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Fresh information morning call is all in the morning newspaper

This Sunday is the winter solstice, remember to eat dumplings! The coldest time has come, all friends must pay attention to keep warm, it is very uncomfortable to catch a cold, take care of yourself! The girl full of positive energy sent the "hot" morning newspaper as scheduled, calling the baby to read!

PreviewZhang Yimou"Above the Cliff"Peng Yuyan and Wang Yanlin filmed "Emergency Rescue" while walking through the snow

Recently, the new film "On the Cliff" directed by Zhang Yimou started filming in Xuexiang, Northeast China. Yesterday, the film exposed a group of aerial photos on the set, and several live photos revealed the ice and snow of "On the Cliff". The crew was busy nervously and orderly in the vast expanse. Facing the heavy snow, Zhang Yimou, who is in charge of the camera, looked excitedly into the distance.

"On the Cliff" is based on the theme of espionage, accompanied by the vision of ice and snow. It is Zhang Yimou’s first attempt to be compatible with the espionage genre and sensory aesthetics. The dangerous and dangerous troubled times, the human and wild battles in the vast snowfield, are full of secrets and dangers. Snow carries the light and shadow of human nature and troubled times, and is a major protagonist in the film. The current starring lineup has not been officially announced, let’s look forward to it together~

Brothers will never back down in times of crisis, I stand with you! "The first Chinese film to focus on maritime rescue has released a poster with the theme of brotherhood, exposing the deep friendship of the rescue team fighting side by side. Whether it is in the fire, in the sea, in the sky or in the canyon, every life and death, there are rescue brothers by your side. In addition to the brotherhood," Emergency Rescue "also continues to dig deep into the character core, trying to shape every rescuer into flesh and blood, so that everyone can gradually enter their inner world through thrilling rescue operations.

In the previous trailer of "Emergency Rescue", Peng Yuyan and Wang Yanlin’s brotherhood between jokes left a deep impression on many. In fact, not only Peng Yuyan and Wang Yanlin have a deep relationship in the play, but also the two have a tacit understanding outside the play. Peng Yuyan once revealed: "There are a lot of water scenes in the film, and we trained together for a month before filming." The long-term eating, living and training together allowed everyone to get to know each other better. Wang Yanlin said frankly: "Peng Yuyan and I are like brothers. We usually wear the same clothes and eat the same meal. When filming, I understand with a glance, and he understands everything I think." On the first day of the new year, the waves will not be scattered!

The trailer continues to look! The upcoming movie and both are derived from Busifan’s original world view, and recently the two works have also been linked together~ "Mr. Miao" and "The Great Protector" released the first joint trailer and large-character poster, presenting a huge "dark adult" world of unthinking, which is quite tense. In the trailer, the two protagonists, Ding Guo and The Great Protector, appear in the same frame, facing fear and depravity in their own way, reproducing the aesthetics of violence, and at the same time showing profound thoughts with ink and wash style.

In addition, it can be seen from the large-character posters released that there are a large number of characters in the two films: Ding Guo, who is ruthless and less talkative, the Great Protector, the greedy Higan Flower Snatcher, and the numb Peanut Man. They seem to be the epitome of all kinds of people in society, and the audience can see "the people around them" in them, which is quite resonant and practical. "Mr. Miao" will be released on December 31. I wonder if this film can continue the good reputation of "The Great Protector" again~

Come on! It’s still trailer news! Exposure to watch some trailers, powerful lines and cool pictures, show the film’s eye-catching visual effects in front of the audience. Tires, free rock climbing, anti-riot personnel carriers, fist to meat fighting, "every confrontation is real" SWAT team members, in the face of "must win" difficult tasks and strong opponents, still confident and fierce, showing the fearlessness and fearlessness of Chinese SWAT. Diving on islands, high-altitude cable descent, jungle cross-country, bomb blasting, "sea, land and air" three-line panoramic display of the film’s visual effects wonders, highlighting the toughness of commercial action blockbusters. The trailer full of cool and refreshing temperament is not only dizzying, but also makes people look forward to the performance of the positive film.

During the preparation and filming process, the film received strong support from the Information and Propaganda Bureau of the Ministry of Public Security and the Public Security Administration, and was jointly filmed by the Beijing Municipal Public Security Bureau. Before the start of the film, the actors entered the anti-terrorism and special police corps of the Beijing Municipal Public Security Bureau for an all-weather closed "devil" training camp, and received professional guidance in tactics, movements, firearms and equipment. Strive to restore the true spiritual outlook of Chinese special police, break the audience’s stereotypical impression of the special police group as serious, and show a cooler, fashionable, wild and fresh special police image. I believe that after the baptism of "devil training" and the ingenuity of the director, this breakthrough work of Chinese action police and gangsters will definitely make everyone’s eyes shine. The film will be officially released on December 27.

Movie Calendar | Wang Hedi was born

(The specific broadcast content is subject to TV)

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　　It is always easy to attract everyone’s attention about celebrities. For example, there has been a disclosure of the salary of star studios recently on the Internet, which claims that the staff of many domestic first-line big coffee studios are not as good as the little sister of Foxconn – how is this possible! With full of doubts, the late reporter asked many people in the circle one after another, so how is the income of working for celebrities? What other benefits can you have besides being able to get along with celebrities? Is every star as wealthy as the legendary Fan Bingbing? After reading this report, maybe you can gain a lot of "posture". Shenzhen Evening News reporter, Jiang Shuangchao

　　literacy

　　What are the positions available in the Star Studio?

　　Assistant: Responsible for accompanying the artist to formulate and complete their daily itinerary, including booking air tickets, carrying bags, preparing clothes, serving tea and pouring water, etc. The nanny-type assistant is relatively tired and is almost like the artist’s personal nanny, coming for everything.

　　Publicity: Make a publicity plan for the artists, contact TV programs for their own artists to be announced, and write promotional manuscripts and contact major media for interviews. In short, try to let the world know about the existence of their artists. Once there is negative news, you have to urgently "put out the fire".

　　Agent: Arrange various jobs for artists, and determine the development path of artists. In addition, some studios will set up the position of executive agent, which is basically to cooperate with the agent to be responsible for the execution of performing arts activities, take artists to shows and interviews.

　　In addition to these three main components, a complete star studio should also include administrative and financial positions, of course, there are some exceptions, such as Ren Quan Studio has a catering industry team, Huang Bo Studio has a professional screenwriter, Fan Shang Wenjie Studio also has a lawyer (always ready for a lawsuit?), the most elusive position is Chen Kun Studio’s Visual Identity and Field Explorer – it turns out that because Chen Kun organizes the regular activities of "Walking Power" every year, he needs a strong and wild man to explore the way first.

　　break the news

　　Compared with the treatment, Fan Bingbing Studio is not as good as Ren Quan Studio

　　Chen Kun’s studio employees earned 1,800 yuan, Lin Xinru’s studio employees earned 3,500 yuan, and Zhang Yuqi’s studio employees earned 2,000 yuan… Recently, the so-called star studio salary disclosure sticker was circulating on the Internet, so the deep-night reporter who was shocked by this string of figures conducted some investigation and consultation, and found that working for celebrities is not that low, and of course it is not as high as everyone thought before.

　　Generally speaking, among the employees of the star studio, the income level is from low to high: assistant, publicity, and agent. The income of the assistant is usually around 3,000 because of the lack of technical skills. Yes, don’t look glamorous, in fact, the income is similar to that of going to the factory to work. The income of publicity will be better, roughly more than 4,000, but there are exceptions. Fan Bingbing Studio, which is rumored to have excellent treatment in the industry, is reported to have an average salary of 5,000 or 6,000. There are also some artists who may not be so popular, but the treatment given to their subordinates is quite good. For example, the treatment given by Ren Quan Studio to the staff is very good, which may be slightly higher than that of Fan Bingbing Studio. Not only does he travel at home and abroad every year, but the annual bonus is also not cheap. More importantly, his family commutes on the hour, and he doesn’t have to work hard to work overtime. In addition, the owner of artists such as Haiqing, Zhang Xinyi and Wu Xiubo – Xitian Film and Television, the general income of the publicity staff is around 4,000, but with the commission, it should reach 5,000 or 6,000. Compared with the grassroots staff, the income of the publicity director of the studio will be higher. According to the reporter, the monthly salary of the publicity director of Ren Quan Studio is more than 10,000, excluding the annual bonus.

　　The income of the propaganda staff is not high, but the treatment of the agent on the other side is not low. Generally, their income is also in the form of salary plus commission, of which commission accounts for the majority. For example, if you can help the artists of the studio receive film and television dramas, you can extract a certain proportion from the salary of the artist. If you receive a cost-effective job such as advertising endorsements, the commission may be as high as 5%. In this way, the general agent income is at least 300,000 or more, and there is no upper limit according to the level of the artist. However, the artist agent who can set up a studio should have an annual income of more than 500,000.

　　Follow the stars

　　What are the sweeteners?

　　Five insurances and one fund

　　Basically there are, isn’t this a basic guarantee?

　　Year-end red envelope

　　Previously, there was news that Yang Mi gave the staff 200,000 red envelope during the Chinese New Year. Although it was later confirmed to be fake news, the general red envelope can still reach five digits, but it does not rule out individual stingy bosses giving thousands and hundreds.

　　Paid tours, usually star studios organize trips at home and abroad every year. For example, Ren Quan’s studio went to Sanya one year.

　　Home plane tickets, round-trip plane tickets will be prepared for employees during the Chinese New Year, and some are full-price tickets!

　　contingency benefit

　　Compared to ordinary bosses, the bosses of the star studio were obviously more "heart-hearted". Although the salary given was not high, they would buy insurance for the relatives of the staff and pay plane tickets to visit relatives, and also give other benefits. For example, the employees of the Fan Bingbing studio would receive double red envelopes at the end of the year, one for themselves and the other for their parents.

　　Star Studio Q & A

　　Q = Deep Evening Reporter

　　L = old fritters in the entertainment industry

　　Q: Is it difficult to enter a celebrity studio?

　　L: If it is said that the difficulty of entering Huayi, Hairun and other entertainment companies is level 5, then the difficulty of entering the star studio is at least level 8 or above, and it is basically difficult to enter without relevant professional experience and educational background. In addition, the interview is also very important. Huang Xiaoming Studio used the world’s top 500 exam questions to test each position when recruiting, and also designed some small details on the spot to see the on-site response of the candidates. And Fan Bingbing Studio also needs to test English listening and speaking skills during the interview, which is really scarier than the college entrance examination! And the stars are also very picky. For the studio members, they basically have to interview themselves. It is said that a W male star has interviewed countless people because he wanted to find a decent-looking driver, but he has not found it yet.

　　Q: If you really like a celebrity, can you work for them?

　　L: If you are in a fan mood to work for a star, it is very likely that you will not even be able to pass the interview, let alone get in touch with the star himself. Previously, some outsiders said that many star studios could only use fans to work because of the low salary. I am very responsible to tell you – fake! For fans’ job applications, artists usually directly refuse the door. If it were you, would you be willing to keep someone who is crazy about you by your side? It’s terrible!

　　Q: Does the more popular the artist, the higher the studio’s income?

　　L: Many people think that artists have high incomes, so they will naturally throw a lot of money at the assistants and promoters around them, but please use your brains to think about it. Celebrities’ money doesn’t fall from the sky, so why give it to us at will? Of course, it is not ruled out that lavish masters like Fan Bingbing will give red envelopes from time to time, but I don’t mean to break your dream. Like us ordinary promoters, getting 6,000 or 7,000 yuan a month is already a good one in the industry.

1905 movie network feature The third day of the National Day box office counterattack has also become the fastest National Day film to break 1.10 billion yuan box office.

The five unit short films in the film have different audiences’ impressions. Among them, although the "Road Home" directed by Deng Chao and Yu Baimei is not the best one in the public evaluation, it has also achieved a certain comedic effect and emotional expression that fits the theme.

"We also know that the level is indeed better than when we first started," Deng Chao and Yu Baimei said in our interview. If a two-hour movie is compared to a grade, they have now entered "the third and a half grades" from "The Road Back Home."

Deng Chao and Yu Baimei were interviewed by 1905 Movie Network

"We still have many books to finish. We can only continue to deepen our learning through practice. In the project we will do soon, think about what problems we had last time. We hope that each time we perform better than last time."

Deng Chao and Yu Baimei admitted that if "The Road Back Home" were remade now, they believe it would be better than it was then.

The filmmaking duo, who made three and a half films in six years and called themselves "directing students" in the "third and a half years," knew that graduation was still some time away, or that, on this so-called directing path, there would never be a day when they would actually graduate.

Behind the scenes: Deng Chao gaining weight and growing a beard, Wu Jingcheng "action guidance"

The story of "The Road Back Home" is inspired by director Yu Baimei’s observation and experience of changes in his hometown.

In 2018, he returned to his hometown in northern Shaanxi and saw that the Loess Plateau, which used to be full of rocks and ravines, had become green, and millions of acres of the Mu Us Desert had also been successfully greened. He wanted to write a story about this theme.

In the process of conception, Yu Baimei just saw the news that Yulin had successfully developed the sand apple, "They are digging pits in the desert, and after digging the pits, they put loess in the sand, and after putting the loess, they plant fruit seedlings. The seedlings are also wrapped in plastic sheets for fear of water loss, and then they need to be watered continuously. Because northern Shaanxi is relatively dry, it is very difficult in the desert."

Yu Baimei introduced that it took seven or eight years to develop the sand apple before it was finally successful. The difference between it and the Three North Shelter Forest is that it has both a sand prevention effect and a cash crop. Combining the Mu Us Desert with the sand apple, there is a story background for "The Road Back Home".

Co-director Deng Chao is still starring this time. In order to play Qiao Shulin, a seemingly opportunistic and full of lies, the local boss who is called "Joe’s richest man",He wants to look "greasy" on the outside, grow a beard, gain weight, and "eat his belly out".

As a native of Jiangxi, Deng Chao also had to learn to speak Northern Shaanxi dialect. He said that it was really difficult to learn Northern Shaanxi dialect, "It was me and Wu Jing who struggled more. Of course, Wang Yuan won.

Wang Yuan is the only actor who did not ask for correction in the later dubbing stage. He directly used the original sound on the spot, and Deng Chao and Wu Jing both got the dubbing shed to re-record, and the teacher in northern Shaanxi pronounced it word by word.

Yu Baimei revealed to us a little voice-in-the-scene: "The northern Shaanxi dialect has very heavy nasal requirements, and Deng Chao and Wu Jing were forced to fold in the end, stuffed with toilet paper and blocked their noses. Teacher Shaanxi said this has a smell, but this is more like it."

Mr. Wu has made three consecutive guest appearances in films directed by Deng Chao and Yu Baimei, from "The Breakup Master" to "The Milky Way Tutorial School" to "The Road Back Home." This time, he played the owner of a snack bar in northern Shaanxi. Although he did not show the action scenes he is good at, he volunteered to become the "action director" on the set.

In Miao Fu’s appearance, he needed to brake suddenly at a fixed point in the frame of the camera. For him, who had not driven a car for many years, this action was very difficult. Miao Fu drove many times and couldn’t stop to the designated location.

Wu Jing, who was in the same scene, couldn’t help but take a big cushion and put it at the front, instructing Miao Fu to drive directly into the cushion, and step on the brakes as soon as he heard the sound of the collision. Miao Fu followed Wu Jing’s suggestion and finally succeeded.

Miao Fu’s legs went soft after getting off the bus, "He didn’t expect him to be acting in an action play." Deng Chao also imitated Wu Jing’s state of being guided unconsciously on the set, "Let’s see how to put this, come, okay, wait for this… Teacher Wu Jing doesn’t want sand in his eyes."

"The Road Back Home" was filmed for 26 days and was the third film of "My Hometown and Me." Yu Baimei used "heartbreak" and "gritting teeth and cutting love" to describe the editing stage. The original duration of each group was basically about 40 minutes, and the five groups were 200 minutes. Considering the theater, audience and various factors, they also had to shorten the scene and cut some shots.

Why did Deng Chao and Yu Baimei make progress in making movies?

Deng Chao in "The Road Back Home" and Ge You in "Good People in Beijing" are actually a kind of people who share the same characteristics: they love to lie and play tricks, but they also complete the appropriate response to the main theme proposition.

They all attempt to create a scam by themselves, with the ultimate goal of achieving kindness to others and to their hometown.

The image of Qiao Shulin portrayed by Deng Chao was very distinct. He was wearing a polo shirt with a slightly wrinkled blazer, a briefcase under his arm, and sunglasses on the bridge of his nose. He looked like a down-to-earth local tyrant, not to mention a "fake local tyrant".

In the comedy section, "The Road Back Home" is not the laughing fruit of "The Breakup Master" and "The Villain Angel", but uses Deng Chao’s disguised identity as a local tyrant and his mouth when he fooled "Cargo Queen" Yan Ni to make jokes, such as forcibly doing first class, forcibly rubbing group photos, unable to afford hotels, and using bus cards to swipe to pay.

Why is it that Deng Chao and Yu Baimei have made progress in this film than before, not only in terms of comedy, but also in their success in shaping a relatively plump screen character?A pitiful and lovely Qiao Lin, Deng Chao also played him quite realistically and interestingly.

At the end of the story, a speech story reversal subverted Qiao Shulin’s disliked image as a liar at first. He was the one who really contributed to his hometown. In order to successfully grow and sell sand apples, and lead the villagers to poverty reduction and wealth, he was willing to invest all his money in desert greening and apple development, and even fell into bankruptcy.

Yan Ni’s live streaming host Yan Feiyan also showed a high-minded, arrogant and rude appearance at the beginning. Along the way, she gradually led to her poor childhood and growing up.

Both "The Road Back Home" and Xu Zheng’s "The Last Lesson" depict rural teachers – Teacher Fan and Mother Gao – whose inculcation to their students has nurtured a generation of young people who work together to build their hometown and change the face of their hometown. The same is true of Qiao Shulin, the son of Mother Gao, and Yan Feiyan, who finally changed her attitude.

Yu Baimei said: "Your hometown can be your teacher. There is a teacher Gao in’Galaxy Tutorial School ‘. This time I wrote about another mother Gao, who was a teacher who deeply influenced me in my hometown." From Yan Ni touching Gao’s mother’s red headscarf after getting on the plane to her climbing to the top of the mountain to see her new alma mater, these brushstrokes also stem from Yu Baimei’s true nostalgia for his teacher.

The connection between "The Road Home" and "The Milky Way Tutoring School" also includes the male protagonists Horned Horse Haowen and Qiao Shulin. They are also the same kind of people, both of whom are not understood by the outside world and misunderstood by others. They are all down-and-out fathers who have experienced glory and fallen to the bottom at the peak of their careers.

"The Road Back Home" also has various problems left by "Galaxy Cram School", which needs to be further optimized and improved by Deng Chao and Yu Baimei in creation.Using a tearful student speech to reverse the image of the character inevitably fell into a didactic sense, and also made Qiao Shulin too tall.

No matter what, "The Road Back Home" still had the greatest advantage of "My Hometown and Me" as a whole. It was a movie with "human flavor". There were no absolute good people and no absolute bad people.

It is to use less perfect little people, with small changes in human feelings, to project the inner operating laws of the Chinese countryside, and to reflect the grand proposition of the changes of the times.

We are beginners in directing and watch the same movie textbook as Wu Jing

Three of the directors of the five units of "My Hometown and Me" are "acting is good" – Xu Zheng, Chen Sicheng and Deng Chao, and their directorial debuts are also box office hits.

Deng Chao and Yu Baimei firstThe first co-directed film "Break Up Master" won the summer domestic film box office championship with 665 million yuan in 2014. But what does not match the box office is the criticism of the low quality of the work to the bottom.

At that time, Deng Chao said in an interview with 1905 Film Network: "I hated Deng Chao even more before filming’The Breakup Master ‘. For example, I would complain about other people’s works and compare things… After I finished a movie completely, I knew how difficult it was to be a filmmaker, and then I said I would never complain again."

When it came to "Villain Angel", the infamy of bad movies came one after another. A first-class actor, along with Yu Baimei, was named "an underclass director", and Deng Chao gradually understood how difficult it was to make a movie.

Deng Chao and Yu Baimei admitted that the commercial success of "The Breakup Master" was a fluke, and they began to wonder what it was like to be a director. "Neither of us are actually professional directors. After each shooting, the most discussed thing is the review. We still feel like beginners in directing, and there are many secrets we don’t know."

Obviously, from "Breakup Master", "Villain Angel" to "Galaxy Tutoring School", Douban’s score has also increased from 4 or 5 to 6, and this time "The Road Back Home" can also see a little improvement.

"Galaxy School" can even be seen as a watershed moment in the filmmaking of the directors’ co-directors, moving from a rambunctious comedy to a work with more emotional depth.

Wu Jing, who has made many guest appearances, is the object they have always wanted to cooperate deeply. During the filming of Wu Jing’s scene in "The Road Back Home", Deng Chao and Wu Jing simultaneously received an invitation to cooperate in the film "Kumgang River" to resist the United States and aid Korea. They also hope that the three can find an opportunity to make a feature film together.

Deng Chao, Yu Baimei, and Wu Jing also had a small group in common, and the most talked about their own gains and losses as directors. They bought movie textbooks together, read the same book, and saw that a certain page was related to the movie they shot. They would take screenshots and send them to the group to share the problems encountered during filming, help each other, and make progress together.

For the future, Deng Chao and Yu Baimei do not make too many assumptions. What is clear is that they will make genre filmsSeveral projects will not be comedies, but the comedic elements will always exist in a certain proportion, and even the two people will not always be bound together as directors, with the possibility of independent directing.

　　Recently, the 2023 Tencent Global Digital Ecology Conference was held in Shenzhen. The theme of the conference was "Intelligent Change Accelerates, Industrial Renewal". Industry experts discussed the new needs, new trends and new paths of digital intelligence integration in the era of large models.

　　At this conference, Tencent Hunyuan Model was officially unveiled and announced to be open to the outside world through Tencent Cloud. According to reports, Tencent Hunyuan Model is a general language model developed by Tencent, with strong Chinese creation ability, logical reasoning ability in complex contexts, and reliable task execution ability.

　　Tang Daisheng, senior executive vice president of Tencent Group and CEO of Cloud and Smart Industry Business Group, said that with large model generation technology as the core, artificial intelligence is becoming the key driving force for the next round of digital development, and also brings new ideas to solve industrial pain points. Tencent Industrial Internet will continue to enhance the industry through intelligent enhancement, data enhancement, and connection enhancement.

　　It is understood that Tencent’s hybrid model adheres to the independent innovation strategy in technology, and has mastered the full-link self-research technology from model algorithm to machine learning framework to AI infrastructure.

　　Jiang Jie, vice president of Tencent Group, said that Hunyuan Big Model is more focused on applying technology to practical scenarios to help industry innovation. Hunyuan Big Model has served as the core engine, supporting more than 50 applications of the company, including Tencent conferences, Tencent documents, Tencent advertisements, etc. Tencent has entered the era of "fully embracing the big model". In the future, Hunyuan will continue to iterate, learn for life, and continuously improve its technical capabilities.

　　"The big model is to serve the industry, and the cloud is the best carrier. The big model will create a new form of the next generation of Cloud as a Service." Qiu Yuepeng, vice president of Tencent Group, COO of Cloud and Smart Industry Business Group, and president of Tencent Cloud, said that the high-level intelligence brought by the big model will also redefine cloud tools and applications. For example, Tencent Security Risk Control Big Model, Tencent Cloud AI Code Assistant, Tencent Conference AI Assistant and other products have brought users a better experience because of the big model’s ability. At present, Tencent Conference AI Assistant has also officially opened trial applications.

　　Large models accelerate the industry into a new era of intelligence, and cutting-edge technologies represented by artificial intelligence are becoming an important driving force for promoting technological innovation, industrial upgrading, and productivity leap.

　　"Enterprises need to design intelligent upgrade paths from a global perspective, in order to connect all dimensions of the industrial chain, form a superposition effect, and promote business from high growth to high-quality development," said Li Qiang, vice-president of Tencent Group and president of government and enterprise business. At present, Tencent has accumulated rich practice and experience in R & D, production, marketing, service, management and other dimensions, accelerating the intelligent upgrade of all walks of life. He also mentioned that as cutting-edge technologies accelerate the upgrading of the entire industrial chain, whether from the field to the production line, or from the laboratory to the convenience store, the big model will be everywhere.

　　At the summit, leading figures and technical experts from all walks of life shared their own digital integration practices and latest thinking around cloud computing, big data, artificial intelligence and other digital technologies. During the conference, Tencent Cloud Joint Partners officially released 32 industry joint solutions to continue to promote the prosperity and stability of the industrial ecosystem.