treasure of Qingtan, Guan Feinian joined hands with people with lofty ideals to launch a life-and-death duel with the Japanese ronin and embarked on the road of resisting Japan and saving the country. " Liu Ke said that the reason why he decided to put Qingtan on the screen was because he was moved by the emotional entanglements and national spirit of the characters in the novel under the background of the Anti-Japanese War.

  Gaomi is the place where the "Sunjiakou ambush" occurred in War of Resistance against Japanese Aggression. On March 16th, 1938, Cao Zhizheng commanded more than 400 people from Cao Keming and other departments to ambush in the courtyard of Sunjiakou Village and Taitiangou on both sides of the road around the village, set up roadblocks on the roads in the village, and arranged some guerrillas to cooperate with local farmers to pretend to farm in the fields beside the road. When a car full of Japanese troops passed by, a road barrier came into play, and the Japanese army was hit hard by the grenade attack of guerrilla ambush. The villagers in Sunjiakou Village showed great courage.

  "On March 16th, I held a movie premiere, hoping to pay tribute to ordinary heroes through" Qingtan "and let more people know their efforts to defend national dignity." Liu Wei said. (End)

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A number of foreign airlines labeled Taiwan Province "China (CN)". Foreign Ministry of China: Foreign companies in China should respect China’s sovereign territorial integrity.

  CCTV News:On April 25th, the Civil Aviation Administration sent a letter to 44 foreign airlines, asking them to correct their wrong practices in official website that violated the laws of China and the one-China policy within 30 days from the date of the letter. As of May 25th, 18 of the 44 foreign airlines have completed rectification, and 26 have applied for extension due to technical reasons and promised rectification. The earliest promised completion date of rectification is May 28th, and the latest is July 25th. The Civil Aviation Administration has replied and agreed. The Civil Aviation Administration will pay close attention to the rectification of the above airlines and protect the rights of foreign airlines to carry out air passenger and cargo transportation business in China according to law.

  [News Tracking] Many foreign airlines added "China (CN)" to Taiwan Province.

  We have seen that many foreign airlines websites have been corrected, but some have not been modified.

 

  According to previous media reports, it was confirmed that Air Canada, Lufthansa, British Airways, Finnair and Asiana Airlines received the letter from the Civil Aviation Administration of China and made amendments accordingly. Take Air Canada as an example. On its official booking website, in the multilingual booking system including English, Chinese and German, Taiwan Province airports are marked with China (CN). In Asiana Airlines’ booking system, Taipei has been listed as "Chinese mainland, Hong Kong, Macao and Taiwan" with Beijing, Shanghai and Tianjin.

  In addition to these five airlines, the reporter found through consulting other foreign airlines’ websites that some airlines have clearly marked Taiwan Province as "Taiwan Province, China" in the "country/region" list, and added "China" or abbreviated "CN" after destination cities such as Taipei. These airlines include Alitalia, Aeroflot, Russian S7, Philippine Airlines, Swiss Airlines, Nordic Airlines and so on.

  However, we also see that a considerable number of airlines have confirmed that they have received the letter from the Civil Aviation Administration of China, but they have not made any changes so far. Take the English website of American Airlines (AA) as an example. It not only lists Taiwan Province, Hong Kong, Macao and China in the list of "countries/regions", but also marks the locations of airports such as Taipei as "Taiwan Province", and even the airports in Hong Kong and Macau are not marked as China.

  Many foreign airlines clearly marked Taiwan Province as "Taiwan Province, China"

  In addition to these five airlines, the reporter found through consulting other foreign airlines’ websites that some airlines have clearly marked Taiwan Province as "Taiwan Province, China" in the "country/region" list, and added "China" or abbreviated "CN" after destination cities such as Taipei. These airlines include Alitalia, Aeroflot, Russian S7, Philippine Airlines, Swiss Airlines, Nordic Airlines and so on.

  There are still foreign airlines that separate Taiwan Province, Hong Kong, Macao and China.

  However, we also see that a considerable number of airlines have confirmed that they have received the letter from the Civil Aviation Administration of China, but they have not made any changes so far. Take the English website of American Airlines (AA) as an example. It not only lists Taiwan Province, Hong Kong, Macao and China in the list of "countries/regions", but also marks the locations of airports such as Taipei as "Taiwan Province", and even the airports in Hong Kong and Macau are not marked as China.

  Foreign Ministry of China: Foreign companies in China should respect China’s sovereign territorial integrity.

  Earlier, the Ministry of Foreign Affairs of China also responded to this matter. At that time, a reporter asked questions, and the United States issued a statement a few days ago, accusing China authorities of asking foreign enterprises not to list Hong Kong, Macao and Taiwan as "countries" in their websites and promotional materials. What’s the comment of the Foreign Ministry? On the same day, Foreign Ministry spokeswoman Geng Shuang said that foreign companies operating in China should respect China’s sovereignty and territorial integrity, abide by China’s laws and respect the national feelings of the China people. At the same time, the spokesman reiterated that China will continue to handle its relations with foreign countries in accordance with the one-China principle. Then, we will continue to pay attention to the follow-up news as to whether the China administration will impose corresponding penalties on foreign airlines that fail to make amendments within the time limit.