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"The character special effects and graphics are beautifully done, and the soundtrack is also very good, but I just had a fight, and the combat gameplay has not yet been deeply experienced, but it is difficult to feel the combat (system)." A player who was guarding the computer after the "Black Myth: Wukong" was unlocked at 10:00 on the 20th Beijing time told Shell Financial Reporter.

"The picture looks good, but the copy is uncomfortable. It feels like the creator is a law of the jungle." Another player did not express all the praise. Previously, the overseas creator "Video Game dunkry" also considered the game to be suspected of borrowing from Dark Souls in reviews.

"Black Myth: Goku’s biggest advantage is that its overall quality reaches the world’s top level. In other words, the overall quality of gameplay, plot, technology, etc., gives it the ability to discuss and compare with the top product, which is the most important advantage of this product. But it is also just a’good product ‘, not a product that creates a sub-category or a new track," said Xu Fanke, a senior data analyst at Gamma Data.

Like the above players, there are millions of stand-alone players around the world who are regularly waiting for "Black Myth: Wukong" to be unlocked. According to the observation of shell financial reporters, as of 19:00 on August 20, the game had about 1.547 million real-time players on the Steam platform (a world-renowned game and software platform), and the peak online number on that day was about 1.547 million people. Bilibili has more than one million people watching the Game LIVE, and at the same time ranked first in the game LIVE platform Twitch stand-alone game playback outside Shanghai.

Screenshot of Steam platform at 17:00 on August 20. Figure | Screenshot of Steam platform.

Screenshot of live broadcast platform Twitch on August 20. Figure | Screenshot of Twitch.

A number of game industry practitioners to shell finance forecast "black myth: Wukong" present on all major platforms sales are expected to reach 5 million to 7 million sets, according to the lowest sales price of 268 yuan, the game’s buyout sales flow is 1.34 billion yuan to 1.876 billion yuan. Previously, "black myth: Wukong" pre-sale volume over 1.20 million copies, pre-sale sales over 400 million yuan, into the Steam platform August 6 to 13 global weekly sales champion.

The value of "Black Myth: Wukong" goes far beyond the game buyout revenue. Xu Fanke, a senior data analyst at Gamma Data, believes that "Black Myth: Wukong" has high IP (intellectual property) value both inside and outside the game field. "In 2023, 83% of the top 100 overseas stand-alone games will have IP, which means that if" Black Myth: Wukong "launches a sequel, its sequel will have a relatively large opportunity on the stand-alone platform. In addition, IP-related fields can be monetized, such as figures, joint licensing, cultural tourism, etc."

Game body sales or over 1.30 billion, figures, peripherals, cultural tourism on the way

In "Journey to the West", Tang Seng’s master and apprentice experienced 81 difficulties and walked 108,000 miles before obtaining the true scriptures. And what kind of "golden road" did Shenzhen Youke Interactive Technology Co., Ltd. (hereinafter referred to as: Youke Interactive), which produced "Black Myth: Wukong", experience?

"Black Myth: Wukong" is an action role-playing game set in Chinese mythology produced by Youke Interactive. In addition to releasing digital versions such as the PC (PC) Standard Edition for 268 yuan and the PC Deluxe Edition for 328 yuan, the game also released a limited edition of 20,000 sets of "Physical Deluxe Edition" and a limited edition of 10,000 sets of "Collector’s Edition". The prices of the two reached 820 yuan and 1998 yuan respectively.

Previously, Feng Ji, founder of Youke Interactive, revealed in an interview that the development cost of "Black Myth: Wukong" players per hour experience is about 15 million yuan to 20 million yuan, and the team estimates that the overall game time will reach more than 15 hours, while the actual development time is more than 1.5 times this time. If this rough calculation, the production cost is at least 337 million yuan to 450 million yuan.

The R & D cost of foreign 3A games (referring to high-quality, high-volume, and high-cost stand-alone games) is usually more than $100 million, and the R & D time is between three and five years. "The cost [of" Black Myth: Wukong "] should be around $100 million, and about 50% of the sales can be returned to the production side," a senior analyst in the game industry told Shell Financial Reporter. But some game company respondents said that the revenue that can be returned to the production side is 50% to 60%, depending on how the channel side and the publisher negotiate, and the degree of strength. (The cut is mainly used to pay the cost of the channel side such as the host factory and platform, and the cost of marketing activities)

A number of game industry practitioners to shell finance is expected to "black myth: Wukong" present on all major platforms sales are expected to reach 5 million to 7 million sets, according to the lowest sales price of 268 yuan, the game’s buyout sales flow is 1.34 billion yuan to 1.876 billion yuan. "Because the current number of Steam online is 1.50 million, according to the industry’s 1:2 rule, Steam buyers about 3 million, this does not include PS5, WeGame and other channels, conservative also have 5 million sets."

If the producer gets 50% of the sales roughly calculated, the game’s producer Youke Interactive can get at least 670 million yuan of gross income, and up to 938 million yuan. "The cost is about 100 million US dollars, that is to say, according to the pre-sale situation, it can not be recovered, but the current sales are good, relying on the game product buyout income can be stabilized or even profitable." The senior analyst of the game industry told reporters.

But as the first domestic 3A masterpiece, "Black Myth: Wukong" has far more appeal to consumers than that.

Xu Fanke, a senior data analyst at Gamma Data, said that "Black Myth: Wukong" has become a big IP, and the follow-up will be launched, and there are still great opportunities in the stand-alone platform. In addition, he believes that the general market trend of peripheral goods, figures and other industries in China is better than that of games, so IP licensing can also be realized. Currently, Luckin, Nvidia, Hisense TV, Lenovo Savior, JD.com and Didi Qingju plan to interact with "Black Myth: Wukong". Furthermore, IP also has the value of radiating to other industries. For example, "Black Myth: Wukong" has taken a lot of scenery in Shanxi, and the Shanxi Provincial Department of Culture and Tourism has released a number of videos, which is expected to promote local tourism consumption.

The first domestic 3A game masterpiece,Youke InteractiveHow to obtain the scriptures

The producer of "Black Myth: Wukong", Shenzhen Youke Interactive Technology Co., Ltd. was established on June 13, 2014 with a registered capital of 697,900 yuan. It is mainly engaged in software design and development, game development, system integration, network engineering, enterprise information system, website design and development; web page production; e-commerce operation; communication system development and integration; automation control system development and integration; automation engineering construction; software sales, technical services; domestic trade, etc. Feng Ji served as the legal representative, chairperson and general manager of Youke Interactive, and Yang Qi and other 6 people served as directors.

According to Feng Ji and Yang Qi in interviews with CCTV and Zhejiang Daily, after seeing that "mobile games are exploding, I feel that this is an opportunity that should not be missed." Several old colleagues, including him and Yang Qi, left Tencent together to form Youke Interactive.

From "Hundred Generations" to "Red Tide", Youke Interactive made two games before "Black Myth: Wukong", which also became their "first pot of gold". "At that time, our strategy was to find the most popular mobile game category on the market, plus first-class art, world view and story." Feng Ji explained the journey, "We all knew that sooner or later we would make a stand-alone game, but we always felt that the timing and funding were not yet mature, so we kept waiting."

The original idea was eight years ago, when Youke Interactive conducted a market survey: in 2016, nearly a third of active users on Steam, the world’s largest game publishing platform, were from China. "This is a very exaggerated data, which shows that the whole Chinese stand-alone market has enough potential," Feng Ji said. In early 2018, Yang Qi took the initiative to find Feng Ji, hoping to start a stand-alone game project. He is currently more familiar to the majority of netizens as the head of art of "Black Myth: Wukong".

Since making a 3A game requires not only high quality and high volume, but also high cost, where does Youke Interactive’s funding come from? According to Qichacha information, Youke Interactive has undergone two rounds of financing, namely an undisclosed amount of angel investment from Hero Entertainment in May 2017 and an undisclosed amount of strategic investment from Tencent Investment in March 2021.

At present, Youke Interactive mainly has five shareholders, namely natural person Feng Ji, Shenzhen Youke Interactive Enterprise Management Center (Limited Partnership), Tianjin Hero Financial Control Technology Co., Ltd. (hereinafter referred to as: Hero Financial Control), Shenzhen Youke Research and Development Enterprise Management Center (Limited Partnership), Guangxi Tencent Venture Capital Co., Ltd. (hereinafter referred to as: Tencent Venture Capital), with shareholding ratios of 38.76%, 27.36%, 19%, 9.88% and 5% respectively. Among them, Shenzhen Youke Interactive Enterprise Management Center (Limited Partnership) and Shenzhen Youke Research and Development Enterprise Management Center (Limited Partnership) are natural persons Feng Ji and Zheng Runzong after penetration. Zheng Runzong is also the director and technical person in charge of Youke Interactive. After penetration, the two hold 44.10% and 31.90% respectively.

From the above analysis, we can see that there are currently only two external shareholders of Youke Interactive, namely Hero Financial Holdings, which holds 19%, and Tencent Venture Capital, which holds 5%. But it is worth mentioning that Hero Financial Holdings is a wholly-owned subsidiary of Hero Entertainment, and Wu Dan, CEO of Hero Entertainment, serves as a director of Youke Interactive. In addition, Ma Xiaoyi, senior vice president of Tencent Group, also serves as a director of Youke Interactive.

Talking about the significance of "Black Myth: Wukong" to China’s game industry. Xu Fanke, a senior data analyst at Gamma Data, believes that the first is the significance of industry growth and global status. Whether it is the domestic market or the overseas market, the difficulty of growing the market size in recent years is much higher than before, and the global sales of "Black Myth: Wukong" mean that the buyout game market is still very promising. "Black Myth: Wukong" is also expected to become an opportunity for Chinese companies to enter the overseas buyout market. If Chinese game companies want to further enhance their global competitiveness, then entering the PC and console fields that overseas companies are good at is likely to be unavoidable. The output of "Black Myth: Wukong" may help Chinese companies take this step more firmly.

Finally, "Black Myth: Wukong" can also help the Chinese game industry better sort out how to balance the game preferences of domestic users and overseas users, such as publicity, R & D (world view, combat system, etc.), which overseas users are willing to pay for and which domestic users are looking forward to. Whether it is in terms of global popularity, user expectations, sales or other aspects, "Black Myth: Wukong" is currently the best performing domestic buyout game, which also means that the industry can observe enough global user feedback.

The above-mentioned game industry analysts said that "Black Myth: Goku" has more confidence in the game industry than practical significance. "From the perspective of actual revenue, the impact on the industry is limited, but if it can be successful, it can give big manufacturers and investors greater confidence, boost the confidence of the industry, and make more content-oriented games." He said, "In addition, start IP linkage without release. This model is very new in the field of stand-alone games. Earn extra income in advance, but this method is very mature in the field of mobile games."

Beijing News Shell Financial Reporter, Bai Jinlei, Editor, Yue Caizhou, School Dealing with Chunyun

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1905 movie network news On April 10, Yang Mi posted beautiful selfies on Weibo after a long time. In the photo, Yang Mi was wearing a fluorescent green hooded sweater with bright yellow nail polish, with bright colors and a sense of spring. The slightly curled black shawl long hair, with exquisite makeup, and the blurry eyes looking directly at the camera are very sultry. Although she is already a hot mom, Yang Mi still has a girly feel.

Yang Mi also posted a few cute photos of the cat, with the caption: "Tree Branch Fatty Warehouse and Fatty Fatty", and the interaction between Yang Mi and the cat in the photo is also very loving. Da Mimi has not updated the selfie for a long time, and the fans are also very excited, and they have left messages to compete with the cat: "Take care of yourself when filming, and have a lot of business" "I’m here!!! I’m that cat!!!" "Wow, it’s actually open, and Ben Pangpang is here too" "My darling, my eyes are blurred, Sister Mi is open".

　　It is always easy to attract everyone’s attention about celebrities. For example, there has been a disclosure of the salary of star studios recently on the Internet, which claims that the staff of many domestic first-line big coffee studios are not as good as the little sister of Foxconn – how is this possible! With full of doubts, the late reporter asked many people in the circle one after another, so how is the income of working for celebrities? What other benefits can you have besides being able to get along with celebrities? Is every star as wealthy as the legendary Fan Bingbing? After reading this report, maybe you can gain a lot of "posture". Shenzhen Evening News reporter, Jiang Shuangchao

　　literacy

　　What are the positions available in the Star Studio?

　　Assistant: Responsible for accompanying the artist to formulate and complete their daily itinerary, including booking air tickets, carrying bags, preparing clothes, serving tea and pouring water, etc. The nanny-type assistant is relatively tired and is almost like the artist’s personal nanny, coming for everything.

　　Publicity: Make a publicity plan for the artists, contact TV programs for their own artists to be announced, and write promotional manuscripts and contact major media for interviews. In short, try to let the world know about the existence of their artists. Once there is negative news, you have to urgently "put out the fire".

　　Agent: Arrange various jobs for artists, and determine the development path of artists. In addition, some studios will set up the position of executive agent, which is basically to cooperate with the agent to be responsible for the execution of performing arts activities, take artists to shows and interviews.

　　In addition to these three main components, a complete star studio should also include administrative and financial positions, of course, there are some exceptions, such as Ren Quan Studio has a catering industry team, Huang Bo Studio has a professional screenwriter, Fan Shang Wenjie Studio also has a lawyer (always ready for a lawsuit?), the most elusive position is Chen Kun Studio’s Visual Identity and Field Explorer – it turns out that because Chen Kun organizes the regular activities of "Walking Power" every year, he needs a strong and wild man to explore the way first.

　　break the news

　　Compared with the treatment, Fan Bingbing Studio is not as good as Ren Quan Studio

　　Chen Kun’s studio employees earned 1,800 yuan, Lin Xinru’s studio employees earned 3,500 yuan, and Zhang Yuqi’s studio employees earned 2,000 yuan… Recently, the so-called star studio salary disclosure sticker was circulating on the Internet, so the deep-night reporter who was shocked by this string of figures conducted some investigation and consultation, and found that working for celebrities is not that low, and of course it is not as high as everyone thought before.

　　Generally speaking, among the employees of the star studio, the income level is from low to high: assistant, publicity, and agent. The income of the assistant is usually around 3,000 because of the lack of technical skills. Yes, don’t look glamorous, in fact, the income is similar to that of going to the factory to work. The income of publicity will be better, roughly more than 4,000, but there are exceptions. Fan Bingbing Studio, which is rumored to have excellent treatment in the industry, is reported to have an average salary of 5,000 or 6,000. There are also some artists who may not be so popular, but the treatment given to their subordinates is quite good. For example, the treatment given by Ren Quan Studio to the staff is very good, which may be slightly higher than that of Fan Bingbing Studio. Not only does he travel at home and abroad every year, but the annual bonus is also not cheap. More importantly, his family commutes on the hour, and he doesn’t have to work hard to work overtime. In addition, the owner of artists such as Haiqing, Zhang Xinyi and Wu Xiubo – Xitian Film and Television, the general income of the publicity staff is around 4,000, but with the commission, it should reach 5,000 or 6,000. Compared with the grassroots staff, the income of the publicity director of the studio will be higher. According to the reporter, the monthly salary of the publicity director of Ren Quan Studio is more than 10,000, excluding the annual bonus.

　　The income of the propaganda staff is not high, but the treatment of the agent on the other side is not low. Generally, their income is also in the form of salary plus commission, of which commission accounts for the majority. For example, if you can help the artists of the studio receive film and television dramas, you can extract a certain proportion from the salary of the artist. If you receive a cost-effective job such as advertising endorsements, the commission may be as high as 5%. In this way, the general agent income is at least 300,000 or more, and there is no upper limit according to the level of the artist. However, the artist agent who can set up a studio should have an annual income of more than 500,000.

　　Follow the stars

　　What are the sweeteners?

　　Five insurances and one fund

　　Basically there are, isn’t this a basic guarantee?

　　Year-end red envelope

　　Previously, there was news that Yang Mi gave the staff 200,000 red envelope during the Chinese New Year. Although it was later confirmed to be fake news, the general red envelope can still reach five digits, but it does not rule out individual stingy bosses giving thousands and hundreds.

　　Paid tours, usually star studios organize trips at home and abroad every year. For example, Ren Quan’s studio went to Sanya one year.

　　Home plane tickets, round-trip plane tickets will be prepared for employees during the Chinese New Year, and some are full-price tickets!

　　contingency benefit

　　Compared to ordinary bosses, the bosses of the star studio were obviously more "heart-hearted". Although the salary given was not high, they would buy insurance for the relatives of the staff and pay plane tickets to visit relatives, and also give other benefits. For example, the employees of the Fan Bingbing studio would receive double red envelopes at the end of the year, one for themselves and the other for their parents.

　　Star Studio Q & A

　　Q = Deep Evening Reporter

　　L = old fritters in the entertainment industry

　　Q: Is it difficult to enter a celebrity studio?

　　L: If it is said that the difficulty of entering Huayi, Hairun and other entertainment companies is level 5, then the difficulty of entering the star studio is at least level 8 or above, and it is basically difficult to enter without relevant professional experience and educational background. In addition, the interview is also very important. Huang Xiaoming Studio used the world’s top 500 exam questions to test each position when recruiting, and also designed some small details on the spot to see the on-site response of the candidates. And Fan Bingbing Studio also needs to test English listening and speaking skills during the interview, which is really scarier than the college entrance examination! And the stars are also very picky. For the studio members, they basically have to interview themselves. It is said that a W male star has interviewed countless people because he wanted to find a decent-looking driver, but he has not found it yet.

　　Q: If you really like a celebrity, can you work for them?

　　L: If you are in a fan mood to work for a star, it is very likely that you will not even be able to pass the interview, let alone get in touch with the star himself. Previously, some outsiders said that many star studios could only use fans to work because of the low salary. I am very responsible to tell you – fake! For fans’ job applications, artists usually directly refuse the door. If it were you, would you be willing to keep someone who is crazy about you by your side? It’s terrible!

　　Q: Does the more popular the artist, the higher the studio’s income?

　　L: Many people think that artists have high incomes, so they will naturally throw a lot of money at the assistants and promoters around them, but please use your brains to think about it. Celebrities’ money doesn’t fall from the sky, so why give it to us at will? Of course, it is not ruled out that lavish masters like Fan Bingbing will give red envelopes from time to time, but I don’t mean to break your dream. Like us ordinary promoters, getting 6,000 or 7,000 yuan a month is already a good one in the industry.

1905 movie network feature The third day of the National Day box office counterattack has also become the fastest National Day film to break 1.10 billion yuan box office.

The five unit short films in the film have different audiences’ impressions. Among them, although the "Road Home" directed by Deng Chao and Yu Baimei is not the best one in the public evaluation, it has also achieved a certain comedic effect and emotional expression that fits the theme.

"We also know that the level is indeed better than when we first started," Deng Chao and Yu Baimei said in our interview. If a two-hour movie is compared to a grade, they have now entered "the third and a half grades" from "The Road Back Home."

Deng Chao and Yu Baimei were interviewed by 1905 Movie Network

"We still have many books to finish. We can only continue to deepen our learning through practice. In the project we will do soon, think about what problems we had last time. We hope that each time we perform better than last time."

Deng Chao and Yu Baimei admitted that if "The Road Back Home" were remade now, they believe it would be better than it was then.

The filmmaking duo, who made three and a half films in six years and called themselves "directing students" in the "third and a half years," knew that graduation was still some time away, or that, on this so-called directing path, there would never be a day when they would actually graduate.

Behind the scenes: Deng Chao gaining weight and growing a beard, Wu Jingcheng "action guidance"

The story of "The Road Back Home" is inspired by director Yu Baimei’s observation and experience of changes in his hometown.

In 2018, he returned to his hometown in northern Shaanxi and saw that the Loess Plateau, which used to be full of rocks and ravines, had become green, and millions of acres of the Mu Us Desert had also been successfully greened. He wanted to write a story about this theme.

In the process of conception, Yu Baimei just saw the news that Yulin had successfully developed the sand apple, "They are digging pits in the desert, and after digging the pits, they put loess in the sand, and after putting the loess, they plant fruit seedlings. The seedlings are also wrapped in plastic sheets for fear of water loss, and then they need to be watered continuously. Because northern Shaanxi is relatively dry, it is very difficult in the desert."

Yu Baimei introduced that it took seven or eight years to develop the sand apple before it was finally successful. The difference between it and the Three North Shelter Forest is that it has both a sand prevention effect and a cash crop. Combining the Mu Us Desert with the sand apple, there is a story background for "The Road Back Home".

Co-director Deng Chao is still starring this time. In order to play Qiao Shulin, a seemingly opportunistic and full of lies, the local boss who is called "Joe’s richest man",He wants to look "greasy" on the outside, grow a beard, gain weight, and "eat his belly out".

As a native of Jiangxi, Deng Chao also had to learn to speak Northern Shaanxi dialect. He said that it was really difficult to learn Northern Shaanxi dialect, "It was me and Wu Jing who struggled more. Of course, Wang Yuan won.

Wang Yuan is the only actor who did not ask for correction in the later dubbing stage. He directly used the original sound on the spot, and Deng Chao and Wu Jing both got the dubbing shed to re-record, and the teacher in northern Shaanxi pronounced it word by word.

Yu Baimei revealed to us a little voice-in-the-scene: "The northern Shaanxi dialect has very heavy nasal requirements, and Deng Chao and Wu Jing were forced to fold in the end, stuffed with toilet paper and blocked their noses. Teacher Shaanxi said this has a smell, but this is more like it."

Mr. Wu has made three consecutive guest appearances in films directed by Deng Chao and Yu Baimei, from "The Breakup Master" to "The Milky Way Tutorial School" to "The Road Back Home." This time, he played the owner of a snack bar in northern Shaanxi. Although he did not show the action scenes he is good at, he volunteered to become the "action director" on the set.

In Miao Fu’s appearance, he needed to brake suddenly at a fixed point in the frame of the camera. For him, who had not driven a car for many years, this action was very difficult. Miao Fu drove many times and couldn’t stop to the designated location.

Wu Jing, who was in the same scene, couldn’t help but take a big cushion and put it at the front, instructing Miao Fu to drive directly into the cushion, and step on the brakes as soon as he heard the sound of the collision. Miao Fu followed Wu Jing’s suggestion and finally succeeded.

Miao Fu’s legs went soft after getting off the bus, "He didn’t expect him to be acting in an action play." Deng Chao also imitated Wu Jing’s state of being guided unconsciously on the set, "Let’s see how to put this, come, okay, wait for this… Teacher Wu Jing doesn’t want sand in his eyes."

"The Road Back Home" was filmed for 26 days and was the third film of "My Hometown and Me." Yu Baimei used "heartbreak" and "gritting teeth and cutting love" to describe the editing stage. The original duration of each group was basically about 40 minutes, and the five groups were 200 minutes. Considering the theater, audience and various factors, they also had to shorten the scene and cut some shots.

Why did Deng Chao and Yu Baimei make progress in making movies?

Deng Chao in "The Road Back Home" and Ge You in "Good People in Beijing" are actually a kind of people who share the same characteristics: they love to lie and play tricks, but they also complete the appropriate response to the main theme proposition.

They all attempt to create a scam by themselves, with the ultimate goal of achieving kindness to others and to their hometown.

The image of Qiao Shulin portrayed by Deng Chao was very distinct. He was wearing a polo shirt with a slightly wrinkled blazer, a briefcase under his arm, and sunglasses on the bridge of his nose. He looked like a down-to-earth local tyrant, not to mention a "fake local tyrant".

In the comedy section, "The Road Back Home" is not the laughing fruit of "The Breakup Master" and "The Villain Angel", but uses Deng Chao’s disguised identity as a local tyrant and his mouth when he fooled "Cargo Queen" Yan Ni to make jokes, such as forcibly doing first class, forcibly rubbing group photos, unable to afford hotels, and using bus cards to swipe to pay.

Why is it that Deng Chao and Yu Baimei have made progress in this film than before, not only in terms of comedy, but also in their success in shaping a relatively plump screen character?A pitiful and lovely Qiao Lin, Deng Chao also played him quite realistically and interestingly.

At the end of the story, a speech story reversal subverted Qiao Shulin’s disliked image as a liar at first. He was the one who really contributed to his hometown. In order to successfully grow and sell sand apples, and lead the villagers to poverty reduction and wealth, he was willing to invest all his money in desert greening and apple development, and even fell into bankruptcy.

Yan Ni’s live streaming host Yan Feiyan also showed a high-minded, arrogant and rude appearance at the beginning. Along the way, she gradually led to her poor childhood and growing up.

Both "The Road Back Home" and Xu Zheng’s "The Last Lesson" depict rural teachers – Teacher Fan and Mother Gao – whose inculcation to their students has nurtured a generation of young people who work together to build their hometown and change the face of their hometown. The same is true of Qiao Shulin, the son of Mother Gao, and Yan Feiyan, who finally changed her attitude.

Yu Baimei said: "Your hometown can be your teacher. There is a teacher Gao in’Galaxy Tutorial School ‘. This time I wrote about another mother Gao, who was a teacher who deeply influenced me in my hometown." From Yan Ni touching Gao’s mother’s red headscarf after getting on the plane to her climbing to the top of the mountain to see her new alma mater, these brushstrokes also stem from Yu Baimei’s true nostalgia for his teacher.

The connection between "The Road Home" and "The Milky Way Tutoring School" also includes the male protagonists Horned Horse Haowen and Qiao Shulin. They are also the same kind of people, both of whom are not understood by the outside world and misunderstood by others. They are all down-and-out fathers who have experienced glory and fallen to the bottom at the peak of their careers.

"The Road Back Home" also has various problems left by "Galaxy Cram School", which needs to be further optimized and improved by Deng Chao and Yu Baimei in creation.Using a tearful student speech to reverse the image of the character inevitably fell into a didactic sense, and also made Qiao Shulin too tall.

No matter what, "The Road Back Home" still had the greatest advantage of "My Hometown and Me" as a whole. It was a movie with "human flavor". There were no absolute good people and no absolute bad people.

It is to use less perfect little people, with small changes in human feelings, to project the inner operating laws of the Chinese countryside, and to reflect the grand proposition of the changes of the times.

We are beginners in directing and watch the same movie textbook as Wu Jing

Three of the directors of the five units of "My Hometown and Me" are "acting is good" – Xu Zheng, Chen Sicheng and Deng Chao, and their directorial debuts are also box office hits.

Deng Chao and Yu Baimei firstThe first co-directed film "Break Up Master" won the summer domestic film box office championship with 665 million yuan in 2014. But what does not match the box office is the criticism of the low quality of the work to the bottom.

At that time, Deng Chao said in an interview with 1905 Film Network: "I hated Deng Chao even more before filming’The Breakup Master ‘. For example, I would complain about other people’s works and compare things… After I finished a movie completely, I knew how difficult it was to be a filmmaker, and then I said I would never complain again."

When it came to "Villain Angel", the infamy of bad movies came one after another. A first-class actor, along with Yu Baimei, was named "an underclass director", and Deng Chao gradually understood how difficult it was to make a movie.

Deng Chao and Yu Baimei admitted that the commercial success of "The Breakup Master" was a fluke, and they began to wonder what it was like to be a director. "Neither of us are actually professional directors. After each shooting, the most discussed thing is the review. We still feel like beginners in directing, and there are many secrets we don’t know."

Obviously, from "Breakup Master", "Villain Angel" to "Galaxy Tutoring School", Douban’s score has also increased from 4 or 5 to 6, and this time "The Road Back Home" can also see a little improvement.

"Galaxy School" can even be seen as a watershed moment in the filmmaking of the directors’ co-directors, moving from a rambunctious comedy to a work with more emotional depth.

Wu Jing, who has made many guest appearances, is the object they have always wanted to cooperate deeply. During the filming of Wu Jing’s scene in "The Road Back Home", Deng Chao and Wu Jing simultaneously received an invitation to cooperate in the film "Kumgang River" to resist the United States and aid Korea. They also hope that the three can find an opportunity to make a feature film together.

Deng Chao, Yu Baimei, and Wu Jing also had a small group in common, and the most talked about their own gains and losses as directors. They bought movie textbooks together, read the same book, and saw that a certain page was related to the movie they shot. They would take screenshots and send them to the group to share the problems encountered during filming, help each other, and make progress together.

For the future, Deng Chao and Yu Baimei do not make too many assumptions. What is clear is that they will make genre filmsSeveral projects will not be comedies, but the comedic elements will always exist in a certain proportion, and even the two people will not always be bound together as directors, with the possibility of independent directing.