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"Guanyin Mountain" exposes the ultimate trailer Fan Bingbing’s blood is full of ecstasy and kisses


"Guanyin Mountain" poster


Fan Bingbing and Chen Bolin kiss


Kissing between women


And there’s lots of beautiful shots.

  Directed by Li Yu and starring Fan Bingbing, Chen Bolin and Zhang Aijia, the film "Guanyin Mountain" will be officially released nationwide on March 4. A few days ago, the film released the ultimate one-minute trailer. BingFan bing and Chen Bolin kiss and fight together in the film, and the veteran actress Zhang Aijia also unleashes a long-lost passion, dancing and drinking with young people. In "Guanyin Mountain", the subversive performances of the three stars are directly aimed at the hearts of young people. In addition to romance and passion, the gory scenes also touch people’s hearts. What worries the audience the most is the "urgent love" between Fan Bingbing and Chen Bolin, and Zhang Aijia’s fate is in doubt and full of suspense.

Fan Bingbing, Chen Bolin "Love is in a hurry"

  In "Guanyin Mountain", Fan Bingbing and Chen Bolin are friends of the opposite sex, and their relationship is between friendship and love, but the sweetness of expectation does not know whether it will come in the end.

  There are only two lines in this ultimate version of the trailer. First, Fan Bingbing says in a provocative tone, "I enjoy it, you", and then Chen Bolin says, "You are not a man, you will not understand", which exposes the problems between the two. In addition, the clip of him having an affair with another woman also flashes a red light on his relationship with Fan Bingbing. In the end, whether the two can "have a lover and finally get married" in the film has to draw a big question mark.

Zhang Aijia dances and drinks, staging a double heaven of joy and sorrow

  In addition to Fan Bingbing, a new international actress, "Guanyin Mountain" also invited two-time Academy Award-winning actress Zhang Aijia to play the heroine. In the film, she plays a mother who has fallen into extreme grief because of the loss of her son. Finally, with the help of Fan Bingbing, Chen Bolin and other young people, she finally regains the meaning of life.

  In the trailer, although Zhang Aijia only has a few short shots, she shows the opposite sides of the character. She sometimes frowns, even cuts her wrists to commit suicide, and sometimes dances and drinks with young people, vividly expressing the joy and sadness of a lonely woman.

The kiss scene is full of passion, and the fate of the characters is in doubt

  The ultimate trailer shows viewers a variety of kissing scenes in "Guanyin Mountain," including not only Chen Bolin’s passionate kiss with Fan Bingbing, but also Chen Bolin’s affair with the hot girl he met in the bar. In previous interviews, Chen Bolin revealed that his most memorable kissing scene was with Fan Bingbing. He admitted that none of his previous scenes were as intense as "Guanyin Mountain," but he was still not satisfied with his performance. In an interview with the media, he said, "If I could do it again, I think the kissing scene could be better."

  In addition to romantic imprints and moments of passion, there are many gory scenes in the trailer. Fan Bingbing smashes his head with a beer bottle as soon as he comes up, looking wild. A suicide scene performed by Zhang Aijia is even more heart-wrenching. She slashes a long hole in her wrist with a blade, but the expression on her face is relieved, and the polarized performance makes the audience curious about the final fate of the character.

Next page: Reveal the secret of "Guanyin Mountain" Fan Bingbing underwear net socks, showing rebellious and wild

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"Extreme Challenge 5" focuses on food culture, Wang Xun and Yue Yunpeng perform "Infernal Affairs"

  China News Service, June 22nd, this Sunday at 21 o’clock, the fifth season of "Extreme Challenge" of Oriental Satellite TV came to Chongqing Station. Luo Zhixiang, Zhang Yixing, Wang Xun, Di Lizheba, Yue Yunpeng, Jia Nailiang gathered together for a factional competition between hot pot and string, and learned the story behind the delicious food in the mountain city. Zhang Yixing opened the line, and launched a carpet search during the challenge, not missing any clues; Wang Xun was stumped by the password again, and played a "Infernal Affairs" with Yue Yunpeng on the rooftop. An intricate psychological battle is about to kick off.

  Zhang Yixing’s "Storm" grew, and he turned on the reconnaissance mode without missing any details

  In the last episode, through careful analysis, Zhang Yixing successfully deduced that the real treasure was the Wuhan Yangtze River Bridge, which seemed to have been passed down by his master. In this episode, he still relied on the keen intuition of the "little fox" and began to observe the words and expressions.

  Zhang Yixing felt that Luo Zhixiang was a little abnormal at the beginning, and the whole person was in a state of tension. According to his understanding of Luo Zhixiang, Zhang Yixing suspected that he had a special identity and kept "biting" him. In order to find more clues, Zhang Yixing, Di Lizheba and Jia Nailiang stepped into a time-honored teahouse with Chongqing characteristics. Zhang Yixing started the "radar" search mode, carefully observing everyone present and the objects placed, and did not miss any clues. When he found a rope hanging on the top of the lobby, he felt that it appeared a little abruptly, thinking that there was a mystery inside, and tried to pull it. Di Lizheba and Jia Nailiang, who were traveling with him, were not impressed. Seeing that Zhang Yixing had pulled the rope for a long time before it reached the end, Jia Nailiang directly persuaded him to give up. However, Zhang Yixing was still insisting.

  Wang Xun and Yue Yunpeng staged "Infernal Affairs" and the road to deciphering the two was bumpy

  In this episode, one of the six members is the real descendant of the hot pot, but there are also people from the chain shop lurking among them. In order to test each other’s identities, Wang Xun invited Yue Yunpeng to the rooftop, and the two had a fierce confrontation. Wang Xun directly asked Yue Yunpeng if he was "string string", and Yue Yunpeng immediately asked him why he doubted himself. The two people who were still testing each other a minute ago saw the familiar rooftop scene and suddenly became "addicted to drama". The two people pointed at each other at the same time, restoring the famous scene of the movie "Infernal Affairs", and the classic line "I want to be a good person" recreated a wonderful drama. It is not the first time that the two people who have an inseparable bond with crosstalk have competed in performance. In the first issue of garbage sorting, they used their unique skills – crosstalk and allegro, to show a comparable stage confrontation.

  The two who are good at acting have a big head because of solving the password. In order to get the real hot pot recipe or "string" clues, they need to open the password box to get the information. Wang Xun and Yue Yunpeng came to the hoof shop to find the password, and encountered a math problem in primary school. The two solved it for a long time, but still had no clue. Looking back on the last episode of the show, Wang Xun’s experience of "passing by" the password many times. It seems that he seems to be on the "bar" with the password. Can he successfully find the password this time?

  "Extremely Pick Tuan" welcomes the test of Chongqing cuisine and passes on the culture of reunion in the challenge

  Hot pot is regional and part of the regional cultural characteristics. It is not only the most popular food now, but also a symbol of cultural heritage. Relatives and friends gather together to gossip about the steaming hot pot, exuding a warm and harmonious atmosphere. Therefore, eating hot pot also means mutual recognition and closeness, reflecting the traditional Chinese culture of great reunion. Jituan came to Chongqing this time for "Yangtze River Ride". In a battle between "string" and "hot pot", he experienced Chongqing’s food culture, and at the same time showed the Bayu culture represented by hot pot food.

  One of the six is a true hotpot heir, but the "lurkers" among them are also on the move. In this complex psychological battle of two fronts, which side will ultimately win? It’s all in the fifth season of Dragon TV’s "Extreme Challenge" at 9pm this Sunday.

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Zheng Yucheng and Michelle Yeoh enter the Venice Film Festival with "Sword Rain"


"Jianyu Jianghu" concept poster


Michelle Yeoh and Zheng Yucheng are deeply in love

  According to South Korean media reports, the film "Sword Rain Jianghu" starring the first-line male star Zheng Yucheng has accepted the invitation of the Venice International Film Festival and will enter the water city Venice from the end of August to the beginning of September this year. This is also the first time in Zheng Yucheng’s acting career that he has been invited to attend an international film event.

  Starring Chinese actress Michelle Yeoh and South Korean actor Cheng Yu-sung, "Sword Rain," a new film by Hong Kong director John Woo, will be screened globally in October and will be shown for the first time at the Venice Film Festival, which opens on September 1.

  John Woo, the director of the film "Jianyu Jianghu", is very well-known in South Korea, and his films such as "Red Cliff" have achieved good box office results in South Korea. As Zheng Yucheng’s first work to enter the overseas film industry in 16 years of his debut, "Jianyu Jianghu" attracted the attention of Korean media when it started shooting. The film started shooting in November last year and was completed in early March this year. Since the film was shot in mainland China, Taiwan and other places, the news that the actors rushed to the scene to shoot also made Korean media sigh that the filming process of the film was like a long march.

  The film "Sword Rain" is a suspenseful martial arts film that tells the story of the leading female swordsman "Miyu" (Michelle Yeoh) on her way to find the body of Dharma, which disappeared 800 years ago. On the way to find the body of Dharma, she meets the postman "Zhi Ang" (Zheng Yucheng), who is highly skilled in martial arts but lives incognito. The two immediately have a spark of love. In order to find Dharma’s body, the lovers join forces to fight against the assassination group "Blackstone Sect" that took half of Dharma’s body and various killers in the rivers and lakes. The film will meet South Korean audiences in October this year.

[Movie Network]www.1905.com Exclusive manuscript, please indicate the source when reprinting.
 

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Yu Wenle became Peng Haoxiang’s new favorite, and the new film was absent from the promotion of "Sword Rain"


Yu Boon-rak will play a rock singer


Yu Wenlezhong Styling

  The first project of Hong Kong geek director Peng Haoxiang to enter the mainland is the "4 + 1" plan launched as a producer ("4" represents 4 short films, and 1 represents 1 big film that will be released in theaters). The first short film starring Zhou Xun and Zhou Junwei has been successfully completed, and Yu Wenle’s second short film "Marriage Battle" has also been launched recently. Yu Wenle was supposed to attend the promotion in Beijing on the morning of the 25th, but due to the overnight shooting of "Marriage Battle" on the evening of the 23rd, Yu Wenle also had to miss the promotion of the film.

Shooting all night, missing the promotion of "Sword Rain"

  In "Marriage Battle", Yu Wenle plays the lead singer of a band who has been performing in bars all year round, and lied about working in a bank because he was afraid of his mother’s worries. At a certain party, he and another member of the band who dressed as a woman took intimate photos and sent them to Weibo, which made his mother misunderstand that it was his girlfriend, and even came to the north to force marriage. In desperation, Yu Wenle had to ask his friends and good people to do it to the end, continue to dress as a woman in front of his mother, and pretend to be a couple with him to escape the forced marriage. But their perfect "battle" will be completely changed because of the appearance of another person…

  After Yu Wenle joined the group, it was very hard to shoot overnight until the early morning. Yu Wenle was a little unable to keep up physically, so he missed the promotion activities of "Sword Rain" in Beijing on the morning of the 25th. The "Sword Rain" crew expressed a considerate attitude, saying that Yu Wenle’s professionalism and hard work in filming moved them, and they could understand the reason for Yu Wenle’s absence.

Yu Wenle was exposed as a memory genius

  Despite his short time on the set of "Marriage Battle", Yu Wenle’s performance has surprised everyone on the set. Two of Yu Wenle’s partners, the new model-turned-actor Reyiza and the host Weng Hangrong, joked that Yu Wenle and Li’s Zhang Zhimin are almost the same person: "Usually I don’t like to talk, I look cool, but I didn’t expect that sometimes I would suddenly tell a bad joke, and it was very funny."

  Chen Zhengdao, the former director of the film, told reporters that Yu Wenle’s memory talent surprised him too much: "I mentioned a song to him, let him listen to it, and gave him the words. As soon as I turned it on, he would sing. Let him dance, too. What a genius!"

Peng Haoxiang said that this time he treated the movie with a parental mindset

  I used to be a director, but this time as a producer, Peng Haoxiang felt that it was actually much easier: "If I were a director, I would be more fierce. But as a producer, I will go to the scene, visit their class, and play games with them, hehe. I think that when I am a producer, I am actually a parent’s mentality, which is to let my child develop freely as much as possible. When he does well, I must affirm him, but if it is not good, I must tell him what is wrong and let him change it."

  Peng Haoxiang also said that he likes Chen Zhengdao very much, and it is precisely because the play took a fancy to Chen Zhengdao’s talent that he invited him to join the "4 + 1" program. Therefore, "He directed the three short films in" Four Nights "except" Nail Clipper Man and Demon ". I have seen the script. In these three short films, he has integrated the genres of fantasy, science fiction and music, and he is very talented. I am looking forward to it, and I hope you will look forward to it with me."

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The Spirit and Flesh of Peng Yuyan

On June 12, the movie "Tropical Past" was a hit, and the star Peng Yuyan once again changed his "face" and appeared in front of the audience.

Two years ago, in the pleasant winter of Sanya, Peng Yuyan was in front and the interviewer Lu Yu was behind. The camera followed them to the coffee room of the hotel. He took out a bag of his favorite beans and cupped them for smells including "jasmine, kumquat, caramel, lemon, tea." As he recounted the coffee teacher he recently hired, he prepared to make a cup of coffee for the interviewer to taste.

This is probably the last time Peng Yuyan appeared in the public eye in a relaxed state as a non-actor. At that time, he was in Hainan for the roadshow of Lin Chaoxian’s new film "Emergency Rescue". But in private time in the early morning, he will still take the initiative to light up some "new skills", which is very sunny and very "Peng Yuyan". Like the subtropical sea breeze blowing there, people can always feel an upward force.

 PHOTO

 SUMMER 2021-06-21

2021

6.18

Grandma’s Fan History

SUMMER

Peng Yuyan, who is proficient in performing today, did not study acting systematically before his debut in 2002. When he studied at the University of British Columbia in Canada, he majored in economics that had nothing to do with art. Later, his debut in the idol drama "Love White Paper" seems to be a "accident" now.

The first invisible link between him and the actors came from his grandmother. Peng Yuyan remembered that his grandmother liked Hong Kong movies and Hong Kong dramas very much, and his favorite actor was "Brother Fa" (Zhou Runfa), so when he was a child, he often went to the store across the street to help his grandmother rent videotapes, and sometimes accompanied her to the cinema to pass the time.

Later, his grandmother gradually became "confused", and sometimes when she saw photos of actors she liked, she mistook him for Peng Yuyan, thinking that his grandson had also become a "star" and read "How nice." In 2002, when his grandmother died, he returned to his hometown to attend the funeral. During this period, he accidentally received an invitation from the "Love White Paper", so he walked to the camera with the mentality that it was better to show it to his grandmother.

That performance gave Peng Yuyan an unexpected pleasure. In his mouth, the performance was like a hypnosis, allowing people to break away from the shell of reality and enter another real life. Then, with the role of Tang Yu in the Xianxia drama "The Legend of Immortal Sword and Raider", he continued to quickly and effectively open up his reputation in the mainland.

With the age, appearance, and personality of the sunshine at that time, Peng Yuyan developed into a traffic-level "idol" and captured the screams of thousands of girls, which should be very promising. But through an EP, after a little taste of singing and dancing, he seemed to have chosen a clearer direction for himself, "Because of the discovery of the record, I may still have a better chance as an actor, haha."

At first, it was indeed down the river of "idol drama" with the crowd, flowing to the double screen. But Peng Yuyan has always maintained an accurate self-awareness and correction. It is not very meaningful to chase fashion and consume himself for a while. It is better to extend his interest and see how far he can go on the road of actors.

In 2010, in the field of youth films, he had several minor works such as "Exit 6", "Love Voice Practice", "Heard", etc., but the distance between becoming a seen and recognized actor is obviously still a much broader and unfamiliar world.

The twist came with Lin Yuxian, director of "Exit 6" (Peng Yuyan’s feature debut), who was invited to play a professional gymnast, Ah Xin, in the sports film "Roll! Ah Xin" based on the personal experience of the director’s brother, Lin Yuxin.

It tells the story of A Xin, a young man with gymnastics talent, who regained his gymnastics dream and fought hard for life after experiencing a series of injuries in the rebellious period of youth. Between professional gymnasts and professional actors, Lin Yuxian finally chose Peng Yuyan boldly.

How to answer this trust? Peng Yuyan has a clear goal and does his best to become a character. In order to ensure the authenticity in front of the camera, before the movie starts filming, he starts closed training in the gymnasium three months in advance, with 12 hours of basic physical training and gymnastic movement practice every day, and the movement reshapes his body silently. At the beginning of the movie, in order to ensure that he enters the play, he insists on wearing clothes that conform to the background of the times every day, listening to Wang Jie’s songs, running with the coach, and learning athletes to strictly abide by the work and rest time.

In 2011, Peng Yuyan finally rolled his body freely in front of the camera with a bodybuilding posture that was not inferior to that of professional athletes, and the image of healthy, self-disciplined, and loving athletes seemed to have merged with him.

After the movie was released, he finally got the first screen name that the audience blurted out – "Ashin".

upward force

SUMMER

That year, "Roll Over!" put the 30-year-old Peng Yuyan in the nominations for "Best Actor" at the 48th Taiwan Film Golden Horse Awards and "Best Actor" at the 11th China Changchun Film Festival.

Sitting under the star-studded stage, he had probably secretly written his acceptance speech, which might have been mixed with a few words he wanted to say to his grandmother, but in the end, he was not selected by the spotlight and read it to everyone.

But when he pushed open the heavy door of sports type, Peng Yuyan did find a more vibrant peach blossom land. The natural relationship between "sports" and "action", "action" then led to "crime", "martial arts", "gunfight" and other elements. These hormonal screen adventures, such as the game vision map, one after another to be lit up skill points, try, invest, conquer, express, this is Peng Yuyan’s familiar and loving way of performance.

Lu Yu had aptly commented on this, "I think an actor, in the initial stage, chooses or is chosen to play some roles that are particularly difficult in the process of shaping, which is smart, because when you need to spend all your energy, physical strength, and ability to resist the hardships of the outside world, you will forget to perform, you will forget whether you are handsome or not, that is exactly the best performance."

In 2013, Peng Yuyan began his "extreme" journey. In his first collaboration with director Lin Chaoxian, he was "pushed" into the boxing ring and learned the professional moves of boxing to meat. Later, one of the fighters he fought against soon won a medal in the professional competition. The movie he and Zhang Jiahui put together with his brother also topped the box office list of Hong Kong movies that year.

Soon after, Director Lin invited him to cooperate again. He heard that this time it was a role of riding a bicycle to fall in love. He easily accepted it, but when he walked into the scene, he found that it was the blood-burning atmosphere of the top competition of the professional cycling team that was replicated over the mountains. In order to ride a professional posture, during the training period, Peng Yuyan set himself a ride of about 120 kilometers every day, and ended up riding all the mountains in Hong Kong.

After the first two high-completion trials, in 2016, director Lin Chaoxian solemnly handed over Fang Xinwu, one of the protagonists of his beloved "Mekong Action", to him. With real events as the foundation, a fierce environment, high investment, and an excellent partner, Peng Yuyan knew very well that this was a challenge that was perfect enough but also demanding enough.

"Although it’s just a movie, I need to convince myself and Brother Han Yu that when we have this belief in each other, the world will be complete. I really like living in this’world ‘."

In order to match the realistic quality of the film adaptation of this true event, he quickly mastered a number of new skills, including the use of various firearms, working with drug dogs, and parts of Thai and Burmese.

After the screening, "Operation Mekong" broke through the box office 1.10 billion and won the honor of Best Feature Film at the 31st Chinese Film Golden Rooster Awards. Lin Chaoxian, who is known for his strictness, also expressed his appreciation for Peng Yuyan in an interview: "He is doing it physically. Frankly speaking, in this environment, you can have too many choices. Are you willing to throw away other options, just do one thing, enjoy the process, and challenge yourself? I think he has this attitude."

Soul and Flesh

SUMMER

This kind of desperate Saburo-style full-hearted dedication seems to be full of emotional colors, but in fact, it is a rational force that supports the operation of the whole person.

In the words of director Jiang Wen, "He separated the soul from the body, and he used his soul to command his body. He doesn’t care how much damage, coquetry, or laziness his body has, he has to make his body look like something. Peng Yuyan is not an ordinary person. He can be very self-disciplined, and such a body is more powerful than ancient Greek sculpture."

Jiang Wen director of this recognition, from 2017 and Peng Yuyan cooperation "evil does not suppress positive", in this romantic action film, Peng Yuyan as Beiyang years of a legendary martial arts youth Li Natural, in front of the camera he and Liao Fan confrontation, and Jiang Wen, like a lively and beautiful music note, jumping in a passionate march, also running in Beiping like the eaves.

"Evil does not suppress righteousness" is a work that Peng Yuyan took the initiative to strive for among many options at the beginning, because he smelled a new challenge from the past of Beiping. If the previous performance experience is to fully mobilize the body to act, this time in Jiang Wen’s elegant era setting, he needs to learn how to use his skills to present more technical, light and agile expressions.

That year, he only concentrated on filming this one movie. He followed behind Jiang Wen and other seniors all day, studying carefully and carefully, and finally the scene of the decisive battle between him and his senior brother, which was filmed for more than 20 days in a row, constantly overthrowing and breaking through, and finally combining strength and softness, polished into what we finally saw.

After the movie was released, 583 million box office and 7.1 points Douban rating, which was a satisfactory end to this grinding experience. After that, Peng Yuyan took a quiet little vacation for himself, finally loosened the tight clockwork for a long time, stayed home, traveled, watched movies, listened to music, sorted out his thoughts, and continued to climb.

"I don’t think time exists. What you have now is what you have paid for in the past. In the future, you still have to continue to work hard. What you want to manage is not a name, but what you really want to do. You must always be full of curiosity, always brave to face the unknown." This transparent insight makes an appropriate note for him who has the courage to explore in front of the screen and who is free behind the scenes.

In the nearly 20 years since his debut, apart from the promotion of new films, Peng Yuyan has revealed his variety or reality show, which is almost zero. He cherishes the "one period and a while" with the audience through the screen, and also cherishes his free life as an ordinary person. When they meet, he can always report his new role name. At the end of 2020, it is "Vice Captain Gao Qian" who overcomes fear in Lin Chaoxian’s "Emergency Rescue". The movie was released during the epidemic, and the box office broke through 400 million in 8 days; the most recent one is "Wang Xueming", a thin and marginal man in Wen Shipei’s director "Tropical Past", which is still in theaters; in the future, there will be "Qiao Qiqiao", a playboy in Xu Anhua’s "First Incense".

And when we don’t meet, he is just like each of us, enjoying the most ordinary day in a corner of the city, making a cup of coffee in the morning, smelling the aroma, and sighing, the sun is so good.

NOtice

SUMMER

2021

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Star studio treatment exposure: many additional benefits, assistant monthly salary of 3,000 (Figure)

  It is always easy to attract everyone’s attention about celebrities. For example, there has been a disclosure of the salary of star studios recently on the Internet, which claims that the staff of many domestic first-line big coffee studios are not as good as the little sister of Foxconn – how is this possible! With full of doubts, the late reporter asked many people in the circle one after another, so how is the income of working for celebrities? What other benefits can you have besides being able to get along with celebrities? Is every star as wealthy as the legendary Fan Bingbing? After reading this report, maybe you can gain a lot of "posture". Shenzhen Evening News reporter, Jiang Shuangchao

  literacy

  What are the positions available in the Star Studio?

  Assistant: Responsible for accompanying the artist to formulate and complete their daily itinerary, including booking air tickets, carrying bags, preparing clothes, serving tea and pouring water, etc. The nanny-type assistant is relatively tired and is almost like the artist’s personal nanny, coming for everything.

  Publicity: Make a publicity plan for the artists, contact TV programs for their own artists to be announced, and write promotional manuscripts and contact major media for interviews. In short, try to let the world know about the existence of their artists. Once there is negative news, you have to urgently "put out the fire".

  Agent: Arrange various jobs for artists, and determine the development path of artists. In addition, some studios will set up the position of executive agent, which is basically to cooperate with the agent to be responsible for the execution of performing arts activities, take artists to shows and interviews.

  In addition to these three main components, a complete star studio should also include administrative and financial positions, of course, there are some exceptions, such as Ren Quan Studio has a catering industry team, Huang Bo Studio has a professional screenwriter, Fan Shang Wenjie Studio also has a lawyer (always ready for a lawsuit?), the most elusive position is Chen Kun Studio’s Visual Identity and Field Explorer – it turns out that because Chen Kun organizes the regular activities of "Walking Power" every year, he needs a strong and wild man to explore the way first.

  break the news

  Compared with the treatment, Fan Bingbing Studio is not as good as Ren Quan Studio

  Chen Kun’s studio employees earned 1,800 yuan, Lin Xinru’s studio employees earned 3,500 yuan, and Zhang Yuqi’s studio employees earned 2,000 yuan… Recently, the so-called star studio salary disclosure sticker was circulating on the Internet, so the deep-night reporter who was shocked by this string of figures conducted some investigation and consultation, and found that working for celebrities is not that low, and of course it is not as high as everyone thought before.

  Generally speaking, among the employees of the star studio, the income level is from low to high: assistant, publicity, and agent. The income of the assistant is usually around 3,000 because of the lack of technical skills. Yes, don’t look glamorous, in fact, the income is similar to that of going to the factory to work. The income of publicity will be better, roughly more than 4,000, but there are exceptions. Fan Bingbing Studio, which is rumored to have excellent treatment in the industry, is reported to have an average salary of 5,000 or 6,000. There are also some artists who may not be so popular, but the treatment given to their subordinates is quite good. For example, the treatment given by Ren Quan Studio to the staff is very good, which may be slightly higher than that of Fan Bingbing Studio. Not only does he travel at home and abroad every year, but the annual bonus is also not cheap. More importantly, his family commutes on the hour, and he doesn’t have to work hard to work overtime. In addition, the owner of artists such as Haiqing, Zhang Xinyi and Wu Xiubo – Xitian Film and Television, the general income of the publicity staff is around 4,000, but with the commission, it should reach 5,000 or 6,000. Compared with the grassroots staff, the income of the publicity director of the studio will be higher. According to the reporter, the monthly salary of the publicity director of Ren Quan Studio is more than 10,000, excluding the annual bonus.

  The income of the propaganda staff is not high, but the treatment of the agent on the other side is not low. Generally, their income is also in the form of salary plus commission, of which commission accounts for the majority. For example, if you can help the artists of the studio receive film and television dramas, you can extract a certain proportion from the salary of the artist. If you receive a cost-effective job such as advertising endorsements, the commission may be as high as 5%. In this way, the general agent income is at least 300,000 or more, and there is no upper limit according to the level of the artist. However, the artist agent who can set up a studio should have an annual income of more than 500,000.

  Follow the stars

  What are the sweeteners?

  Five insurances and one fund

  Basically there are, isn’t this a basic guarantee?

  Year-end red envelope

  Previously, there was news that Yang Mi gave the staff 200,000 red envelope during the Chinese New Year. Although it was later confirmed to be fake news, the general red envelope can still reach five digits, but it does not rule out individual stingy bosses giving thousands and hundreds.

  Paid tours, usually star studios organize trips at home and abroad every year. For example, Ren Quan’s studio went to Sanya one year.

  Home plane tickets, round-trip plane tickets will be prepared for employees during the Chinese New Year, and some are full-price tickets!

  contingency benefit

  Compared to ordinary bosses, the bosses of the star studio were obviously more "heart-hearted". Although the salary given was not high, they would buy insurance for the relatives of the staff and pay plane tickets to visit relatives, and also give other benefits. For example, the employees of the Fan Bingbing studio would receive double red envelopes at the end of the year, one for themselves and the other for their parents.

  Star Studio Q & A

  Q = Deep Evening Reporter

  L = old fritters in the entertainment industry

  Q: Is it difficult to enter a celebrity studio?

  L: If it is said that the difficulty of entering Huayi, Hairun and other entertainment companies is level 5, then the difficulty of entering the star studio is at least level 8 or above, and it is basically difficult to enter without relevant professional experience and educational background. In addition, the interview is also very important. Huang Xiaoming Studio used the world’s top 500 exam questions to test each position when recruiting, and also designed some small details on the spot to see the on-site response of the candidates. And Fan Bingbing Studio also needs to test English listening and speaking skills during the interview, which is really scarier than the college entrance examination! And the stars are also very picky. For the studio members, they basically have to interview themselves. It is said that a W male star has interviewed countless people because he wanted to find a decent-looking driver, but he has not found it yet.

  Q: If you really like a celebrity, can you work for them?

  L: If you are in a fan mood to work for a star, it is very likely that you will not even be able to pass the interview, let alone get in touch with the star himself. Previously, some outsiders said that many star studios could only use fans to work because of the low salary. I am very responsible to tell you – fake! For fans’ job applications, artists usually directly refuse the door. If it were you, would you be willing to keep someone who is crazy about you by your side? It’s terrible!

  Q: Does the more popular the artist, the higher the studio’s income?

  L: Many people think that artists have high incomes, so they will naturally throw a lot of money at the assistants and promoters around them, but please use your brains to think about it. Celebrities’ money doesn’t fall from the sky, so why give it to us at will? Of course, it is not ruled out that lavish masters like Fan Bingbing will give red envelopes from time to time, but I don’t mean to break your dream. Like us ordinary promoters, getting 6,000 or 7,000 yuan a month is already a good one in the industry.

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Original 41-year-old Peng Yuyan middle-aged greasy abandoned by the times?

The last time I saw Peng Yuyan’s news was an ugly photo of "grass hair" wearing a mask during the epidemic. Even the last hot search was "helping fans choose a lipstick color number during quarantine" and "being collectively disliked by Sichuan’s mother-in-law".

The plain photos leaked online also made fans sigh that "Peng Yuyan feels a little unworthy of me like this".

These two days, the news of a certain watch on the Hainan platform aroused my curiosity. Where did Peng Yuyan go?

Peng Yuchang was all angry. What did Peng Yuyan do?

Click on Peng Yuyan’s Weibo, except for the latest New Year’s greetings, the rest are advertisements.

His two recent low-box-office films are:

The dark and strong Georgie Joe in "First Incense" was mocked as a fitness trainer. The box office was only 60 million less

Peng Yuyan’s last impressive film was still in 2018, directed by Jiang Wen’s "Evil Does Not Pressure Positive", which only 580 million at the box office, far below the 1 billion base expected by the market.

After competing in three major IP films, one can come to the conclusion that Peng Yuyan has no box office appeal at all.

As an investor, he would naturally not promote an actor who was not attractive to the audience.

Even Baidu search terms are confirming one thing.

Peng Yuyan is far away from us, and the times have abandoned Peng Yuyan?

Search for recent news about him,

It is mostly said that Peng Yuyan "will not notify you when he is abandoned by the times".

Or: "Peng Yuyan is finally mushy".

Or: "Peng Yuyan’s wrinkles can’t be hidden anymore." When making exaggerated expressions, the head-raising lines are quite eye-catching, and it is not an exaggeration to say that he can "kill flies".

Also: "Peng Yuyan has a lot left"

Or: "Receding hairline"

What’s more: "Greasy middle-aged man" The former male god turned into a middle-aged greasy uncle? 41-year-old Peng Yuyan, the times have abandoned you.

Peng Yuyan can become a "national boyfriend" by more than just a perfect figure and handsome appearance.

It is the most scarce stable emotions, self-consistent personality and interesting soul at the moment.

Maybe the reason why he is more popular is not because of his acting skills, but because he has become a "ruthless" Peng Yuyan, which is synonymous with self-discipline and a benchmark for dedication.

The textual effort against him seems to be just filling his own uncertainty about acting with the appearance of "desperation".

The apparent data abandoned by the times mainly comes from the box office, and it is also rumored that he offended Li Bingbing.

Peng Yuyan no longer has enough media appeal!

Perhaps it is also due to the frequent emergence of internal entertainment juniors that Taiwanese artists have little capital blessing, and their substitutability is also rising, changing with each passing day! So being abandoned by the times is a matter of sooner or later!

The point is that you are quite surprised to see the middle-aged "boyfriends" you couldn’t get back then. Especially the M-shaped hairline, unruly and alopecia areata! So surprised that you doubt your aesthetic ability!

In addition to Peng Yuyan, the "bald" babies who are experiencing midlife crisis include Huang Xiaoming, Chen Xiao, Chen Hao, Wu Yanzu, Yue Yunpeng, He Jiong, Chen Yixun, etc. Some of them you may hardly recognize!

I’m afraid you won’t recognize it, this is Eason Chan

Everyone knows that Peng Yuyan also gained weight when he was a child, especially when he was 15 years old. He once weighed 90 kilograms and was bullied by his classmates because he was too fat.

The reason is that he has asthma since childhood, and his mother will give him any remedies she sees.

Seeing someone say that swimming is easy to use, he gets up at 6 am every day, swims for two hours, and then finishes painting the pool before going to school.

Later, he said that taking medicine worked, but Peng Yuyan’s originally thin figure became fatter and fatter under the stimulation of the medicine.

So not only is life 30 years in Hedong, 30 years in Hexi, but also the figure, so will the heat!

The most unnecessary thing in life is torn, and the most important thing is to live in the moment. It is better to make a cup of coffee you like and enjoy a moment of peace.

Or set off again with a family member who loves to travel and embark on a new journey.

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Many theaters use laser pointers to stop audiences from taking photos, causing heated debate about whether the reminder method is civilized

  Deng Chao’s "Super Theater" will be unveiled on June 26. On the 23rd, Deng Chao wrote a long article detailing his fate with drama, and sighed: "A dream for more than ten years is finally coming true."

The Super Theater will open

  The "Super Theater" created by Deng Chao [Weibo] will be unveiled on June 26. On the evening of the 23rd, Deng Chao wrote a long article detailing his fate with drama, and sighed: "A dream for more than ten years is finally coming true."

  Deng Chao said that the first performance opportunity he got in his life was the play "Che, Guevara." Before he started Chinese opera, he had no particular love for drama, and the motivation for learning to act was just to cope with the pressure at home. His love for acting began in the second semester of his freshman year, when the World Theatre Art Festival was held in Beijing, and he was truly infected, moved, and even wept.

  Deng Chao said that after years of planning and promotion, there was finally a Super Theater. On the day the theater was renovated, he stood on the stage, facing more than 500 empty seats, and his heart was full. Deng Chao said: "Our Super Theater should also gather more young artists to pursue dreams, realize dreams, shine and shine." (He Shi)

  "Hey, let me be a captain" in its entirety:

  My first chance to perform was in the play "Che, Guevara." I was given the role – no role, just the voice of Guevara, a voiceover of less than ten sentences. But I was so excited, I gave it my all, and I felt like a proud captain as I recited my words. More than a decade later, I still remember the line: Warriors, our ship is now set sail.

  How incredible is fate? Who knew that I didn’t have any particular love for drama before I went to Chinese drama.

  In my school days, the most important thing was actually the diploma, and my motivation for studying acting was just to cope with the pressure at home. To this day, I don’t know what the professional teacher liked during the interview. After singing a few songs indiscriminately, I was admitted. But even though I went to Chinese opera, I still had low self-esteem in my bones and felt that I was not the material. Falling in love with acting, falling in love with drama, or even making it a lifelong career? That has nothing to do with me.

  The transition took place during the next semester of freshman year.

  That year, the World Theatre Festival was held in Beijing. The British Shakespeare Company, the German Physical Theatre Company, the Japanese Shinjuku Liangshanbo Company, the best performing teams from all over the world came together in Beijing, and suddenly, any theater in Beijing, at any time, will have the best theater performance on the planet. Even the playground of the Chinese opera has set up Japanese theater tents. I was like an amateur painter who broke into the Louvre Museum, excited, excited, dazzled. I watched a lot of plays non-stop, some were moving, interesting, fascinating, and sometimes I didn’t understand what they were talking about, but I was really infected by them, moved by them, and even cried. At that time, I seemed to have entered a whole new world of art: unlike the theatre I had been exposed to before, it turned out that theatre could be so charming and moving.

  In the beginning of my sophomore year, I couldn’t resist the urge to do a one-act play by myself, called "Farewell My Concubine", which is an adaptation of the movie of the same name. The length is very short and there are many shortcomings. I lacked confidence in this work, and only regarded it as my own study and attempt. But I didn’t expect that because of this work, I got my first praise in drama – Teacher Gao Jingwen said to me after reading it, super, good.

  From that day on, I realized that praise is the best teacher. Like a door opened, the love of the theater space began. I began to play important and unimportant roles in various repertoires, and I deeply felt the pleasure of drama and performance.

  In the second semester of my sophomore year, the school held a ceremony at the Shaw Theater. After the show, the crowd dispersed. Facing the bustling stage, I suddenly felt an irresistible urge: I couldn’t help it, crouched down, and then, half-kneeling, kissed the stage.

  Tears welled up.

  Like a magic box, the stage can condense and show the joys and sorrows of life. At that moment, a huge thought flew through my mind: I will never leave the stage in my lifetime, I want to have my own stage.

  Later, I acted in TV series, movies, stage plays, and did a lot of things. Like a sailor, I set off from the dock of the Drama Academy and took a boat to the ocean, riding the wind and waves.

  Sometimes, I also look back.

  I have shared my graduation story on many occasions. That year, I was full of confidence and felt that I could go to a good theater career, but how frustrated I was after being rejected by a well-known theater company. There is too little space in the country to accommodate the development of theater, and I almost missed the theater as a graduate student. How many talented young people, dreamers with theatrical dreams, where can they go to pursue their dreams?

  I always think of the creeper in the dappled tree shadows on the walls of the Chinese Theater. We crouched outside the theater on rainy afternoons eating pastoral burgers, and pushed open the windows after all-night rehearsals, and the white snow outside. If the memory of theater is so beautiful, why can’t I give more young people who love acting and the stage as much as I did?

  The thought came uninvited: Can I have my own stage?

  This dream, which doesn’t seem to be commensurate with the status of an actor, will be very laborious and may not make money. Fortunately, I have my friends Yu Baimei [Weibo], Qian Rui and Wang Qi who also love drama by my side. They say, do what you want! I ask, don’t you think I’m crazy? Bai Mei said, make life your stage.

  With our joint efforts, after years of planning and promotion, we finally had this super theater. On the day the theater was renovated, I stood on the stage, facing more than 500 empty seats, and my heart was full. I remembered the Shaw theater I had kissed, the lines I had read, and the scenes I had performed wildly. Suddenly, I was a little timid. At this moment, I wish Mr. Gao Jingwen was still by my side and said to me, Super, good.

  But I couldn’t hear it again. The year before last, he passed away.

  Therefore, I am well aware of the great significance of supporting and encouraging future generations. Our Super Theater should also gather more young artists to pursue dreams, realize dreams, and shine brightly. I hope that one day, we old guys are really old and can come to the Super Theater like captains, happily drinking rum, sitting alone on the deck in the warm sunshine, quietly watching the young sailors wash their hair, climb the mast, untie the cable, and hold up their own sails.

  Hey, let me be a captain and announce that our ship is about to set sail now!

  (Editor in charge: shining)

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IGN China’s exclusive interview with the creator of "Black Myth: Wukong", entering game science

Zhao Wenyong, Tech Director

On the day of the interview with Wen Yong, he had just returned from a technology sharing class in Shanghai. As a well-known tech expert in the circle, such technology sharing is common among peers, but this time the sharing is a little different from the previous one.

In the past, when he introduced himself at the beginning of the technology sharing class, he could only say that he was the technical director of "Hundred Generals" and "Art of War: Red Tide", and there were few people in the audience. But this time when he introduced himself on stage as the technical director of "Black Myth: Wukong", the audience was full of exclamations. After all, no one expected that just after watching a game trailer known as "the light of domestic 3A", its technical director actually appeared in front of him.

Wen Yong, surnamed Zhao, graduated from the Department of Software Engineering at Sun Yat-sen University. He is not shy about saying that since he came into contact with "Red Alert" at the age of eight, he has been bound to the game in his life so far, and he believes that he has some talent for programming. He got this major because he likes playing games.

In college, he participated in Microsoft’s Imagine Cup (Microsoft’s technology competition for global students) and entered the semi-finals. At that time, he led a small team of five students and completed a shooting game project that he thought was pretty good. In 2009, he entered Tencent as an intern. After graduating in 2010, he became a regular and joined Feng Ji’s project team.

Feng Ji introduced Wen Yong to me, saying that he is a rare all-round player in the company. Although he is the technical director and is responsible for the main program of multiple projects, he will also make cameo appearances in game design from time to time. He often talks to the village chief and Yang Qi about the design of levels and gameplay, and often comes up with some good ideas.

Wen Yong smiled and said, in fact, he is a "handyman". It is not a talent that has developed this ability, but when he first entered the project team, as a newcomer, no one helped him realize some ideas. He can only rely on himself to complete it.

In Tencent’s project, Wen Yong has done user interface interaction, programming, and planning. He even once transferred to the WeChat department to do background message architecture. However, he did not feel very happy in the two months of WeChat, on the one hand, because this position requires 24 hours on standby, ready to deal with emergencies in the background at any time, and he was once criticized by the leader for missing an emergency call because he slept too much late at night; on the other hand, it is mainly because he is far away from the game, and he feels that it is not interesting to be a pure code farmer.

So when Feng Ji extended an olive branch to him in Game Science, he agreed without much hesitation. He said that many companies had come to poach him at that time, but he felt that these people were not very reliable. But Feng ****** a deep impression of him.

The first project of game science was "Baijiang Xing", which was a mobile game similar to "Dota Legend" gameplay. Wen Yong said that when mobile games first took off, they were very disapproving, because the mobile games at that time were very average in performance due to technical and hardware limitations, and they were completely different from the console games he had played. But later it was found that with the continuous improvement of mobile phone performance, mobile games can also make pictures similar to the quality of console games, so mobile games have improved.

As the technical director, Wen Yong doesn’t just complete the main program work. He also often "challenges" Feng Ji in the system and gameplay planning of the game. For example, when making "Art of War: Red Tide", Wen Yong questioned the core gameplay at that time, the process from the player making a decision to seeing the effect was too long, and finally persuaded Feng Ji to make adjustments. "But I don’t always intervene in everything, and I will only mention it to him when I see something I can’t bear."

The project of "Black Myth: Wukong" was actually first proposed by Yang Qi in 2016. At that time, the project of "Baijiang Xing" was nearing the end, and everyone was discussing what to do next. Yang Qi’s idea was actually not opposed, but the biggest problem was that as a stand-alone game project, the commercial input-output ratio at that time was too low. "In addition, we may still lack some accumulation or running-in in technology. There are many technical things I can know how to achieve, but we don’t have enough people or experienced teams to do this."

Wen Yong even said that from the perspective of pure programming technology, the development difficulty of "Black Myth: Wukong" is even lower than that of "Art of War: Red Tide" in some dimensions, because the latter wanted to achieve 100-to-100 large-scale war scenes on mobile phones at that time, and it was necessary to calculate and advance in real time. The picture is also realistic. This challenge has many obstacles, but "Wukong", an action game, has not exceeded the technical limit I have mastered. Of course, this is also because after two mobile game projects, the team has expanded, and the development experience and mutual cooperation have also run well. "

But this doesn’t mean that "Black Myth: Wukong" is a very simple project. From the depth and breadth of this project alone, Wen Yong can explore a lot of directions in this project. In his words, "Wukong" is a more attractive project, and doing such a project will make him enjoy it more. Unlike when he was doing "Red Tide", his mentality was almost always on the verge of collapse, forcing him to complete various impossible challenges in two years. "My hair fell the most on this mobile game project."

Wen Yong was also a "cloud player" when he was a student, because he couldn’t afford a console, and many games were made up after taking a job and buying a console. Wen Yong’s taste in playing games is also very mixed, but he is more reluctant to the bloody and violent part of the game, including the QTE of Kui Ye’s large number of violent actions in "God of War 3". In addition, he doesn’t like zombie and zombie-themed games, so the "Resident Evil" series and the "Last Survivor" series are also "cloud clearance".

The only exception may be "Dark Souls 3". In Wen Yong’s words, this game is just on the edge of the horror and violence he can accept. At first, he heard that it was difficult, but after he started playing it, he found that he could accept it.

After playing enough action games, Wen Yong’s understanding of this category becomes deeper. He believes that although the IP itself is their moat, the most important difference between these different action games is the core experience. Everyone is an action game, but they play it completely differently. Under this premise, it seems that various sub-categories of action games have been done by others, and simply imitating a certain category may be a dead end, and it is easy for players to think that they are copying.

In the initial stage of developing "Black Myth: Wukong", the biggest problem for Wen Yong was the manpower problem. As the technical director of the company, he was responsible for multiple projects at the same time, so once he encountered any problems in the project and had to solve them himself, he had to often go back and forth between the Shenzhen and Hangzhou studios of Game Science. This time, the project used UE4, a new engine they had not used before, and they encountered more problems at the beginning. Wen Yong was a little tired.

Wen Yong’s role in the team seems to be to solve problems at any time, because as the main program of the project, any planning requirements or art features in the game will eventually be implemented by him in code. He still remembers that when he decided to show the clips from the Black Wind Mountain level, after the first version came out, he was a little flustered, because the effect was so far from what he expected, it was almost impossible to see.

With the continuous evolution and adjustment of the version, the effect of the demonstration is more and more reassuring, but from Wen Yong’s point of view, there is still a lot of room for optimization. For example, the hair effect of Ling Xuzi, at first everyone had no experience, so they could only explore the plan to achieve it by themselves. Until the end, Wen Yong still felt a little worried that the effect was not very good. However, after the trailer was released, he was relieved to see that even David Jaffe, the producer of the original "God of War", praised the hair effect, but still felt that he could do better.

This 13-minute demo took about four or five months, and until the final version was finalized, Wen Yong still felt that it would be "a little unsafe" to release it like this. But Wen Yong had no idea of the effect of the trailer after it was released. He thought it would be good to have one or two million views of this trailer, but he did not expect that after the trailer was released at 10 am on Thursday, the popularity of this trailer was obviously "a little out of control."

Wen Yong felt a little flattered, and of course he was very happy, because he didn’t expect to be so popular, but what followed was an invisible pressure. Before this, the team didn’t have a particularly clear goal on how much time it would take to complete the project, but now there must be a clearer plan for the time to complete the project. And before, he felt that if the first generation didn’t do well, he could continue to be the second generation and the third generation, but now it seems to have become a state of "success or benevolence". If it doesn’t work well, it will be doomed. "This is actually not the result we expected."

The first problem for Wen Yong now is to quickly build the program and technical team to be more complete. The project still lacks a lot of talents in many specific types of work. He feels that three years is the minimum time for this project to achieve a satisfactory result. "But for me, at least if this is a work without regrets, I certainly hope that the game will eventually sell well, but for me, this is not a matter of sales, but for myself, I want to like playing this game, and this game needs to satisfy myself. This is the state I pursue." 

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Deng Chao, the director of "My Hometown and Me", has made new progress!


1905 movie network feature The third day of the National Day box office counterattack has also become the fastest National Day film to break 1.10 billion yuan box office.


The five unit short films in the film have different audiences’ impressions. Among them, although the "Road Home" directed by Deng Chao and Yu Baimei is not the best one in the public evaluation, it has also achieved a certain comedic effect and emotional expression that fits the theme.

 

"We also know that the level is indeed better than when we first started," Deng Chao and Yu Baimei said in our interview. If a two-hour movie is compared to a grade, they have now entered "the third and a half grades" from "The Road Back Home."


Deng Chao and Yu Baimei were interviewed by 1905 Movie Network

 

"We still have many books to finish. We can only continue to deepen our learning through practice. In the project we will do soon, think about what problems we had last time. We hope that each time we perform better than last time."

 

Deng Chao and Yu Baimei admitted that if "The Road Back Home" were remade now, they believe it would be better than it was then.

 

The filmmaking duo, who made three and a half films in six years and called themselves "directing students" in the "third and a half years," knew that graduation was still some time away, or that, on this so-called directing path, there would never be a day when they would actually graduate.

 

Behind the scenes: Deng Chao gaining weight and growing a beard, Wu Jingcheng "action guidance"


The story of "The Road Back Home" is inspired by director Yu Baimei’s observation and experience of changes in his hometown.

 

In 2018, he returned to his hometown in northern Shaanxi and saw that the Loess Plateau, which used to be full of rocks and ravines, had become green, and millions of acres of the Mu Us Desert had also been successfully greened. He wanted to write a story about this theme.


In the process of conception, Yu Baimei just saw the news that Yulin had successfully developed the sand apple, "They are digging pits in the desert, and after digging the pits, they put loess in the sand, and after putting the loess, they plant fruit seedlings. The seedlings are also wrapped in plastic sheets for fear of water loss, and then they need to be watered continuously. Because northern Shaanxi is relatively dry, it is very difficult in the desert."

 

Yu Baimei introduced that it took seven or eight years to develop the sand apple before it was finally successful. The difference between it and the Three North Shelter Forest is that it has both a sand prevention effect and a cash crop. Combining the Mu Us Desert with the sand apple, there is a story background for "The Road Back Home".


Co-director Deng Chao is still starring this time. In order to play Qiao Shulin, a seemingly opportunistic and full of lies, the local boss who is called "Joe’s richest man",He wants to look "greasy" on the outside, grow a beard, gain weight, and "eat his belly out".


As a native of Jiangxi, Deng Chao also had to learn to speak Northern Shaanxi dialect. He said that it was really difficult to learn Northern Shaanxi dialect, "It was me and Wu Jing who struggled more. Of course, Wang Yuan won.

 

Wang Yuan is the only actor who did not ask for correction in the later dubbing stage. He directly used the original sound on the spot, and Deng Chao and Wu Jing both got the dubbing shed to re-record, and the teacher in northern Shaanxi pronounced it word by word.


Yu Baimei revealed to us a little voice-in-the-scene: "The northern Shaanxi dialect has very heavy nasal requirements, and Deng Chao and Wu Jing were forced to fold in the end, stuffed with toilet paper and blocked their noses. Teacher Shaanxi said this has a smell, but this is more like it."

 

Mr. Wu has made three consecutive guest appearances in films directed by Deng Chao and Yu Baimei, from "The Breakup Master" to "The Milky Way Tutorial School" to "The Road Back Home." This time, he played the owner of a snack bar in northern Shaanxi. Although he did not show the action scenes he is good at, he volunteered to become the "action director" on the set.


In Miao Fu’s appearance, he needed to brake suddenly at a fixed point in the frame of the camera. For him, who had not driven a car for many years, this action was very difficult. Miao Fu drove many times and couldn’t stop to the designated location.

 

Wu Jing, who was in the same scene, couldn’t help but take a big cushion and put it at the front, instructing Miao Fu to drive directly into the cushion, and step on the brakes as soon as he heard the sound of the collision. Miao Fu followed Wu Jing’s suggestion and finally succeeded.

 

Miao Fu’s legs went soft after getting off the bus, "He didn’t expect him to be acting in an action play." Deng Chao also imitated Wu Jing’s state of being guided unconsciously on the set, "Let’s see how to put this, come, okay, wait for this… Teacher Wu Jing doesn’t want sand in his eyes."

"The Road Back Home" was filmed for 26 days and was the third film of "My Hometown and Me." Yu Baimei used "heartbreak" and "gritting teeth and cutting love" to describe the editing stage. The original duration of each group was basically about 40 minutes, and the five groups were 200 minutes. Considering the theater, audience and various factors, they also had to shorten the scene and cut some shots.

 

Why did Deng Chao and Yu Baimei make progress in making movies?


Deng Chao in "The Road Back Home" and Ge You in "Good People in Beijing" are actually a kind of people who share the same characteristics: they love to lie and play tricks, but they also complete the appropriate response to the main theme proposition.

 

They all attempt to create a scam by themselves, with the ultimate goal of achieving kindness to others and to their hometown.

 

The image of Qiao Shulin portrayed by Deng Chao was very distinct. He was wearing a polo shirt with a slightly wrinkled blazer, a briefcase under his arm, and sunglasses on the bridge of his nose. He looked like a down-to-earth local tyrant, not to mention a "fake local tyrant".


In the comedy section, "The Road Back Home" is not the laughing fruit of "The Breakup Master" and "The Villain Angel", but uses Deng Chao’s disguised identity as a local tyrant and his mouth when he fooled "Cargo Queen" Yan Ni to make jokes, such as forcibly doing first class, forcibly rubbing group photos, unable to afford hotels, and using bus cards to swipe to pay.


Why is it that Deng Chao and Yu Baimei have made progress in this film than before, not only in terms of comedy, but also in their success in shaping a relatively plump screen character?A pitiful and lovely Qiao Lin, Deng Chao also played him quite realistically and interestingly.

 

At the end of the story, a speech story reversal subverted Qiao Shulin’s disliked image as a liar at first. He was the one who really contributed to his hometown. In order to successfully grow and sell sand apples, and lead the villagers to poverty reduction and wealth, he was willing to invest all his money in desert greening and apple development, and even fell into bankruptcy.


Yan Ni’s live streaming host Yan Feiyan also showed a high-minded, arrogant and rude appearance at the beginning. Along the way, she gradually led to her poor childhood and growing up.


Both "The Road Back Home" and Xu Zheng’s "The Last Lesson" depict rural teachers – Teacher Fan and Mother Gao – whose inculcation to their students has nurtured a generation of young people who work together to build their hometown and change the face of their hometown. The same is true of Qiao Shulin, the son of Mother Gao, and Yan Feiyan, who finally changed her attitude.

 

Yu Baimei said: "Your hometown can be your teacher. There is a teacher Gao in’Galaxy Tutorial School ‘. This time I wrote about another mother Gao, who was a teacher who deeply influenced me in my hometown." From Yan Ni touching Gao’s mother’s red headscarf after getting on the plane to her climbing to the top of the mountain to see her new alma mater, these brushstrokes also stem from Yu Baimei’s true nostalgia for his teacher.


The connection between "The Road Home" and "The Milky Way Tutoring School" also includes the male protagonists Horned Horse Haowen and Qiao Shulin. They are also the same kind of people, both of whom are not understood by the outside world and misunderstood by others. They are all down-and-out fathers who have experienced glory and fallen to the bottom at the peak of their careers.

 

"The Road Back Home" also has various problems left by "Galaxy Cram School", which needs to be further optimized and improved by Deng Chao and Yu Baimei in creation.Using a tearful student speech to reverse the image of the character inevitably fell into a didactic sense, and also made Qiao Shulin too tall.


No matter what, "The Road Back Home" still had the greatest advantage of "My Hometown and Me" as a whole. It was a movie with "human flavor". There were no absolute good people and no absolute bad people.

 

It is to use less perfect little people, with small changes in human feelings, to project the inner operating laws of the Chinese countryside, and to reflect the grand proposition of the changes of the times.

 

We are beginners in directing and watch the same movie textbook as Wu Jing


Three of the directors of the five units of "My Hometown and Me" are "acting is good" – Xu Zheng, Chen Sicheng and Deng Chao, and their directorial debuts are also box office hits.

 

Deng Chao and Yu Baimei firstThe first co-directed film "Break Up Master" won the summer domestic film box office championship with 665 million yuan in 2014. But what does not match the box office is the criticism of the low quality of the work to the bottom.


At that time, Deng Chao said in an interview with 1905 Film Network: "I hated Deng Chao even more before filming’The Breakup Master ‘. For example, I would complain about other people’s works and compare things… After I finished a movie completely, I knew how difficult it was to be a filmmaker, and then I said I would never complain again."

 

When it came to "Villain Angel", the infamy of bad movies came one after another. A first-class actor, along with Yu Baimei, was named "an underclass director", and Deng Chao gradually understood how difficult it was to make a movie.


Deng Chao and Yu Baimei admitted that the commercial success of "The Breakup Master" was a fluke, and they began to wonder what it was like to be a director. "Neither of us are actually professional directors. After each shooting, the most discussed thing is the review. We still feel like beginners in directing, and there are many secrets we don’t know."

 

Obviously, from "Breakup Master", "Villain Angel" to "Galaxy Tutoring School", Douban’s score has also increased from 4 or 5 to 6, and this time "The Road Back Home" can also see a little improvement.


"Galaxy School" can even be seen as a watershed moment in the filmmaking of the directors’ co-directors, moving from a rambunctious comedy to a work with more emotional depth.


Wu Jing, who has made many guest appearances, is the object they have always wanted to cooperate deeply. During the filming of Wu Jing’s scene in "The Road Back Home", Deng Chao and Wu Jing simultaneously received an invitation to cooperate in the film "Kumgang River" to resist the United States and aid Korea. They also hope that the three can find an opportunity to make a feature film together.

 

Deng Chao, Yu Baimei, and Wu Jing also had a small group in common, and the most talked about their own gains and losses as directors. They bought movie textbooks together, read the same book, and saw that a certain page was related to the movie they shot. They would take screenshots and send them to the group to share the problems encountered during filming, help each other, and make progress together.


For the future, Deng Chao and Yu Baimei do not make too many assumptions. What is clear is that they will make genre filmsSeveral projects will not be comedies, but the comedic elements will always exist in a certain proportion, and even the two people will not always be bound together as directors, with the possibility of independent directing.